The following statements are a sort of a memo:
>>Everywhere there is something interesting to listen
>>>Shut off and dance

http://translucentpulse.bandcamp.com
https://www.facebook.com/translucentpulse
https://twitter.com/xlucentpulse

conceived of in 1995, translucent pulse combines melodic textures, muffled rhythms, and found sounds with an emphasis on improvisation and aleatoricism.

composite, a 17/18-track collection of recordings made between 1995-2003, was released in october of 2003 on the now-defunct kabuki kore label.

anemone, a 5-track EP, was completed in late 2010. subpercipient, an 8-track full-length record, was completed in late november of 2015. both are available at http://translucentpulse.bandcamp.com

for best results, please use headphones.

email: translucentpulse at gmail dot com

Acid, Ambient, Breakbeat, Drum & Bass, Dubstep, Electro, Experimental, Goa, House, IDM, Jungle, Minimal, Progressive, Psychedelic, Techno, Trance, UKG 👽✌🏻

My objective is to share music that has been influential to me through the creative act of conceptual, audio-journaling. 

A deep interest in metamorphosis has evolved into my podcasts. This brings together various styles of sound, while breaking down the walls of genre into pure visionary realms. 

The more inventive projects have a lot going on from intricate layers, to meticulous and extensive original sampling.

N-Joi <3 ✌🏻

[Track lists have been lost for older podcasts.]

Μπλίκι μπλίκι πίου πίου ντούφτι ντούφτι 

Dragonfly Pond was started in the Fall of 2015 to explore and combine various musical styles while utilizing unique and experimental recording techniques. Mainly, although not exclusively, focusing on instrumentals, Dragonfly Pond combines analogue with digital, “soft” instruments with “real” instruments, and “in the box” recording with live microphones and tube amps. Mixing Experimental Rock, Post-Rock, Space Rock, and Psychedelia with Downtempo, Electronica, and Tape Music, Dragonfly Pond builds unique soundscapes utilizing everything from acoustic and electric guitars, to ground up synth sound design and “found” sounds.

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

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