Ten years ago, Acid Test began with a simple concept—each track the label released would make use of the Roland TB-303. Like a producer purposefully paring down their studio setup, or the continuous imperative within underground electronic music to reduce, this concept engendered creativity with the introduction of what seemed to be an aesthetic limit. However, the decade that followed, which now culminates in the triple-LP compilation Ten Years Of Acid Test, proves acid is limitless.

That the Berlin-via-LA label would expand upon the classical conception of acid house and techno is no surprise considering the cast of characters that have come in fold over the past decade. Ten Years Of Acid Test gathers key material from the label's extended family of acid acolytes. There's that Vienna-via-LA maestro of sad, elegant acid Tin Man (Johannes Auvinen), whose "Afters Acid" is both a highlight within his prolific catalogue and a distillation of his symphonic approach to the 303. Detroit giants Erika and Marcellus Pittman, both of whom have released remixes on Acid Test, present their respective and singular Bass Line visions. Erika, the Interdimensional Transmissions lynchpin, crafts a dark, delicate take on broken techno on "Violet Fungus" while Pittman continues his cubist house explorations on "Unknown Species," both tracks straying from typical acid lines in favor of the intricate textures achievable on the 303.

This variation in approach applies to tempo as well. Irish-based master Lerosa, as well as Delsin affiliate VC-118A, delve into downtempo atmospherics. Meanwhile, Japanese deep techno virtuoso Wata Igarashi, SUED co-founder SW. (a regular on Acid Test's leftfield sub-label Avenue 66) and Patricia (one-half of Acid Test act Ociya) use acid as a creative jumping-off point for complex melodic concepts. Wata layers an orchestra of synth-bliss drone overtop a squelchy bassline on "Ephemeral." SW.'s "ChaIAnJAzzz" cycles through an array of dusted chords eventually landing in skewed, fuzzy rave nostalgia, anthemic chords held aloft by a wicked UK-flavour bass line. Patricia's “Higher Still” explores dreamy, IDM-flavoured acid, cinematic synthlines counterbalanced by propulsive, squelching acid.

Acid Test devotees will be thrilled at the return of various luminaries from the catalogue, including Achterbahn D'Amour, Skudge, AAAA, John Tejada and Donato Dozzy, whose memorable remix of Tin Man's "Nonneo" from Acid Test 01 served as a kind of proof of concept for the label. There's new blood too. San Francisco up-and-comer Sepehr makes his label debut with the excellent "Persian Acid Prince," as does Andreas Tilliander's beloved hardware techno project, TM404.

Like the original Hot Mix 5 Acid compilation, which highlighted the original cohort of Chicago acid innovators including Pierre, Fingers and Armando, Ten Years Of Acid Test is a valuable portrait of a group of artists linked by a dedication to innovation within acid, in line with the genre's storied roots. Over ten years, Acid Test has gracefully made a case for the 303's past, present and future, the story of acid continuing to unfurl in unpredictable, addictive patterns.

Published by Copyright Control
© 2021 Acid Test
Mastering by Stefan Betke @ Scape
Manufactured by RAND
Distributed by Word and Sound
Design by Floating Bastard

F1 - Skudge - Bite

Recording of @hewizee DJ set at SUPERCAMP Festival 2021

Hewan Aman - SUPERCAMP Festival 2021

Bileebob was living in the lofts at 1217 Griswold when I first met him, this is one of the seminal places that the post Music Institute Detroit scene grew out of. People who lived there performed or threw parties in their lofts for rent money, other people living at 1217 included Buzz Goree, the founders of Paxahau, De3n System. Bileebob’s an amazing and unique part of the Detroit scene, having created music and art for years, performing locally and internationally as a member of the Detroit Grand Pubahs and UR, releasing on Underground Resistance, and had a regular zine for so many years. When he sent us the promo for “Star Cross” from his personal Bandcamp page, we loved it, and for the second No Way Back stream both BMG & Derek ended up playing it. We just loved the song, so we asked him if we could give it the full release, and we had Derek Plaslaiko remix it. We’ve included an unreleased amazing tough electro mix of “Network”, a song currently on his Bandcamp page. Digitally we’ve included another more raw mix of “Network” and an after the after party 1217 kind of comedown jam “Club Kid Up All Night”.

