In the game since 1984...The rest is HISTORY...BLACKOUT!

Underworld are Rick Smith and Karl Hyde. Their peerless first album - dubnobasswithmyheadman - was released to universal acclaim in 1994. In the thirty years since that mould breaking debut, the band have established their reputation as one of the most groundbreaking and important electronic acts of all time, one that constantly pushes creative boundaries, twists genres and refuses to stay still. In those thirty years, their music has soundtracked approximately 100,000,000 nights out, and the mornings after. In the past year alone, Underworld have played live in front of over half a million people all across the globe.

<br /><b>SANE</b> postoji od 1995 godine, i kroz to vrijeme je promijenio nekoliko postava i žanrova, gradova i država, uspona i padova. Od 2010. godine djeluje u postavi Sebastian Jurić - bas/vokal, Nikola Marjanović - gitara/vokal, Stjepan Krznarić - Bubanj/vokal, a koja je upravo u procesu snimanja novog autorskog albuma na engleskom jeziku. Taj album financiraju putem crowdfundinga, bacite oko! http://igg.me/at/sane-original-album  

Kontakt: 095 5312 572, Stjepan

Join us at <a href=http://www.soundcloud.com/groups/united_sounds>the United Sounds Group page!</a>

Translated in 370+ languages, the United Nations’ Universal Declaration of Human Rights (UDHR) outlines the rights to which people around the world are entitled.

Our aim is as many audio recordings representing as many translations as possible, bringing the UDHR to life through sounds and stories from people around the world. 

Track the project progress by joining the United_Sounds Group (www.soundcloud.com/groups/united_sounds), comment on tracks, add your voice!




The composer, singer and flutist Tamara Obrovac from the Croatian city of Pula is one of the most impressive artists on the Croatian music scene. Her ethnically inspired contemporary Mediterranean jazz is influenced by the particular musical and dialectal traditions of her homeland, the Croatian coastal region of Istria.
She writes lyrics in local dialects, of Slavic and Romanic origin, and sings in other ancient and endangered Istrian dialects.
In addition to her international concert activities, she composes music for theatre and film, and she has received many awards for her work, including 8 Croatian national discographic awards Porin (Croatian Grammy).

Her main bands, the international Transhistria Ensemble (Histria is an ancient name for Istra), and her Quartet incorporates elements of jazz, Istrian and Mediterranean music, and many elements of modern music skilfully and naturally, and her utterly original and autochthonous music goes beyond time and geographical boundaries, thus becoming a universal artistic message which establishes Tamara Obrovac as an exceptional artist who has created her own unique musical expression."

“She tornadoes through the stage leaving in her wake an ever increasing number of fans...”
—  Birgit Gabler, Concerto magazine 

"...Obrovac indigenous music found attentive ears in the audience. Her charismatic voice and moves captured quickly the audience..."
—  Mehdi El Mouden, All About Jazz 

"With her brilliant performance she has presented the best of the Mediterranean; the melancholy of fado, the lightness of tarantella and the lyrics in Croatian have melted with the fury of the accordion player Fausto Beccalossi so organically that the following concert of Richard Galliano Piazzolla Forever Septet seemed nothing but perfectly boring."
—  Josef Engels, Jazzthing 

"Cansoneita" ("A Small Song") performed by Obrovac with the Transhistria Ensemble, is a floating, beguiling track, with spacious drumming, tuneful accordion and a delicious lead vocal by Obrovac. 
(BBC Radio 3 World music Awards nominees compilation review)
—  John L Walters, The Guardian 

"She is an audience-captivating phenomenon. With her trio she brought a different kind of energy and soon had the crowd pleading for more. Obrovac has a phenomenal stylistic range and has the temerity to want to take her trio into any number of moods."
—  Sebastian Scotney, London Jazz News 

“Musical Document from Eternity of Universe" - In the interpretations included in this album ("Madirosa"), Tamara artlessly and logically unites a serious approach and joke, tradition and modernity, classical music and ethno, formal demands and freedom, melody and improvisation, regional and middle-European.”
—  Davor Hrvoj, CD review

Cocoon Recordings has been founded in the year 2000 as a part of the Cocoon Music Event GmbH. Sven Väth has initiated Cocoon Recordings in order to complete the Cocoon platform as a supporting tool for young artists in Electronic Music. The label philosophy is as simple as demanding: helping young producers and DJs to release their music without depending on Major Label structures. The releases can mainly be assigned to the genres Techno and House.

Cocoon Recordings as a label and Sven Väth as an artist stand for the use of vinyl as sound carrier, also in the future. Admittedly, the Digital Division of Cocoon Recordings has also been set up in 2008 and the numbers of downloads are indeed enjoyable. However, the label's focus is on vinyl, now and in the future. In order to complete the range of services that Cocoon Recordings offers, the publishing company Cocoon Publishing was founded in 2010.

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