Kaoz Theory is the iconic record label founded by house music pioneer Kerri Chandler. Established as a creative home for forward-thinking house music, Kaoz Theory consistently champions authenticity, deep grooves, and innovative sounds from both legendary figures and emerging talents in underground electronic music. The label remains dedicated to preserving the true spirit of house, connecting generations of dance music lovers through releases that are soulful, timeless, and rooted in the underground.

deejay or LIVE bookings:  ladykier@mac.com  

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

Bookings: bookingdjdeep@gmail.com
Open Library: djdeepopenlibrary@gmail.com

Sharing with the audience what I think are the greatest records of the moment or what I think are timeless and personal classics is something that has motivated me through the years. I see my job as being a big filter: As a vinyl junkie, I am in the record stores chasing jams almost everyday. And I am also following movements in what I hear such as when techno was revolutionary or when the NY deep house sound really expanded, that’s what I would showcase. Now that a lot of techno and house roots are being revived and also reinvented, I can as always, enjoy playing a lot of new amazing records and some classics!

Twenty years in, from house to techno and everything in between, DJ Deep has immersed himself in the ebb and flows of music, be it NY, Chicago, Detroit or today’s current pulsating waves. He captures the magic of each as a leading figure of the Parisian scene and label owner, connecting the dots both forward and back with his own personal and multidimensional touch.

DJ Deep first got his break when he was invited by Laurent Garnier to DJ at parties such as Oz and Zoo at club Palace, or Boy, in his hometown Paris. Followed by regular appearances at the influential Rex Club, radio shows ‘A Deep Groove’ on then pirate station Radio FG, and later Radio Nova, plus a string of mix CDs on Distance and Respect is Burning, DJ Deep began touring worldwide, spreading his house and techno obsession to audiences craving his deep crates of musical truth.

In 2003, DJ Deep launched his labels Deeply Rooted (formerly Deeply Rooted House) and House Music Records, shining a spotlight on true-to-its roots house and techno records and harder to find gems from the likes of Kerri Chandler, L.B. Bad, Terence Fixmer, Mike Dehnert and Roman Poncet. The dream catalogue sealed his music curatorship with timeless records such as Kerri Chandler’s now classic “Back to the Raw”, Ben Klock’s remix of “Pong” by Kerri Chandler and Francois X’s “Code Red” remixed by Marcel Dettmann.

A reformat in 2015 and DJ Deep’s latest evolution in expression sees him join forces with Roman Poncet as Sergie Rezza, an open-minded experimentation with a standout album on Desire Records and performances including Berlin Atonal. Their straight-up techno live project, Adventice, saw a trio of releases on the reputable Tresor with performances at Weather Festival (Paris), Reperkusound Festival (Lyon) and many more to come. Fang is the duo’s house-leaning alias, which marked Deeply Rooted’s momentous 50th release in 2015. Unabatedly, DJ Deep’s solo adventure also continues with his own deep “cuts” out on his label or under his Rébeval raw house alias, on the cult NYC L.I.E.S Records.

Bookings : booking@interwave.live (DJ/Live World)
diego@analog-a.com (South America)
info@omniverse.sm (Italy)
maucleme@gmail.com (Portugal)
seiji@hitomi-pro.jp (Japan)

Satoshi Tomiie has been a pioneering and driving force within the global electronic music community since the early days of house music. Now, decades after his ‘Tears’ alongside Frankie Knuckles, the Japanese born, New York and based DJ, producer, remixer and label boss is still regular feature in the sets of many of today’s underground elite.
A student of jazz and classical piano, Satoshi is musically adept and accomplished producer who constantly evolved how he works. Experimenting with a new hybrid Modular DJ setup which sees him effortlessly fuse live analogue modular synthesis and with traditional DJ sets. Regularly playing clubs such as DC10, Rex and from South America to Tokyo while releasing music on labels such as YoY, Yoyakuza, Kaoz Theory, No19, MFR, Holic, and his own Abstract Architecture. Satoshi is as relevant as ever and continues to make waves throughout the electronic music community as only he knows how.