Star Crossed

Bileebob - Star Crossed (Preview Clips) [IT 49]

club couch, rhabarberschorle, k-holing with my besties <3

Furthur Electronix
15 July 2022

Vinyl 2×LP, Limited Edition

FE077 -- Sound Synthesis - Hum of Human Dreams LP (Further Electronix)

Cinematic Dark 80s Ambience

Relaxing chillout built on a steady 100 BPM rhythm. Downtempo electronica with smooth melodies and spacious ambience. Music for background, focus, sleep or meditation.

chillout mix, lounge room music, relaxing background music, study music, work music, deep focus music, lo-fi beats, ambient sounds, downtempo mix, calm music, chill music, relaxing beats, music for studying, music for concentration, background chillout, peaceful music, chill lounge mix, music for relaxation, relaxing instrumental, chillout vibes, ambient chillout, stress relief music, soothing background, music for work, chillout session, deep chill

Echoes

idk i was sitting on this one forever. I'm tired of going backwards to tweak it, moving foward :shrug: nothing special! :D

Time

Tresor Records marks its 250th release with a very special project indeed. Continuing to forge ahead whilst remaining ever mindful of its legacy, Tresor proudly presents Infiniti - The Remixes: a trilogy of classic cuts and new reworks from one of its original Detroit linchpins Juan Atkins.

Dubbed as his “pure techno” project, Atkins produced two full-length albums under the Infiniti moniker—The Infiniti Collection, released by Tresor in 1996, and Skynet two years later. 16 years on and they are as relevant today as they were pioneering then, brought further up-to-date here with a series of fresh takes from some of techno’s pioneering and esteemed figures: Thomas Fehlmann, TV Victor, Function, Redshape, Sleeparchive and the re-release of dubtechno vanguard Moritz Von Oswald's remix of "Think Quick", originally released in '94 on Metroplex.

Part One - The Orb’s Thomas Fehlmann picked two tracks, one in each album, to form a very special combo-mix. The shimmering “Walking On Water” and "Raindrops" come together in a beautiful old-school sounding version. Tresor Records ambient stalwart TV Victor plies his vision to present a hypnotic take on the gently elevating “Thought Process”. 

Part Two picks up the pace, heading further down the timeline with “Flash Food”—originally released in 1995 as part of one of the label’s famous annual compilations, re-edited by Sandwell District’s Function. Skynet’s punchy classic on the flip, “Skyway” rounds off the EP with a killer old-school remix by techno’s masked crusader Redshape.

Part Three concludes with a remix package of The Infiniti Collection’s brooding slow-burner “Think Quick”, backed with an offering from one of Berlin’s revered electronic practitioners Sleeparchive and the re-release of Moritz Von Oswald's remix, initially released on Metroplex in 1994 - a rarity. 
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More info on: www.tresorberlin.com

TRESOR250C - B. Infiniti - Think Quick (Moritz Von Oswald's '94 Remodel)

Lost Trax - Surface Treated - Delsin Records - 139dsr

a1. De Laye
a2. Surface Treated
b1. Interstate (Halfway Home Mix)
b2. Still

https://www.delsinrecords.com/release/6495
https://losttrax.bandcamp.com/album/surface-treated

Unknown collective Lost Trax return for a third EP on Delsin following two previous outings since 2017. Also releasing on the likes of Tabernacle and Frustrated Funk, they deal in emotional music that comes direct from the heart and heads straight for the dance floor.

'De Laye' is a quick and slick, deep and dubby techno cut with plenty of room for the twisted bassline and busy, bristling drums. 'Surface Treated' trips you out with sci-fi sounds and electro influences that recall classic Detroit as they surge into the future and 'Interstate' then gets perfectly dreamy and far sighted, with thoughtful chords and keys drifting up top about tight, punchy drums. This most serene and sublime EP ends on 'Still', a crisp electro cut with icy keys and plenty of machine made drum funk. It makes for a most stylish and timeless collection overall.

Numbers And Buildings

Tracey

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