djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

Find Sasha on: 
instagram.com/djsashaofficial/ 
facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

mgmt/bookings: anand@kompassmg.com

promos:
jordnmoodymusic@gmail.com

releases on:
@odyzeymusic
@jadudala
@bassrush
@wakaan
@streetritual
@adbcrecords
@cyclopsrecs
@noiseprn
@presentlylifted
@alterslashego
@below_the_surface
@particaartistgroup
@myopicsounds
@fuzzypuddles
@beatteamsupreme
@fuxwithit-1
@innersus
@solacefamily

Born and raised in Southern California, Marbs was shaped by a deep love of music, art, and counterculture. His journey into electronic music began in high school and crystallized after two pivotal sets—Lee Burridge at Lovefest and Plastikman live—which inspired the deep, hypnotic sound he’s known for today.

As a founding member of Desert Hearts, Marbs has been instrumental in shaping the brand’s identity—on and off the dancefloor. While widely recognized for his DJ sets and moody, driving productions, he’s also the behind-the-scenes architect of the Desert Hearts Festival. As the festival’s director, he oversees everything from logistics and production to creative direction and curation, helping evolve a grassroots gathering of 200 people into one of the world’s most iconic boutique festivals.

To expand the brand’s sonic range, he launched Desert Hearts Black, a sub-label and event series focused on deep, melodic techno. As a producer, Marbs has delivered multiple chart-topping releases, including the Torus EP (#1 on Beatport), Clean Slate Glow, and The Devil’s Love.

Equal parts artist, visionary, and builder, Marbs remains the backbone of Desert Hearts—embodying its ethos of House, Techno, and Love with relentless creativity and heart.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Jackie Rain is a singer, songwriter, and multi-instrumentalist who started studying piano, theory and voice at just 5 years of age. She made her first commercial break when she was discovered by GOOD Music, as they used her vocal hook for the song “Bam Bam,” with StylesP, AlBe Back, Malik Yusef, and Hassan Khaffaf. The Dallas, TX native is mostly known for her soulful, powerful voice, but is quickly gaining notoriety for her ability to push the boundaries of genres, creating a sound that is wholly unique. Music aside, her conscious lyrics are guaranteed to leave an impact on you. 

       Dubbed, “The Keytar Queen,” Jackie loves to shred on her analog keytar, that she has nicknamed “Big Red.”   She has already been endorsed by the legend John Densmore (The Doors), manager mogul Joe Simpson, and Grammy award winning artist Cody Dickinson. She’s collaborated with artists Composer, Minnesota, iLL Gates, Cy Kosis, The Far East Movement, Rambo, and Computa Games. Jackie has performed at festivals: SXSW, Coachella, Lightning in a Bottle, and Echo Park Rising; and venues such as The Troubadour, House of Blues, The Roxy, Continental Club, Avalon, and many more. 

       As she gears up to release numerous singles this Fall alongside her long-awaited debut album in 2024, you won’t want to miss the opportunity to see Jackie perform in an intimate setting. Don’t be fooled, this chick brings the heat and the rain.🔥🌧️

You can support Jackie’s music by donating a fan-based royalty: https://www.jackierain.com/donations
DM for collaboration inquiries

All socials ⏬🔽⏬🔽

https://linktr.ee/jackierainmusic

Website: https://www.jackierain.com

Thank you for supporting an independent female artist! 
Spread love everyday 🫶

DEMOS: https://tstack.app/desert-hearts-records

Desert Hearts is a tribute to House, Techno, & Love. 

What started as a renegade gathering in the Mojave has blossomed into a movement celebrating love, life, and music. With the annual Desert Hearts Festival holding down the roots of the movement while the DH Crew circles the globe, Desert Hearts Records provides the soundtrack as our family spreads as much love and positive energy as humanly possible. House, Techno, & Love... We Are All Desert Hearts.

Label run by @mikeylion
Management - matt@slntmachine.com

The future is open wide: Join us at homebase, bassnectar.net
or take a deeper dive on The Other Side for unreleased music, mixes, and more: unlocktheotherside.com

tooKoul is following