https://vascoribeiromorais.bandcamp.com/album/lost-planet

Elías Merino is a composer, sonic artist and researcher based in Madrid. His practice includes installation, composition, and live performance. His work drifts from algorithmic abstract computer music, to contemporary experimental electronics, and instrumental music; and explores time-perspective shifting, fractured narratives, immersive contemplation, states of bewilderment, otherness, and the uncanny. 
He is also interested in different approaches related with speculative futures and fiction, post-digital materiality, object-oriented composition, and Posthumanities. Combining his personal activity, he is involved in collaborative projects. Elías is one half of the audiovisual duo SYNSPECIES w/ Tadej Droljc and half of Grievous Bodily Harmonics w/ Rian Treanor.


His work has been exhibited across Japan, the US, UK, Spain, France, Czech Republic, South America, Serbia, Turkey, Romania, Italy, Canada, Germany, South Korea, Portugal, Taiwan, Sweden, Poland, Finland or The Netherlands. He has performed in festivals and venues such Sónar Festival (Barcelona and Istambul) MUTEK (Montreal and Mexico),  Philharmonie de Paris (NEMO Biennale), L.E.V. Festival, Semibreve, Cafe OTO, Lunchmeat Festival, HCMF (Huddersfield Contemporary Music Festival), Sonica Glasgow, MNAC - National Museum of Contemporary Art Rumania, La Casa Encendida, National Taiwan Museum of Fine Arts, Matadero Madrid, or MNCARS to mention a few. His recorded albums have been released in different labels including Room40 or SUPERPANG among others.

Elías Merino holds a Masters Degree in sonic arts and PhD in experimental composition at CeReNeM (Centre for Research in New Music).

 

He also ties his practice with different approaches related with speculative futures and fiction, post-digital materiality, object-oriented composition, and Posthumanities. Combining his personal activity, he is involved in collaborative projects. Elías is one half of the audiovisual duo SYNSPECIES.

 

His work has been exhibited, performed and diffused across Japan, the US, UK, Spain, France, Czech Republic, South America, Romania, Italy, Germany, Portugal, Taiwan, Sweden, Poland, Finland or The Netherlands. He has performed in festivals and venues such  Philharmonie de Paris (NEMO BIennale), L.E.V. Festival, Semibreve, Cafe OTO, Lunchmeat Festival, HCMF (Huddersfield Contemporary Music Festival), Sonica Glasgow, MNAC - National Museum of Contemporary Art Rumania, La Casa Encendida, National Taiwan Museum of Fine Arts, or MNCARS among others. His recorded albums have been released in different labels including Room40, Superpang or leerraum among others.

 

Elías Merino holds a Masters Degree in sonic arts and PhD in experimental composition at CeReNeM (Centre for Research in New Music).

Please support us at:
https://trampelfad.bandcamp.com

TRAMPELFÂD
LCEEM
 
Laboratory for Contemporary Electronic Experimental Music founded by Max Elzholz (*1963)




Exploring the Serendipity - Non Rhythmic -
Sonification - Aleatoric - Improvisation - Science - 
Electroacoustic Music- Non-deterministic Systems - Live-Electronics - Laser Synth -
Granular Sample Textures - Databending - Comprovisations - Abstract Music -Avoid Ai...and many more.


Video
https://www.youtube.com/@trampelfad
Concept
https://ibb.co/zTFfshSb
https://ibb.co/xKD7HtmL

Mirtru Escalona-Mijares  (France – Venezuela, 1976)

Born in 1976, Mirtru Escalona Mijares was initiated into music in the internationally known Venezuelan Sistema in his hometown Duaca. In Venezuela he studied with Rafael Saavedra and Gerardo Gerulewicz.  In 2000, José Manuel López-López and Paul Méfano invited him to continue his studies in France, where he obtained his Masters degree in New Music Technology and Composition at the Conservatoire National Supérior de Musique de Lyon with Robert Pascal and Michele Tadini. He also received degrees in Composition from the Music School of Blanc-Mesnil with Philippe Leroux and the National Conservatory of Strasbourg with Ivan Fedele. He  also obtained a degree in Electroacoustic Composition from the Music School of Pantin with Christine Groult. 

The composition is his very personal way to discover himself and the world to which he belongs. He tries to have this reflected into his music in an authentic, poetic and spiritual way. One of his main objectives as an artist is to invite and stimulate the audience to dream with the music, to expand their limits of listening to music and if possible let music bring them closer to this non tangible thread that ties us all together. He is also very interested in incorporating electronics as a logical extension of acoustic instruments, in digital arts applied to music, and in non-Western music as source of reflection and as an awareness of the diverse perceptions of the world.

Escalona-Mijares has received multiple internationally recognised awards, including the Simon Bolivar University Award, the Caracas City Municipal,  (Venezuela), as well as the first prize in the Kuhmo International Composition (Finland), the 9th Biennal Acousmatic Composition Competition Métamorphoses (Belgium), the 26th ICOMS Competition (Italy), the 5th Sun River Composition (China), and the Earplay Donald Aird Memorial (USA).

He works regularly with highly recognized Ensembles, musicians and Festivals such as Ensemble Proxima Centauri, l’Ensemble C Barré, The Black Pencil, Jorge Isaac, Mario Caroli, Cyprien Busolini, Charlotte Testu, Festival Musica Strasbourg, Akousma Ina-GRM, Festival Milano-Musica, San Francisco International Arts Festival, EMUfest International Electroacoustic Music Festival, UNC CHAT Digital Arts Festival, ISCM Festival World New Music, San Francisco Tape Music Festival, Muslab, among others.

His 2017-2018 season includes performances of his latest works in several festivals in Europe, Latin America and the United States.

෴ ه҈҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉҉ه ​​​​​
the bane of job
S280FF@GMAIL.COM

composer_compositrice | new music sorceress

Emmanuel Cremer, cellist, leads an activity of improviser that allowed him to perform on many European and American scenes. Notably with Raymond Boni, Joe McPhee, the Méandres group, Manuchello septet, Famoudou Don Moye (Art Ensemble of Chicago), Jean-Marc Montera, clarinetist Isabelle Duthoit, or Barre Phillips (in all Emir). Studied composition and arrangement at the University of Montreal led him to work for the theater (the mezzanine, Paris), film music (13 Tzameti, Mk2), the Blue Note label with Troublemakers and orchestra Sofia Symphony (album Express way, Blue Note-EMI). He was a resident of the OMI International Art Center in New York in 2010.

L'Orastrana è un collettivo fluido e instabile che nasce nel 1993 come laboratorio di musica e poesia ad opera di Carlo Natali e Marco Corsetti con l'intento di dedicarsi all'approfondimento dell'interazione tra la musica e la poesia attraverso l'improvvisazione.


L'Orastrana is a fluid and unstable collective that started its activity in 1993 from the mind of Carlo Natali (Cnat) and Marco Corsetti, which main goal it's the dedication to poetry and to improvvisation music.

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