In a new era of genre-bending music, Makaya McCraven pushes the boundaries of sound and rhythm to create categories of his own. Called “a sound visionary” who is “not your everyday jazz drummer”, McCraven is a beat scientist. Whether behind the drums or in the lab, mixmaster Makaya McCraven moves between genres at lightning speed.

Deep House was born here.
Deep House lives here.
3 decades of House Music history...and counting.
Full Bio:

Cast your mind back to 1992. The world wide web had only just been invented, and mobile phones were for yuppies and drug dealers. The world we know today was just being born – and being born right at the same time, over in Chicago, was a little label called Large.

Large Music was the brainchild of Windy City resident Jeff Craven, who was worried that house music was in danger of being sidelined in its own birthplace, the international spotlight that had once shone on the pioneering Trax and DJ International imprints having moved on to New York labels such as Strictly Rhythm, Nervous and 8-Ball. “I thought a label with that kind of energy and underground profile could work in Chicago,” says Jeff.  So, pooling funds with a friend, he began finding talent and pressing records. Kerri Chandler's 'Raw Grooves EP' became the label's breakout release, and Large Music hasn't looked back since.

In fact, far from looking back, Large is a record label that's always been about looking forward. In the 90s, their catalogue featured the likes of DJ Sneak, Mateo & Matos and Dennis Ferrer when they were right at the start of their careers, not to mention providing a then-nascent UK garage scene with one of its most enduring anthems in the form of Roy Davis Jr's 'Gabriel'. In the 2000s, the Chicago-based label was quick to pick up on the deep and soulful house coming from the West Coast, releasing material from the likes of Halo, Jay-J, Rasoul, Miguel Migs and Julius Papp. And now as a new decade takes shape, we see Jeff embracing the techier deep house sound that's emerged out of Europe, with recent releases from the likes of Roland Nights, Evan Iff, James Dexter and Matthias Vogt.

Yet while fashions fluctuate and music mutates, one thing that hasn't changed is the Large A&R policy. It's simple: “My formula has always been to release music that I was really into and what I would play as a DJ,” says Jeff. “I'm still just as excited about house music as I was in 1992.” Which probably explains how Large has been able to stay relevant all these years – this is one veteran label that isn't content to endlessly rehash former glories, but who instead keep searching out new underground talent.

At the time of writing this, Large Music is 20 years old, with some 200 singles and 50 albums under their belt, and tracks licensed to over 400 compilations. Which means they've been putting out upfront house music on a weekly basis since before many of the people dancing to it in clubs this weekend were even born. They set out to ensure that house music didn't get sidelined in Chicago in the 90s. What they've actually achieved is to push house forward all over the world for two decades – and counting…

From humble origins in Detroit, raised on a healthy diet of Motown, Jazz and early Hip Hop – Terrel Wallace (aka Tall Black Guy) has become a standard bearer for the current hip hop beats scene. Through a steady stream of productions filled with incredibly clever sample flips and deft production chops, he has won fans across the world, including Gilles Peterson (who included him on one of his Brownswood Bubblers albums), Lefto, Anthony Valadez, Jazzy Jeff, Questlove and countless others. With the tangible beginnings of worldwide recognition, Tall Black Guy has established himself to be one of the most influential producers working today.

2011-2020 has seen TBG's first vinyl releases with bstrd boots, First Word Records, Ubiquity Records and his own imprint Tall Black Guy Productions (TBGP). Plus projects with artists like: 80s Babies, The Primeridian, Malice & Mario Sweet, Maylee Todd, Temika Moore, Teri Tobin, Skyzoo, The Colman Brothers, Little Dragon, The Foreign Exchange, Sola Rosa, Rainy Milo, Georgia Anne Muldrow, The Black Opera, Reel People, Phonte, Zo!, Miles Bonny

***Disclaimer: NONE of my beats are free to use. If you wish to buy a beat etc. please contact : infotallblackguy@gmail.com

_bookings&enquiries

dmonk@shush.dance


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peace&love

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