What a fabulous interpretation Darrel. Bravo.

I knew someone would make this into a 21st century piece :-)

I have 2 tracks of Pachelbel's Canon in D.... but they are quite different from this rendition. I particularly like your reproduction of Pachelbel painting. I have never seen it before. I found this track on your Twitter.

A complete rework..... and here at the end the theme. Good to hear some of your work again, even if it took me a year to find it Darrell. :)

New Sounds by Translunar

The album: Alien Oceans
An alien ocean planet recently discovered, you dive deep into research and discovery of unknown waters... Experience the beautiful expanse, shallow waters, murky depths and submarine caves of Alien Oceans...

Release date: 12-11-2021 on Legacy of Thought label:

The tracks:
01 Ambient Indigo - Aquamarine Landform
02 Cosmic Cadence - Toxic Tides
03 Tuuligan - Mirage Oceani
04 Roberto Sass - Sirens
05 Big Beech - Cosmic Coral
06 Tolubai - Interactive Reef
07 Ivan Black - Hidden Brine Pools
08 Andawan - Crystalline Forest
09 Hellweed - Luminous Shallows
10 Colin Stevens - Encounter Below The Surface
11 Ambient Light - Endless Abyss
12 Wane Of Summer - Refraction
13 Time Away - Underwater Islands
14 Talking To Ghosts - Chrome Biome

The artwork: Roberto Sass

Mastering: Chris Held

Check us out on: https://linktr.ee/legacyofthought
Also on #itunes and #amazon

Time Away: https://soundcloud.com/timeaway
Roberto Sass: https://soundcloud.com/dj-rubberman
Colin Stevens: https://soundcloud.com/colin-stevens
Andawan: https://soundcloud.com/andawan
Ivan Black: https://soundcloud.com/ivan-black
K37: https://soundcloud.com/k37productions
Tuuligan: https://soundcloud.com/tuuligan
Tolubai: https://soundcloud.com/tolubai
Ambient Indigo: https://soundcloud.com/ambientindigo
Big Beech: https://soundcloud.com/big-beech
Wane of Summer: https://soundcloud.com/wane-of-summer
Talking to Ghosts: https://soundcloud.com/talkingtoghosts
Cosmic Cadence: https://soundcloud.com/cosmic-cadence
Hellweed: https://soundcloud.com/hellweed
Aestheia: https://soundcloud.com/aestheia

Alien Oceans

Crystalline Forest

If you are curious to learn more about Chinese piano music, here are 5 reasons to discover Chinese piano music. 

1. Yin and Yang. This principle of the Chinese philosophy describes how obviously opposite forces may actually be complementary in the natural world, and how they may enrich  each other as they interrelate to one another. You will experience this philosophy emotionally when you hear how the melancholic and atmospheric sounding piano pieces and the staccato dancing, bouncing rhythmic fast pieces give rise to each other.
2. In Chinese musical symbolism the flowing chords, arpeggios and runs imitate water, which stands in their philosophy for emotions. You will get carried away by the manifold water elements in the piano music.
3. The music has flowing structures and is often using the high register of piano. This gives the music a peaceful and calm sound. You will feel how relaxing it is.
4. The music takes you in a world full of fantasy. Already the titles of the compositions stands for the mystery of Chinese culture: „Silver clouds chasing the moon”, „Twin Butterflies“, „Blue Sunset on the red-coloured river“ or „The Flowery Moon Night of Spring River”. Most of them are expressing the natural beauty of flowers, birds and landscapes.
5. Many piano pieces are folk song arrangements and are rooted in the Chinese culture. You will discover how Chinese composers express the beauty of the land and people by using Western compositional techniques. It is a living developing music.

