a one man keyboard and guitar orchestra - with soundscapes that take you to far away places. EST: 2013 // for fans of hammock , nils frahm, this will destroy you, and mono

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

高円寺でOriental Forceという小さなUndergroundなLive / Dj バー、Creative Spceを運営しています。自身はOriental Loveという名義で、電子音楽を中心に現代の民族音楽を志しています。

どこまでも自由に、どこまでも楽しく、どこまでも烈しく美しく、どこまでも優しい、そんな場所にあれたら、と思います。
共に何か新しい価値観の創造、小さいながらも確固たるムーブメントの共有をできれば、心より幸いに思います。

I run Creative Space, a small, underground live/DJ bar in Koenji called Oriental Force. Under the name Oriental Love, I aspire to create modern folk music, with a focus on electronic music.

I hope to create a space that is endlessly free, endlessly fun, endlessly intense and beautiful, and endlessly gentle.

I would be truly happy if we could work together to create new values ​​and share in a small but solid movement.

I make noises.  Sometimes they turn into music.   Thank you for taking the time to listen.  
For the curious, there's much more about me at the first link below.

Puscha is an experimental electronic artist and film composer from Naarm/Melbourne, Australia. With minimalist compositional approaches employed with hyperactivity, they create hypnotic, post-ambient auditory spaces and musical impressions that eschew background and dancefloor prosaic. Taking wide influence from 20th century classical to psychedelic, deep global music to ambient techno and beyond, their music explores psychoacoustic and acousmatic modalities with the aim of provoking catharsis and deeper listening.

jcbsrichards[at]gmail[dot]com

Softs, synths & modules.
'On ne devrait jamais quitter Montauban' (Fernand Naudin).
Merci pour votre écoute / Thank's for listening.

bristol grungy alternative rock.

https://linktr.ee/foochapig


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The new album of The Library Music Institute is now available : Lovesongs (Snow in Water Records, 2022)
www.snowinwater.com

The Library Music Institute is a collaborative project which is inspired by functional music. The musical trajectories of the albums can be very different: from minimalist experiments to electro-funk, from turntablism to modular explorations. Many albums to discover in this
tribute to the 70's Library Music, between aerial imagery, television soundtracks and cinematic nocturnal pieces.

https://librarymusicinstitute.blogspot.com/

Seuil Optique, duo of Sig Valax and Nicolas Tourney, originally dedicated themselves to musical practice in complete darkness, where each sound was generated without any visual aid. This method allowed the duo to develop an acute sensitivity to the acoustic properties of their instruments and the surrounding space. Seuil Optique is interested in the physical properties of sound, intuitively manipulates machines, and creates immersive sound environments. The two musicians invite the audience to active listening and total immersion. Their philosophy is based on the idea that music is not just to be heard, but to be experienced as a complete sensory experience.
Seuil Optique builds frescoes where electronic impulses, slow gestures and acoustic responses intersect: each of their albums, tells the story of an eyeless camera, of a journey beyond the screen. An ephemeral present filled with the memory of this interior film that everyone projects on their eyelids in the evening.

https://seuiloptique.bandcamp.com/
www.seuiloptique.com

Tom Bruce is following