London House DJ and Producer.
Releases on Simma Black, Simma Red, DVine Sounds, Pukka Up, Whore House, Pogo House, Plastik People, Mjuzieek, Conkrete, Plain&Simple, Kidology, Ma'Ana, Nothing But, Centric Music, Zulu, Reel House + more.

www.tomchubb.com

Artist Names:
Tom Chubb
Akimbo
Southern Power

DJ Residencies for MustHaveSoul, DIVA (UAE) & Kinky Malinki (UK and International). 
Full biog available on http://tomchubb.com

Ron Mexico is the selector of the @data-transmission premiere & Podcast/Spotlgiht Mix series and also runs @dtweapons, @63brecords.  Also the selector for @nudetechno premieres/mixes and @discoinfiltrators

I rarely read inbox messages - always email hello@datatransmission.co for premieres, DT Free downloads, mixes (I always delete emails that are just a link)

Bio:
Despite the many weird and wonderful submissions they get from Joe Public at Data Transmission – think everything from bottles of homemade hooch to used underwear – Data Transmission freely admit that we were most surprised to receive a cassette accompanied by a polaroid photo of alphabetti spaghetti spelling out ‘I AM RON MEXICO’ in the post at the tail end of last year. Intrigued, DT dusted off their Walkman and gave the tape a listen to find that what was on offer, was, well…surprisingly good!!! They then set about finding him online, only to find that there was not a single mention of him on the internet.

Several weeks passed and having written Ron Mexico off as an elaborate prank concocted by the over active imagination of one of their many friends with far too much time on their hands, Data Transmission didn’t expect to hear from him again. Then the postman delivered a bottle of tequila every day for twelve days. A postcard then followed, with the following message inscribed in Spanish “Now you’re suitably inebriated, perhaps we can talk on Facebook”. One brief chat later, Data Transmission had arranged for Ron to come with us to burgeoning snow festival, Rise, wherein we’d meet the mysterious selector in the flesh for the first time. His rider, predictably contained a variety of mescal, alongside “1 semi-inflated inflatable shark, a frozen banana and a copy of the Karate Kid on VHS”. The time in the French Alps with a masked Ron was fleeting and having ingested what we’d consider a potentially lethal amount of Mexican spirits, Ron Mexico left as much of an enigma as he’d arrived.

6 years on and Ron Mexico became the selector of all music for Data Transmission

After some gentle coaxing and assurances by Hobbs (UK) that he wouldn’t bring any “cameras or cops” ‘Ron’ instructed him to meet him at London’s St. Katharine’s Dock at 10.47 AM precisely with the promise he’d see him. And see him he did. Arriving by jetski, the still masked Mr. Mexico disembarked on to a pontoon wherein they set about creating 'Scolarisé à Domicile'.

BLACK LEGEND aka Black Legend Project

SHORT BIO
The famous creator of UK’s singles chart n° 1 world hit “You See The Trouble With Me” that became a new millennium house classic as well as one of the all times Ibiza’s anthems and many more from the 90's till now.
Multi gold and platinum discs awarded in a career spanning 30 years and remixer of choice also for major labels. Signings as well using the Black Legend Project alias, productions and remixes to the World’s top Independent labels becoming a Beatport and Traxsource chart regular. Joining forces in 2017 with Defected Records with his new single release “Mr DJ” and his recent 2019 track “Only Human” with Shyam P on Simma Black label. When not in the recording studio, he also brings his groovy house music sound around the world as a Headliner DJ for famous nightclubs hitting the decks of the best clubs and festivals. Listen to his “Legendary Radio Show” every Saturday from 2pm Ibiza time on Mambo Radio, the infamous Cafè Mambo Ibiza own radio station (www.cafemamboibiza.com/radio)

Birmingham born DJ and Producer playing and making Soulful/Deep House, Garage and Disco.

With a passion for house music, Funky Foot delivers a mix each week of upfront, deep and soulful flavours. 

Host of 'The Funky Foot Sessions', 19.00-21.00 GMT, every Friday on Gold Dust Radio - www.golddusthub.com/radio and via Twitch - www.twitch.tv/funky_foot

Curator of 'The Sunday Supplement' podcast series.

And a regular guest on FREEDOM Wednesdays Raid on Twitch.

It's a spiritual thing ... ♥️

Facebook: https://www.facebook.com/profile.php?id=100069847505384

Instagram: https://www.instagram.com/funky_foot

Twitch: https://www.twitch.tv/funky_foot

House, Tech House, Deep Tech, Minimal Tracks & Mixes.

Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co

For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/

For label submissions please head to our in-house label at @63brecords

The Online Dance Music Authority.
Dancing without prejudice since 2008.

It all started for me at around 13 years old as a secondary school boy, when I became fascinated with Electronic Music. I was a big Depeche Mode, Yazzo and Tears for Fears fan, so I liked modern bands using technology. I used to go to Trax Records in Greek Street with my best pal at the time Charlie,  and we'd spend the day in Soho Record shops, and listen to the music they played. One of the first tracks I bought was the beautiful Balaeric classic, 'Song for Denise' by Piano Fantasia in 86' when I was just 13 years old. From then I was hooked and passionately in love with this new electronic sound with a beat.

I'd scraped money working in the school holidays to buy my 1210's and a vinyl addiction continued.

I got my first DJ residency in 93' at Labrynth,which was all down to my new friend at the time Vinyl Matt (a resident DJ at the club). It was filled to capacity every Friday and Saturday at the infamous Four Aces club (orignally a Reggae venue) in Dalston Lane and ran by the enigmatic Joe Wieczorek & lovely Sue, who I idolised at the time. 

A rave club at heart, however having house music secondary rooms where I played my first sets. I used to also visit all the record stores within the M25 making sure Joe's Labrynth flyers were stocked up. and giving out the free comps he'd give me for store managers and owners, picking up obscure but brilliant music along the way.  I was in heaven during this period of my life!

After finishing at Labrynth, and missing DJ'ing to a crowd badly, I started putting on my own parties in 95'. These were small local nights, hiring restuarants and bars and filling them up with friends and their friends. some of my pas played at various London nights such as Release the Pressure and Just Can't Get Enough. I also managed to get CJ Mackintosh play for me as he was a lifetime friend of a pal of mine ar the time. 

After moving upwards with bigger venues, I took the plunge in 98' and hired a proper club with a bigger capacity, Imperial Gardens, and Kinky Malinki was born. 

I had to lie blatantly to Raymond at Imperial to even hire the club as I had no big venue history at all.  These were the days before social media existed.  It was sacks and sacks of letters getting franked at the post office and lots of weekends without much sleep giving out the 60,000 flyers we'd had printed.

Together with co-promoter Paul, we put on nights at Imperial Gardens., The Glasshouse, Aquarium, The Ministry of Sound, The Cross, Turnmills, El Divino and my favourite parties at our monthly residency at Pacha London (where we were the longest running residency). 


We were also guests around the UK at some of the most popular nghts of that era, such as Ultra Vegas, Eye Candy, Hotdog and many, many others.

I stepped away from running the parties years ago for personal reasons, but the passion for house music never, ever fades. 

I'm still as in love with the music 35 years later, as I ever have been ❤️ My music? it's underground baby!

Kinky Malinki 25th Anniversary Part 2 30.11.2024 at 93 Feet East 

Details of all Kinky Malinki events at www.kinkymalinki.com


Tom Chubb is following