A healthy sampling of my productions from 2014.

1. Deepchild - Dirt Thief (Tomas Jirku Remix) [Thoughtless, Berlin]
2. Tomas Jirku - Solaris 1972 [Thoughtless, Berlin]
3. Tomas Jirku - R.U.R. (Jirku Remix) [Concrete, Rome]
4. Tomas Jirku - Solaris 2002 [Thoughtless, Berlin]
5. Tomas Jirku - Power Block (with The Automatic Message) [Innerflight, Seattle]
6. Jak & Seqwenzer - Super Oxide (Tomas Jirku Remix) [Subspec, Vancouver]
7. Tomas Jirku - Freaktown [FASRAT, Łobez]
8. Noah Pred - Devil's Quadrant (Tomas Jirku Instrumental Remix) [Thoughtless, Berlin]
9. Tomas Jirku - Too Dark [Subspec, Vancouver]
10. Tomas Jirku - Self-Replicating Machine Elves [unreleased]
11. Tomas Jirku - Alquist [Concrete, Rome]
12. Tomas Jirku - Vivisection [Subspec, Vancouver]
13. Tomas Jirku - Acid Air (Maiden Voyage) [unreleased]
14. Tomas Jirku - Deep Space House [Innerflight, Seattle]
15. Tomas Jirku & E.S.B. - Space Walk [to be released...]

It Was a Good Year (mix of my productions, 2014)

I am an artist musician living in Vancouver British Columbia Canada.

Tomas started his career in the golden era of minimal and glitch techno and helped to define the genres. 
His live performance at the inaugural Mutek festival in 2000 caught the ear of Force Inc who signed him shortly after, just eking-out Akufen to become the first Canadian on the label. In the era where vinyl still ruled, and digital downloads were just a twinkle in some corporation's eye, Tomas dropped albums on Traum, Klang Elektronik, Revolver, Audio.NL, and more. 
Since then, two decades of producing has seen Jirku manipulate house on Arbutus Records; hip-hop with his laser-gun-rap project The Killaz; dub on his highly regarded "Entropy" album; electro, ambient, and other experiments that defy genres. With experience performing around the globe and having made his mark on innumerable record labels, Tomas has been honing back in on techno, aiming to maximize the brain and body connection that deep techno can provide.
His recent releases on Seattle's Innerflight, Berlin's Thoughtless, Vancouver's Subspec, and Rome's Concrete record labels further prove that the Canadian producer has built a strong repertoire by not doing anything straightforward or ordinary.