https://soundcloud.com/juswel?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://soundcloud.com/boon-suzuki?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Unexpected Visit - with Jussi Welin & Boon Suzuki Hidefumi

You would talk like this if you were a plant.

"Your livelihood is harmless food gathering" - Buddha

And imagine this: 
There are many methods of detecting exoplanets. Transit photometry and Doppler spectroscopy have found the most, but these methods suffer from a clear observational bias favoring the detection of planets near the star; thus, 85% of the exoplanets detected are inside the tidal locking zone.[6] In several cases, multiple planets have been observed around a star.[7] About 1 in 5 Sun-like stars[a] are estimated to have an "Earth-sized"[b] planet in the habitable zone.[c][8][9] Assuming there are 200 billion stars in the Milky Way,[d] it can be hypothesized that there are 11 billion potentially habitable Earth-sized planets in the Milky Way, rising to 40 billion if planets orbiting the numerous red dwarfs are included.

11 billion is a pretty big number.
Since we are not the only species on this earth to have the potential to become “self conscious” and evolve as humans have, perhaps we should try to destroy the earth a little less and learn to live within the law of life.

Working on a billion things. 
Sometimes things go undone.
When I do them it’s fun
Can’t wait for the next time

slow down , breathe deep , and let a forest guide you to peace ..

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

"You don't sound like anyone else," said Danny Thompson - legendary bass player for Nick Drake and Joe Strummer - about English musician Conil.

Tchad Blake, the renowned audio engineer for Tom Waits and Paul McCartney, echoed Thompson's sentiment, declaring, "Strange Part of the Country is an awesome album! I still listen to it."

Conil's music reached great heights when Fleetwood Mac blues icon Peter Green paid a visit to his studio, driven by his admiration for Conil's music. The collaboration between the two resulted in a mesmerizing, mellow version of Conil's homage to the jazz greats, "Round Midnight."

As Strange Part of the Country continues to resonate with listeners around the world, it is experiencing a well-deserved renaissance and becoming an all-time favorite. 

Upon its release in the UK, Strange Part of the Country made some waves. Q magazine, the country's best-selling music monthly, recognized its exceptional quality with a prestigious "Four stars - Q Recommends" rating, while Blues Matters magazine celebrated Conil as "one of the most original artists out there," giving him the front cover feature.

Born in England, Conil's musical roots extend to England, Ireland, and France, but his deep affection lies with the sounds of American music.

Following the release of Strange Part of the Country, he embarked on a transformative journey, spending the past decade residing in various cities across the United States and Europe, including New York City, New Orleans, Chicago, Athens, and Berlin.

Conil is currently immersed in making a second album, a project that reunites him with the incomparable talents of Danny Thompson and Tchad Blake, as well as several other world class musicians.

Carnet de croquis
Carnet de route
  ---- ----
Sketchbook
Travelogue

My focus is on songs, on composition, not on style or genre. The songs  usually have lots of space for improvisation. 

I use a simple little application called "Guitar Pro", not really fit for producing, but a dream come true for rough little sketches like these...

Hope you like what you hear!
Cheers!
Rob

Much of my music is FREE TO DOWNLOAD.
Love this space, wherever it is, and the amazing sounds of humanity. Happy to mix my music with yours, if you have an idea or no idea : ) -- if you would like to remix, remake, redeem any part of anything here, let me know.   ~ 

These are the wonderful musicians I've been lucky enough to work with so far on SC:

MOON DUST - https://soundcloud.com/petri-kiviniemi
Oorlab - https://soundcloud.com/oorlab
Kamikami - https://soundcloud.com/kamikami-sc
Spökpappa (The Ghostfather)- @user-805491886
Cycle of Hands - https://soundcloud.com/cycleofhands
Wane of Summer - https://soundcloud.com/wane-of-summer/tracks
Ami Dreamer - https://soundcloud.com/ami_dreamer
Bonetender - https://soundcloud.com/bonetender
Shrowd ($ad)- https://soundcloud.com/avercoffee
Terry Wigmore - https://soundcloud.com/user-536194718
JBeAt {to my own drum} - https://soundcloud.com/jbeattomyowndrumindiepop
joerxworx - https://soundcloud.com/joerxworx
Koma Gaeshi - https://soundcloud.com/koma-gaeshi
letterfounder - https://letterfounder.bandcamp.com
Dean Massicotte - https://soundcloud.com/deanmassicotte
..dusboblaze.. - https://soundcloud.com/user-430072946
Don't kill butterflies - https://soundcloud.com/dontkillbutterflies
Arma Ignifera - https://soundcloud.com/herronsound
Nicholas Ridiculous - https://soundcloud.com/nickrdavies
Rhiannon's Liquid Soul - https://soundcloud.com/bre-cabin
MingMonk - https://soundcloud.com/mingmonk
ŞöļäçėŠțřëęț - @solacestreet
arse-myth - https://soundcloud.com/learningtoplay

I am overjoyed to be part of something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment--This gesture is so meaningful, both financially and emotionally-- I prefer to let the music be my bio--a huge thank you to those who listen and to those who give."

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Unexpected Visit - with Jussi Welin & Boon Suzuki Hidefumi

Tom Régnier