Nowe i popularne: Ambient

Part of a hydrophone recording I made next to an old barge at Ierapetra's port.

Ierapetra Port, Hydrophone Next To Old Barge

High-voltage pole near the railroad tracks. Recorded with LOM Geofón and MixPre3.

Railroad Drone

02-01-2022, Poznań, ul. Botaniczna   16:01

2 stycznia ul. Botaniczna

Ceiling Lights

One half of a short EP called 'Dockside', the entirety of which can be heard/downloaded at https://mola-recordings.bandcamp.com/album/dockside-2

Bridgelift Blue

This is an edited excerpt from an overnight to morning recording made at the shore of the Coorong saltwater lagoon, for anyone who might be curious to dip in and get a taste of one way a Coorong dawn might sound, and how it did sound on this particular morning. The microphones were placed in amongst reeds near the tip of the point of land jutting out into the water, which can be seen in the track photo. This excerpt begins from around 06:25 (ACDT). Calm, cool weather conditions, with considerable condensation.

I've come to the conclusion that listening to recordings - and especially raw, unprocessed recordings - of the Coorong environment may be an acquired taste (although the taste may be acquired from a familiarity with other coastal environments and ecosystems with a similar kind of soundscape). The incessant 
 'Coorong roar' takes some getting used to, particularly when heard through headphones. It took me a long time to accept it and immerse myself in it; but eventually I found that other much quieter but higher-pitched natural details - like the calls of birds, and even the sounds of their interactions with the water of the lagoon and the air itself as they wing through it - can still be quite clearly discerned within the soundspace, without the aid of low frequency attenuation. The adjustment in my attention was more effective than an adjustment in EQ.* (A special thank you to Jan Eerala for helping to catalyse this intuition and shift in my perception (although it only works for natural sounds, of course).)

96/32 > 48/24. Edited excerpt, not processed.

Recorded on land of the Ngarrindjeri people that is now a national park.
_______________________
*Having said that, though, there are still situations in which I will use EQ for certain Coorong recordings: for example, when the subject is a specific detail, rather than the experience of the soundscape or soundfield as an integral whole.

2022.02.20 A Coorong Dawn. Waterline. Late Summer.

"Tuba Mirum" is a part of the "Dies Irae", a Latin poetic sequence used in Anglican and Catholic liturgies, especially the Requiem Mass.

Consider joining the mailing list if you like to be informed about this release.

the list: http://eepurl.com/hcgaP1

Tuba Mirum

2024-06-19

Krótkie nagranie dokonane nad jeziorem Gościąż położonym na terenie Gostynińsko-Włocławskiego Parku Krajobrazowego.
Jezioro jest unikalne w skali Europy ze względu na nienaruszone osady denne gromadzone na przestrzeni 13 000 lat. Objęte jest ścisłą ochroną.

Audio Technica BP4025
Zoom F3

Jezioro Gościąż/Gościąż Lake

An artistic and research project based on the practice of field recordings in old cemeteries.
The Funereal project is set in the broad context of death studies and considerations on memorial sites and deathscapes. It focuses on the soundscapes related to the heterotopic space of old, forgotten cemeteries. In its considerations, it combines seemingly distant threads, regarding memory, sound ecology and the parascientific EVP - Electronic Voice Phenomena.

Coordinates: 50°42'49.6"N 19°22'37.9"E
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Funded by European Union NextGenereationEU.
#kpodlakultury

Choleric cemetery, Pabianice, 22.09.2024, 18.00

Wasteland

Urlop w Gąskach, nad Bałtykiem. Po całodniowej, męczącej podróży wyszliśmy późnym wieczorem na plażę, przed pójściem spać. Żadnego wiatru, słychać tylko rozbijające się fale.
Nagrane metodą zbliżoną do binauralnej, w związku z tym zaleca się słuchać w słuchawkach.

Vacation in Gaski, at the Baltic seashore. After a whole day, tiring trip, we went out to the beach in the evening. Just before calling it a day and going to sleep. No wind, you can only hear the waves crashing.
Recorded using quasi-binaural method, therefore it's recommended to be listened on headphones.

2019/09/08
54.2442488, 15.8781191
Sony M10, LOM Uši

Urlop nad Bałtykiem I / Baltic vacation I

available on Bandcamp

Dzień 1 - Plaża wieczorna / Day 1 - Evening beach

Christian Borgmann aka Samsara, is a Danish-born DJ and record collector.
His journey into electronic music began back in his early teenagehood and after a few years, he discovered the electronic ambient genre which grew into his big passion and later on, lead him behind the decks.
Since the beginning of his DJ carreer, he performed at a great number of festivals and events accross the world and of course in his homeland, Denmark.
Inspired by the nature and isolated places, his mixes are often a selection of ambient / downtempo / IDM music with deep cinematic soundscapes and layers of organic textures.
He joins Ultimae Records in 2015 and is currently selecting works for an upcoming compilation release.

