Afterburner

Aquí tenéis mi álbum completo "Behind the Eclipse", un álbum de música electrónica, lleno de sorpresas melódicas y sonoras que os sorprenderán. Techno, Synth, Synthwave y algunos tracks que rozan lo cinematográfico, casi dos horas de música electrónica. Lo defino como una caja de bombones musicales variados, vosotros elegís. 

Overlap

surrounded by zombie children? grab your balls and kill this shit!

lyrics:
you look at  
 him in his stroller  
and understand 
that this thing 
is just another problem. 
save your pity 
and get rid of this 

piece of shit quickly


listen to those screams l
isten to those grunts 
and understand 
that there is no other solution 
look at him 
he's already dead
 
look him in the face
you can save him




grab your balls take your gun and kill this child

grab your fucking balls and kill this fucking child

EXORCISOR - GRAB YOUR BALLS

Polar

Horizon

Hologram

Lumen

https://www.instagram.com/reel/DNntOqxN1fi/?igsh=OWJ1M2hqZ3ozNW5j

MARTIAN WASTELAND
The Martian winds whispered across the empty plains, carrying dust like ash from an old fire. When SPACECAT landed, he knew immediately—something here was wrong. His whiskers tingled, his tail flicked. Mars wasn’t just silent. It was watching.

Shapes appeared through the red haze. Astronauts. But their suits were torn, their visors cracked—inside, nothing but pale light, shifting like smoke. They walked with jerking, unnatural steps, boots leaving no trace in the dust.

Ghosts.

The stories were true. The lost crews of Mars missions, trapped between life and death, now wandering the wasteland.

One lifted its helmet, revealing a hollow void that hissed his name:
“Sssspaaacecaaat…”

SPACECAT didn’t flinch. He’d faced worse. Probably.

Then came the sound—metal grinding against rock. A rover rolled into view, but it was twisted, warped by something beyond engineering. Its headlights burned white like empty eyes. Chains rattled as it tore across the soil, hunting.

The ghosts pointed, and the rover roared forward.

SPACECAT sprinted, claws flashing on stone, his jetpack coughing weak sparks. The rover chased close, its mechanical arm snapping inches from his tail. The ghosts drifted after, whispering in unison:

“Stay. With. Us.”

He leapt into the shadows of a crater—and there, waiting, was Zorgo. Oil on his claws, sparks in the dust, he grinned his lizard grin.
“Fixed it. Just in time. The MARS RIDER is yours.”

The machine stood ready: sleek black hull, neon veins pulsing, engines glowing like fire in the dark. It looked alive. It looked hungry.

SPACECAT dove into the cockpit. The rover crested the ridge above, screeching, its jaws widening—

FWOOOSH!

The MARS RIDER launched like a lightning strike, neon trails tearing across the wasteland. The rover gave chase, but the Rider cut sharper, faster, burning over ridges and craters. With a final burst, SPACECAT flipped a switch marked with a claw-scratch: Overdrive.

Engines screamed. The Rider leapt a canyon, fire spilling behind. The rover couldn’t follow. It fell, crashing into the abyss, its death-screech swallowed by the Martian dark.

Silence returned. But not peace.

The ghosts still stood on the plain, far behind now—hundreds of them. Their glowing visors turned, following the Rider’s path. They raised their hands in eerie unison.

SPACECAT narrowed his eyes, tail lashing as he sped into the horizon.
“They’re not gone,” he muttered. “And next time… they’ll come for me.”

The Martian night swallowed the MARS RIDER, leaving only dust and whispers in the wasteland.

Martian Wasteland

Axiom - Pt. 1

OuzGatmoOo Volume 2 (Part.22)

Memorandum captures the echoes of memories lost in time — a blend of emotion, nostalgia, and pure trance energy. Driven by deep pads, uplifting synths, and a powerful melodic lead, the track unfolds like a letter to the past, written in sound and rhythm. Each drop feels like a heartbeat from another world, connecting reflection with euphoria.
Produced by CHARLESWORD under the SILENTH label, Memorandum stands as a tribute to the moments we never forget, even when words fade away.

Memorandum

Soy de Valencia, España, y mi gran pasión desde la infancia ha sido la música. Aunque no tengo formación académica en teoría musical, desde 2021 decidí dar el salto y comenzar a componer de forma autodidacta. 
Mi música está influenciada por referentes como Vangelis o Jean-Michel Jarre, y se caracteriza por un fuerte componente retro de los años 80 y 90, fusionado con sonidos modernos. Me gusta explorar y mezclar estilos como la música clásica, electrónica, techno, ambient, synthwave, retrowave e incluso bandas sonoras inspiradas en la ciencia ficción.

Cada tema busca transmitir sensaciones únicas y ofrecer algo diferente a lo habitual. Estoy en un proceso continuo de aprendizaje y experimentación, creando lo que llamo "rarezas sonoras", piezas que abren nuevos caminos en la mente de quien las escucha.

Overlap

Electronic Kaleidoscope