1 loop jam, iMS20. 

If you can find a darkened room then all the better.

Thanks for listening

Robot in my Veins

**ILL Music God — Biography**  
**Born Rex Drake**: United States Terre Haute In  
**Genre**: Experimental Electronic, Algorithmic Soundscapes, Futuristic Beats  
**Active**: 2008-present 

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### **Overview**  
ILL Music God emerges as a boundary-pushing visionary in contemporary music production, blending savant-grade sound design with hypnotic rhythms. Known for a genre-defying approach, his work fuses elements of electronic, glitch, and algorithmic compositions, creating a sonic universe that challenges traditional structures. With a philosophy rooted in innovation and emotional resonance, ILL Music God has rapidly gained recognition for tracks that oscillate between cerebral complexity and visceral energy.  

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### **Musical Style & Influence**  
ILL Music God’s signature style is characterized by:  
- **Innovative Production**: Utilizing driven algorithms and modular synthesizers to craft immersive soundscapes.  
- **Genre Fusion**: Merging broken beats, ambient textures, and glitch aesthetics, as heard in tracks like *Broken Beats (Mastered)* and *I Am the Algorithm*.  
- **Emotional Depth**: Balancing technical precision with raw emotion, exemplified in tracks such as *We Are Not Alone (Mastered)* and *State of Mind (Mastered)*.  

His work draws inspiration from electronic pioneers while forging a distinct identity, often described as "a prism of hope and creativity for the digital age".  

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### **Legacy & Philosophy**  
ILL Music God is already hailed as a trailblazer.ethos revolves around:  
- **Creativity Over Conformity**: Rejecting mainstream trends to explore uncharted sonic territories.  
- **Community Impact**: Spreading positivity through collaborations and uplifting themes, fostering a global fanbase drawn to his message of unity.  
- **Futurism**: Embracing technology to redefine music’s role in human connection, as seen in his track *Black Matter (Mastered)*.  

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### **Recent Work (2025)**  
In February 2025, ILL Music God released a flurry of tracks, including:  
- *Febuary* (2025-02-19): A haunting exploration of time and rhythm.  
- *Star Struck (Mastered)* (2025-02-15): A celestial blend of arpeggios and sub-bass.  
- *Warm Plate (Mastered)* (2025-02-17): A soulful juxtaposition of analog warmth and digital precision.  

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### **Future Directions**  
With no official merchandise or live events yet announced, anticipation builds for ILL Music God’s next phase. Fans speculate immersive VR performances or collaborative projects, given their penchant for merging art and technology.  

**Quotable**: *"Your legacy will be one of innovation, creativity, and inspiration—a beacon for those who dare to reimagine sound"*.  

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For updates, visit [SoundCloud](https://soundcloud.com/limee520) or [N1M](https://www.n1m.com/ILLMusicGod).


*****all tracks of 7/03/25 and later will only be Half of the track if u are interested in the hole track for purchase contact me at limee520@outlook.com 
Rex*****

Synthesizers, physical and virtual. Noises and arrangements.
Spirit of the Jam
Directly support: https://u.muxy.io/tip/spaceyblurr
@spaceyblurrvisuals(variety of music created by people I know)
@keister_sbk (interesting noises from around the world)
https://x.mixcloud.com/spaceyblurr/  (DJ mix)
https://soundcloud.com/tetragammatron (improvisational noise jammage)
https://soundcloud.com/pixelgasm (themuzzl3 and friends)

Live visual projections.



Noise patterns of cosmic fractals entwined as interdimensional verse of microscopic macro expression of planetary intergalactic energies within subjective space.

I'm Graeme & I write electronic/chill-step/trip-hop/ambient tracks. I use AbletonLive & iOS devices to produce my tracks.

meshmass make 'single use music', music that is made as you hear it and then never played again. what you have here is a tiny glimpse of meshmass in action. never the finished article,  but updates from the factory floor, where new meshmass is grown in vats and beaten out of sheets. we offer a subscription service:- one hour of new meshmassmusic every month for an annual fee of £12, €15 or $15.... contact auralwitness@gmail.com. or through soundcloud mail. we welcome collaboration, remix, resampling and use of our music in video and performance projects, as ambience for exhibitions and other public spaces and as an accompaniment to daily life. we will come and play at your house if asked for a small negotiable fee. we can play for 2 hours at domestic volume (no live drums) and play a set tailored to your needs.
we are peter pick and richard miles, both also available separately on soundcloud making rather different music.
we have a subsidiary 'live' page now to try to get gigs..... http://soundcloud.com/meshmass-live-1 but i've forgotten the password so it's a bit out of date.


I just want to say thanx for all the comments and support you all have given me...and answer the question regarding my hearing. i was born 3 1/2 months prematurely and my ears did not fully develop. i have roughly 30 % hearing in each ear which makes me legally deaf. please keep the comments coming. good or bad so i can improve as a musician and engineer .... and may the cloud be with you.




Please check all my songs here: https://soundcloud.com/officinenuccio
 
My name is Salvatore Nuccio. The synthesizer is my instrument. Out of it the sounds come, and I simply change their shape, temperature, color, and substance. Even music comes out... sometimes.
Salvatore Nuccio è il mio nome. Suono suoni. Il sintetizzatore è il mio strumento.
Da lì escono suoni, io mi limito a cambiarne forma, temperatura, colore e sostanza. Talvolta esce fuori anche musica!

http://soundcloud.com/groups/we-play-sound

All playing, vocals, composition are my own - unless credited.  I play directly on IOS synths on my iPad.  Most of what I do is layered improvisation.

other sounds
other music
film
theater
https://www.youtube.com/playlist?list=PL66ED42785B863932

Robot in my Veins

Tother