Gross Misconduct - 2020
Tommy Dougherty  (b. 1990) 

Premiered October 4, 2022 
Newman Recital Hall, University of Southern California 

Joe Pereira, conductor 
Lina Bahn, violin
Jonah Sirota, viola 
Ben Fried, cello
Ryan Baird, double bass
Thornton Edge, ensemble

Gross Misconduct

Thanks for visiting. 
What's new:  Work on my violin sonata is proceeding well.  My new symphony, "Symphony for Chamber Orchestra," is posted and waiting for you.  rjb

Scores and parts for many of my works are available from my publisher Creative Spirit Music Publications. Go to  https://www.creativespiritonline.com and select "Robert John Brooks." There, you can also follow the score while listening to a recording.

My music is fully notated and is intended for live performance by live musicians.

After completing my doctorate in composition in 1979 from UNT, I took 30 years off from composing to join the computer software revolution as a software engineer.  In 2010 I began composing again and have not stopped. So, I find myself beginning (restarting?) a composition career rather late in life...but that's OK.  Most of the works posted here were written since 2010. 

Thanks for visiting.

Composer and violinist Tommy Dougherty (b. 1990) is a native of Pittsburgh, Pennsylvania and is a composer of orchestral, chamber, and solo works.

In July of 2023, the Orchestra of St. Luke’s premiered a new work by Tommy, Impro-Vice, through his participation in the DeGaetano Composition Institute where he worked closely with mentor composer Anna Clyne.  Tommy is also currently in residence with Alexandra Cade at the Winterthur Museum as a Maker-Creator Fellowship Scholar.  His collaboration with Alexandra, The Winterthur Suite, is featured in the Transformations: Contemporary Artists at Winterthur Exhibit from June 2024 through January 2025.  

Over the past several years, Tommy’s music has been performed by the Johnstown Symphony Orchestra, American Composers Orchestra, the Modern Violin Ensemble (MoVE), Alarm Will Sound, the Aspen Contemporary Ensemble, Aspen Conducting Academy Orchestra, Kinetic Ensemble, Thornton School Symphony Orchestra, Shepherd School Symphony Orchestra, and Eastman Philharmonia.

In 2019, Tommy was the recipient of the ASCAP Leo Kaplan Award, and in 2016 and 2017, two ASCAP Morton Gould Young Composers Awards.   In 2018, the Modern Violin Ensemble (MoVE) premiered Extraordinary Instruments, a violin quartet that aims to bring awareness to issues of gun culture in the United States. 

As a violinist, Tommy has served as Acting Section Violin with the San Diego Symphony and has performed with the Pittsburgh Symphony Orchestra, Bozeman Symphony Orchestra, Pacific Symphony, Kaleidoscope Chamber Orchestra, Thornton Edge, and Wild Up in Los Angeles, CA and Kinetic Ensemble in Houston, TX.

In 2019 he completed his DMA in composition at the USC Thornton School of Music where he studied privately with Andrew Norman and Sean Friar.  Tommy received his Master of Music degree in composition from Rice University’s Shepherd School of music and his Bachelor’s degrees in both composition and violin performance from the Eastman School of Music.  

Throughout his compositional studies, Tommy has worked privately with Karim Al-Zand, Arthur Gottschalk, David Liptak, Ricardo Zohn-Muldoon, Carlos Sanchez-Gutierrez, Bob Morris, Leonardo Balada, and Efrain Amaya.  His primary violin teachers include Lina Bahn, Ayano Ninomiya, Lynn Blakeslee, and Hong-Guang Jia.  

You can visit Tommy's website here: 

https://tsdoughertycomposer.com/

Hello, welcome to my page.

I've been making music since 1972. At the time, with Pedro Castro, we created the alternative rock band Petrus Castrus. 

The music I'm placing here is mostly from the home recordings of my ongoing projects and ideas. I created a few playlists (Inéditos) according to language:
Portuguese: https://soundcloud.com/jfcpetruscastrus/sets/ineditos
English: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-en 
Spanish: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-sp
French: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-fr
Italian: https://soundcloud.com/jfcpetruscastrus/sets/ineditos-it

I also placed the concept album "Três Jardins" in a playlist. There are two long tracks (Mediterrâneo and Isaías) for full concept albums, and corresponding playlists that gather some of their individual tracks. A playlist called Synergies gathers the collaboration projects with other musicians in the fantastic SoundCloud community

Petrus Castrus edited records can be found on Spotify and Soundcloud. See the Facebook Petrus Castrus page for more details, including comments about the recordings uploaded here. 

We are both amateur musicians, i.e. music lovers. As for me, I'm just an electrical engineer with a master in AI that really loves creating music and use it to share ideas. That is why all tracks include lyrics or texts.

By the way I'm not interested in third-party offers to boost the number of plays. I like it as it is, and I've always declined such offers. Thanks anyway. 

I don't repost much, just some tracks that I find outstanding and with very few plays, so I can help them to get better known. I believe that repost parsimony also makes life easier for those who follow me.

Enjoy!

*** UPDATE May 2025. Good news. The SC contractual terms have now been corrected, and our music will no longer be used for AI training. NOTE April 2025: It just came to my attention that, unless we do a separate contract, all our uploaded music in SC can be freely used for AI training. This is written down in the legal section, under the licensing paragraphs. What can (should) we do to change that? *** 

*** Note Dec 2024: Alas, AI generated content that is not disclosed as such is now being posted at an alarming rate, sometimes multiple tracks in a single day from fake artists that even write down fake introductions, saying how much they love music that comes from the heart. Please avoid reposting these deceptions, it only adds to the confusion.  And it encourages the algorithms to give them preference. ***

*** NOTE June 2024: Generative AI is becoming amazingly powerful. Nothing against it. Just to avoid the confusion and embarrassment of finding ourselves praising and encouraging mindless algorithms, I believe it would be nice for us to always disclose its usage in our tracks. What do you think?  ***