Follow them : 

@samsara-ultimae
@ultimae
https://www.facebook.com/Ambient.Explorer/

Tracklist:

01. Multicast Dynamics - Unitila (Denovali Records)
02. MTRL - Far From Home (IO Records)
03. Rdei - Aú (Visionary Minds Records)
04. The Abyss Within Us - Abyss 3 (TGP)
05. AES Dana - Currents (Ultimae Records)
06. MTRL - Enclave (IO Records)
07. Multicast Dynamics - Atra Il (Denovali Records)
08. Claudio PRC - Hyacinth (Ultimae Records)
09. Vadim Griboedov - Lustprinzip (Shaded Exploration)
10. Biosphere - The Things I Tell You (Biophon Records)
11. Shaded Explorer - Avgrund (La Petite Compagnie)
12. ASC - Ritual Of Light (Silent Season) 
13. The Abyss Within Us - Abyss 1 (TGP)
14. EskoStatic - Closer To (Ultimae Records)
15. Master Margherita - Eight Degrees South (Ultimae Dub) (Ultimae Records)
16. Sync24 - Seqour (Ultimae Records)

Photo by Tomek Kaczmarek.

Stellar Series Episode 39 - Samsara (Æter)

My first ambient sounding song. Hope You like it, enjoy! 
I reccomend listening to it on headphones!

Space

Sunrise

Campfire Stories 70 (The Solace of Water) by Chryslsm

~ About The Story ~

With those lonely bare branches,
Goodbye kisses of the dropping leaves,
And lonely leaves gathered into heaps,
Street scenes with yellowish tint,
Like it was washed with calmness.
Somehow this season gives solace.

~ Chapters ~

Chrysalism - Winter Rainfall (Field Recording, Location: Newlands)
Submersion – Circular I
Purl – Willow (Graft II)
Hotel Neon – The Eye’s Mind 
Araceae – Elemental Peninsula
Chrysalism - Spring River Stream (Field Recording, Location: Newlands Forest)
Purl – Terra Lumina (SVLBRD Remix)
Araceae – The Great Mystery
Submersion – Circular II (N. tibicen)
Warmth – Home 
Chrysalism - Waves in a Tidal Pool (Field Recording, Location: Hermanus)
Gallery Six - Harukaze
Porya Hatami - White Forest (Purl Remix)
Hirotaka Shirotsubaki - Summer Forest
The Green Kingdom - Aetherium Dub
Chrysalism - Harbour Life (Field Recording, Location: Kalk Bay Harbour)
Warmth - Isolation (SineRider Remix)
Olexa - Ancient Forest
Purl - Under Mjuka Vatten (Version)
SVLBRD - Bellsund 
Warmth - Isolation
Frank Sebastian - The Empty Quarter
Steve Pacheco - Monte Sol y Monte Luna
Gallery Six - Balloonfish
Powlos - 2140
Warmth - Anchorage (Leandro Fresco Remix)
Chrysalism - Sea and Segulls (Field Recording, Location: Cape Point)

~ Notes ~

Campfire Stories is a mix series by friends of Silent Season. The focus of the series is on storytelling through deeper electronic music. Artists weave together narratives using the emotional characteristics of ambient and techno music.

Thanks to all the artists and labels whose sounds help tell the story.

Thank you for listening.

- - -

Photo: Kyle Peyton

- - -

www.silentseason.com
info@silentseason.com

Campfire Stories 70 (The Solace of Water) by Chryslsm

Urlop, dzień szósty. Molo w Kołobrzegu. Był bardzo mocny wiatr i wysokie fale przewalały się przez betonowe ściany molo i chlupotało w basenie, gdzie normalnie jest spokojniejsza woda niż wszędzie dookoła. Wiatr właściwie uniemożliwił nagrywanie w jakimkolwiek odsłoniętym miejscu. Pod wodą też działo się znacznie więcej niż dwa dni wcześniej w tym samym miejscu.

Vacation, day six. Pier in Kolobrzeg. It was very windy and high waves were crashing over the concrete walls of the pier and were splashing in the pool where the water is usually significantly calmer than all around. The wind practically made it impossible to record in any other place that was not covered. There was much more going on under water in the same spot compared how it was two days earlier.

2019/09/13
54.1884180, 15.5618672
Zoom H5, Audio-Technica BP4025 / Limpet Hydrophone PRO-01

Dzień 6 - Wysoka fala / Day 6 - High waves

Tired of being bombarded with visual images all the time, I turn myself to the sense of hearing. I invite you to listen to the world with me.
https://tomaszpizio.bandcamp.com

Dzień 1 - Plaża wieczorna / Day 1 - Evening beach

Tomasz Pizio

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