Name: Every Time I Hear That Song - Hanna Lose-Frahn / Toolshed Soundlab by toolshed soundlab
Duration: 4 min 5 s
Description: Here's another Quarantine Times track from ToolShed SoundLab. It's a Brandi Carlile song recorded here at the 'Shed featuring Hanna Lose-Frahn on vocals, Dave Meis - dobro, George Rezendes - guitars, bass, drums and vocals and Lindsay Hamilton - vocals.

Download this song here: http://www.cdbaby.com/cd/benhunter22

Sean Divine - harmonica
Ben Hunter - fiddle
Joe Seamons - banjo

www.benjoemusic.com

communityartscreate.org/wordpress/rhapsody/

Recorded, mixed & mastered by George Rezendes at Toolshed Soundlab.

Molly Put The Kettle On

Download this song here: http://www.cdbaby.com/cd/benhunter22

Adapted from a recording made by Alan Lomax in a Georgia prison camp in 1937. 

www.benjoemusic.com

http://communityartscreate.org/wordpress/rhapsody/

Recorded, mixed & mastered by George Rezendes at Toolshed Soundlab. 

Captain Haney Blues

Download this song here: http://www.cdbaby.com/cd/benhunter22

The composer of this hymn, Charles A. Tindley, is now known as one of the founding fathers of American gospel music. His song “I’ll Overcome Some Day” was developed into the American civil rights anthem “We Shall Overcome.” Born to an enslaved father and a free mother in 1851, Tindley taught himself to read and write, moving to Philadelphia with his wife Daisy in 1875. There, he worked during the day as a janitor and in the evenings educating himself to become a minister through correspondence courses. Over the course of the next five decades Tindley developed a following of over 10,000 people in the Philadelphia area. In 1928, five years before his death, an obscure Texas preacher and farmer named George Washington Phillips made the first known recording of Tindley’s 1901 composition, “What Are They Doing in Heaven Today.” 
We can only guess how Phillips came to learn Tindley’s composition. But, it is interesting to note that—beyond their geographical separation—the two ministers occupied vastly different ends of the formal religious spectrum. While Tindley was a very popular preacher whose sermons were attended by thousands of people of multiple races and denominations, Phillips was known as a “jack-leg” preacher. This meant that he was not ordained, and would be just as likely to be found preaching in the street as in the pulpit. While we will never know if Tindley heard Phillips’ version of his hymn, we can say for certain that the Texas preacher captured the song with both an ease and power that cannot be denied.

The guitar part for our version of this song is adapted from an arrangement created in open B-flat tuning by the American guitar master John Miller. 

Hear George Washington Phillips' version of this song by going here:
https://www.youtube.com/watch?v=or1oZ35NA2U

Support these recordings here: https://www.gofundme.com/4cetkd5y?utm_source=internal&utm_medium=email&utm_content=campaign_link_t&utm_campaign=welcome

Recorded at Columbia City Theater by Wyatt Harbaugh.

Mixed and Mastered by George Rezendes at Toolshed Soundlabs.

www.benjoemusic.com

What Are They Doing In Heaven Today

Download this song here: http://www.cdbaby.com/cd/benhunter22

www.benjoemusic.com

http://communityartscreate.org/wordpress/rhapsody/

Recorded, mixed & mastered by George Rezendes at Toolshed Soundlab. 

Hell's Broke Loose In Georgia

Old Rub Alcohol Blues

River Of Jordan

Download this song here: http://www.cdbaby.com/cd/benhunter22

We assumed at first that his was a Nina Simone original, but of course it turns out to be yet another song to come out of the tradition of the Spirituals. 

Ben Hunter - lead vocals, bones, fiddle
Joe Seamons - banjo
Forrest Marowitz - bass
George Rezendes - guitar
Sean Divine - harmonica

www.benjoemusic.com

http://communityartscreate.org/wordpress/rhapsody/

Recorded, mixed & mastered by George Rezendes at Toolshed Soundlab. 

Sinnerman

We were lucky to hear wonderful stories from Phil about the incomparable Howard Armstrong during the course of this recording. This was one of the tunes that Phil learned from Howard during their years at the Centrum Foundation's annual Acoustic Blues Festival.

'Do You Call That A Buddy' feat. Phil Wiggins

A favorite Wood Brothers tune sung by my good friend and neighbor Piper Dunlap. Another covid days project to keep my hands in producing and engineering in the studio while we are all on quarantine.
Sam Rezendes on bass, Dave Meis on pedal steel guitar and George Rezendes on drums, guitars and harmonies.
For those tech interested: Most of the tracks were recorded with and pair of B&O ribbon mics in stereo Blumlein pattern through a Forrssell preamp. The bass was recorded on a Jack Casady signature bass ( my new favorite bass sound) direct into a UA LA-610 preamp.

Luckiest Man - Piper Dunlap & George Rezendes / ToolShed SoundLab

Here's another Quarantine Times track from ToolShed SoundLab. It's a Brandi Carlile song recorded here at the 'Shed featuring Hanna Lose-Frahn on vocals, Dave Meis - dobro, George Rezendes - guitars, bass, drums and vocals and Lindsay Hamilton - vocals.

Every Time I Hear That Song - Hanna Lose-Frahn / Toolshed Soundlab

Lifelong musician, recording engineer & producer, luthier

Every Time I Hear That Song - Hanna Lose-Frahn / Toolshed Soundlab

toolshed soundlab

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