Moon Shade

Wanna say hi : clementbindzicontact@gmail.com

Young singer songwriter and beat maker Clément Bindzi has established his own unique genre between the worlds of electro pop and house music. 

His musical universe is diverse, working with a number of other producers and artists to bring a noticeable character to each new track. Hinging on melodic synth and robust bass as focal ingredients, Clément also attracts the listener into his stratosphere with his warm vocals and strong sense of harmony.

Hey, thanks for visiting my SC page ;)

I've played piano forever, and a little bit of guitar, but I've started to compose only end of 2010. I was kind of bored playing somebody else's music and needed to create my own to let some of my deepdown emotions fly.

I'm not expecting anything from music but pleasure, when I'm relaxing on my piano and inspiration comes to visit me. I mainly love to compose piano solo / Downtempo and orchestral songs, I'm so in love with orchestra strings...

Thank you so much for all your kind feebacks, I still feel I have so much to learn, but I'm so glad if I sometimes reach people with the emotion underlying in my music.

I enjoy listenning to all of your tracks as well, so many talented people on the Cloud, this is so inspiring. You all rock ;)

Carine.


Hello I am James Milne.  

I am so happy that you are here!

 

To introduce myself, I would say that my deepest passion is to live as clear and connected to our natural way of being. Oneness with the self and life, a state beyond thought and identity, a place of pure insight and creation, of peace, harmony and connection.

 

I find when I live from this space totally in my being, what comes out of me so naturally is an awareness that can help others to connect to what is uniquely true inside of them, an opening into their own higher soul’s creation. 

 

I have understood this knowing my whole life somewhere deep down inside, but I had to have many re-awakenings from the matrix to help me find that place of true creation. Before I could consciously create with the higher awareness. 

 

Form 2005 I was totally obsessed with the healing arts, meditation and the unseen world. I was trying to find ways to share and explain all that was deeply inside of me, studying many different forms of healing, spiritual philosophies and  deep self inquiry.


Since 2015 I have been consciously channeling and understanding my gifts as a medium which actually opened up in the passing of my dad. When I was only 7 years of age. I just didn't understand it at the time but was completely connected to the spirit world.


My deepest passion is the true self beyond all layers of creation, beyond what we are, and what we aren’t. 

When I first started to understand the psychic world, I had to release all of the layers of what I believed that word to mean. 

 
I had polla opposites colliding, the deep state of the true self, felt experience, going beyond this world, into nothingness, oneness, you just can't put into a few words this understanding. Along with the (supposedly opposite world or understanding) the psychic world of multidimensional nature, past lives, soul paths, endless streams of information of who we can be or who we are, and what steps we could take for a better life.
 

Somehow from the contra understand, I now understand both of these realms as one and the same, the personal self and the non-duel world of the higher self. Oneness, the duel will always become non- duel when you look close enough.
 

So I invite you to come join me in presence. Come and let's discover together the greatest mystery of life, the unfolding of the self and this world.

Beyond me, is you and beyond you, is us, and beyond us, is life, and beyond life is the self.

 
Blessings James.

I very much started out playing instruments very late in life, and spent much of my earlier days listening to it, rather than playing it. I am very much a self taught musician and regard my instruments very much like implements, tools or devices to write with, rather than being anything remotely near a good playing musician of any great technique. 

I guess I really got into instruments more back in 1994 when I got into my first band (though I did learn to play the Harmonica when I was 8 years old) it was around this time I wrote a song on the Guitar entitled Oldtime Street. The song is very much even today one that contains some of the finest lyrics I have ever written, and very much perhaps inspired me to carry on.

Though the band back in 1994 was a very short affair, it was not long after I got into a R&B band performing Rock & Blues in various pubs around my own town Birmingham. I was very much the lead singer in this outfit which lasted some 6 years. Though during these years the band had gone through several line up and name changes and came to a stop in 2001. I suppose it was a bit of relief in a sense, because it's quite easy to put a band together, but murder to keep everyone happy, and keep it going.

Even though I only really did Vocals and played my Harmonica in the band, I still found time now and then, for my guitar, and my keyboards at home, and I also contributed in a big way to our own compositions in the band.

My tools are as follows:

Studiologic VMK-188 Plus 88 Key Midi Controller Keyboard.

Yamaha PSR E303 61 Key Keyboard (Used Via Midi)

Yamaha F310 Acoustic Guitar.

Yamaha ERG121 Electric Guitar.

Encore E4 Bass Guitar.

Various Harmonicas in many Keys.

Alesis Performance Pad Pro Drum Machine & Pads. 

Audio Technica AT2020 USB Microphone.

Vic Firth Drum Sticks.

Various VST Software for Keyboards, Guitars & Mixing.

Cubase 5.

Ableton Live 8.

Steinberg Wavelab.

Influences are from mainly 70's Prog/Rock/Blues/Traditional Folk/Electronic Music.                    

Influences in electronic music: Electro-acoustic music, Cosmic music, Ambient. 

Influences initiales:
Tangerine dream, Klaus Schulze, Brian Eno, Michel Redolfi, Christian Zanesi, Jean-Claude Risset, François Bayle, Eliane Radigue, Steve Roach, Steve Hillage, Robert  RIch, Harold Budd, Jon Hassell…
And in a different way, Miles Davis, John Coltrane.

When I was a teenager, when I discovered electronic music in its various forms stemming from the work of these artists in the 70's and 80's, I had the feeling that a window was opening up to an elsewhere, not always benevolent, 
but fundamentally different.

I think that a door has remained open to environmental music with a "romantic", spiritual or exploratory scope. I try to move in this direction by combining different sources of inspiration.

From a technical point of view, I work exclusively with virtual modular synthesis. No wav, no samples, no sound recordings or real environments. This particular aesthetic choice leads me to walk between imagination and realism without ever reaching the latter.

I would like to share this approach with you.

Thank you for your kindness.

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Lorsque adolescent j’ai découvert la musique électronique sous ses diverses formes issues du travail de ces artistes dans les années 70-80, j’ai eu le sentiment qu’une fenêtre s’ouvrait sur un ailleurs, pas toujours bienveillant, 
mais fondamentalement différent. 

Je pense qu’une porte est restée ouverte sur une musique environnementale avec une portée « romantique », spirituelle ou exploratoire. J’essaye d’aller dans cette direction en combinant différentes sources d’inspirations.

Du point de vue technique, je travail exclusivement avec la synthèse modulaire virtuelle. Pas de wav, ni de samples, ni d’enregistrements de sons ou d’environnements réels. Ce choix esthétique particulier m’amène à me promener entre l’imaginaire et le réalisme sans jamais atteindre ce dernier.

Je souhaite librement partager cette approche avec vous.

Merci de votre bienveillance.

Moon Shade

oKa