O fervor criativo de Hugo Oliveira, autor nascido no Porto, quis separar duas
metades de si, que tendem a unir-se com o tempo para expor o seu
crescimento musical e pessoal: Minus na rima e MrDolly nos instrumentais, na
mesma pessoa criaram o álbum “Árvores, Pássaros & Almofadas”.
Os trabalhos anteriores no EP “Distracções” (em 2012) e no álbum
colaborativo “Passeio” em Ollgoody’s denunciavam um ouvido minucioso no
corte e cose, ou seja, na usual técnica de sampling. Agora, mantendo um
olhar atento ao seu redor, Minus é capaz de desenvolver a sua linguagem
duma forma mais aproximada àquilo que sente: nos dois últimos anos houve
um esforço pessoal no sentido de progredir no processo de composição
passando o seu tempo a aprender piano jazz, uma das ferramentas
indispensáveis na sua nova forma de expressão.
De “Beats, Rhymes and Life” a “Árvores, Pássaros & Almofadas”, há um tributo
à arte exploratória do Hip Hop num contexto social e pessoal, criando pontes
rítmicas do boom bap aprimorado de J Dilla à nostalgia cinzenta do Porto.

RM47 “CYBER” OUT NOW  
https://codeswitch.lnk.to/CYBER

ARTIST, DJ, CURATOR & 1/2 of @RM47

It is as bewildering as it is unfair to consider only some of the regions of a country as immense and culturally diverse as Brazil when we think about its immense musical heritage. A common trend that ends up distancing us from a vast universe that lies far beyond the usual southeastern soundscapes and deprives us of delicious surprises like the ones a scene as lively as Belém do Pará's has in store for us. The same that shaped Bernardo Pinheiro's talents and made him one of the most daring and versatile artists of his generation.
Growing up in a home filled with the essential stimuli to the maturing process that turns art lovers into makers, his talents ended up taking shape through practically all the aspects that make up the creation and dissemination of our rich musicality: selector, producer, promoter, protector, or whatever else was needed to fulfill those tasks. And each one of the expressions of his artistic will and vision are manifested in some way all over a career that extends itself for more than two decades, across Brazil and throughout the world.
From Baile Tropical, a project he created alongside Patricktør4 to promote the same Brazilian aural plurality that feeds his repertoire, to his interventions in classics by fellow countrymen such as Fafá de Belém, Leila Pinheiro and other renowned interpreters of Brazilian music such as Djavan, Emílio Santiago, Marcos Valle and Gonzaguinha, the main urge remains is the same: to work this opulent raw material in every possible way. This is what orients him through the rhythmic and geographic immensity of the country to transcend its borders, in an itinerancy that is guided by the mining of musical gems and driven by the desire to share his findings with the public.
This trajectory not only includes visits to the booths of Brasilian venues that are renowned bastions of revelry such as D-Edge, Trackers and Heavy House, as well as Santa Catarina's Don't Tell Mama, it also counts memorable performances at the stages of festivals as diverse as Se Rasgum and Vai Tapajós back in his homeland, Rec Beat in Recife, Mareh Music and Marisco in São Paulo, all the to Virada dos Lençóis in Maranhão and Rio, relentlessly criss-crossing the country. Moreover, this itinerary includes a variety of spaces such as legendary studios and record stores or any other of those special locations where our communion with music takes place, under any pretext or format.
This same drive is transferred unbroken to exquisite musical pieces that comprise a solid collection of authorial releases, gracing the catalog of labels such as Barefoot Beats, Cocada Music, Bongo Synth, Kampana Records, Too Slow to Disco, All About Disco and Midnight Riot. Each of these show his inventiveness shining brightly as he transposes from one universe to another, with both precision and devotion, the full notion of the dance floor and the vivid experience of dance ingrained in a career that has traveled the world while mutating through a range of genres that encompasses Drum & Bass to Disco and House and pretty much everything in between.
A journey that is quite eclectic , never erratic, for its steered by the type of artistic personality and maturity forged along a route that is itself punctuated by expressive moments including all kinds of creative intervention and festive invention: reenergizing classics and reinvigorating traditions, moving bodies and conjuring emotions, all done on and for the dancefloor.

Community, music label and event company based in São Paulo. Mareh Music originated in 2003 from its namesake festival on Boipeba-Island, Bahia. Ever since it has been standing out due to its musical curatorship and special attention with its audience, thusly acquiring admirers all over the world.  Besides that, the Label is running other projects as the bimonthly Babel urban parties that take place in the rooftops of the most incredible locations and Marisco Festival, that the mission is to provide the connection between Brazilian and international groove. Along with the acclaimed festivals Mareh has also released EP’s from reputed artists attracting the specialized critics. Within its releases it’s valid to point out the 10″ dedicated to tropical disco edits by the independent label Barefoot Beats.

contact & demos: contato@mareh.com.br

My new album Pages of Philosophy is out now!!!
https://ffm.to/pagesofphilosophyalbum <3 <3 <3 

Lanzarote is OUT NOW!
https://ffm.to/lanzarote ☀️🌵💦📖🍷

Enquiries
rubyfrancisinfo@gmail.com

Management & Bookings:
adam@secondnature.am
nadia@secondnature.am

Jafrotronica duo from London www.bluelabbeats.com 

Any enquiries please contact 
ferociouskwame@gmail.com or ferociousmaura@gmail.com

Tooli Créme is following