If you are in Munich on the 11th of February it would be a pleasure if you join me on my “World Piano Tour”. I will play for you the amazing Chinese piano music and talking about my favourite compositions

#Shangrila #Chinesepianomusic

Two chinese songs - Why Are The Flowers So Red and Wo Song

Describing the feeling of war and being on the road to new destinations

https://open.spotify.com/track/2HKICtb3tWu8uNszAFChmr?si=9nDvKoCHQlaWH-IsKui7uw

Broken Silence

A little waltz for Andrea Hotzko and for the swallows. Another little preview of the cd Idili

Nights in Trossin/Retour Des Hirondelles

Hard To Build. Easy To Break.

Hard to Build. Easy to Break.

Anarso

Fyodor Biryuchev is a pianist and composer, recipient of international awards. Fyodor is one of the most outstanding representatives of contemporary classical music in Russia. He is an extremely interesting figure in the context of modern music culture. 
Fyodor Biryuchev works in style which is called contemporary classical, it combines melodiousness and fleshpots of classics with a freedom of expression and simplicity in perception of modern music. 
The second album «By The Sea» is a new stage in the composer's work. In his new record, the author refers to the sea as a phenomenon that is closely and deeply connected with his life since childhood, as he was born and raised in the town by the sea. There are expressive and dramatic works along with gentle and deeply lyrical compositions in the album. New creative signature of the composer is distinguished by diversity, imagery and picturesque. 


‘The album «By the Sea» reflects the stories that I have heard… Coming to the sea is much like returning to your true self. In this sense nature and music have similar impact on one’s personality. The sea is both memories and exciting mystery, as well as tranquility and raging element. That is why the compositions in this album are so diverse’.
                                                                           Fyodor Biryuchev

By the sea 

To be

Pachelbel's Canon is the common name for a canon by the German Baroque composer Johann Pachelbel in his Canon and Gigue for 3 violins and basso continuo (German: Kanon und Gigue für 3 Violinen mit Generalbaß) (PWC 37, T. 337, PC 358), sometimes referred to as Canon and Gigue in D or Canon in D. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from the 19th century.

Pachelbel's Canon, like his other works, although popular during his lifetime, soon[when?] went out of style, and remained in obscurity for centuries. A 1968 arrangement and recording of it by the Jean-François Paillard chamber orchestra gained popularity over the next decade, and in the 1970s the piece began to be recorded by many ensembles; by the early 1980s its presence as background music was deemed inescapable.[1] From the 1970s to the early 2000s, elements of the piece, especially its chord progression, were used in a variety of pop songs. Since the 1980s, it has also been used frequently in weddings and funeral ceremonies in the Western world.

The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.

This is my version and please take a listen!

Thanks

Darrell

Darrell Farnsworth's Album

J Pachelbel Canon in D - In the Translunar styling - D/L

This is the 2nd track I have produced since "the virus" stopped us all doing our day to day stuff!

Timelapse - new Demo - Self Distancing track 2

Hi folks, this is just a demo and a slightly cinematic track with a dark edge to it.

Please take a listen and download if you want.

cheers Darrell

Isolation - Cinematic Demo & D/L

This is another track in my Isolation series and is a far more upbeat piece. Take a listen.

Isolation Project - Happy - D/L

Hi all,

i have purchased a Korg Wavestate, which arrived today and I have out together my first dark ambient track. This is more to test volumes and how it records into Logic X

First Korg Wavestate Dark Ambient experiment - 13/05/2020

You can buy and download my albums here:
https://peternanasi.bandcamp.com/

Living Sequences Pt. 3.

Hi all,
This is the second piece i have composed and produced using the Korg Wavestate. Since purchasing it, it has been a really interesting and exciting experience learning how to find my way around it, but it gets better everyday and I think it is a super synth.
For now I am using presets for pieces as I learn to programme it but I do not want to get carried away and want to become comfortable with all of the sounds, samples and filters, as well as the best way to record it into Logic X before I start to create too many of my own sounds. 
Anyway, please take a listen and let me know your thoughts. I used the following equipment for the track:
DAW: Logic X
Kord Wavestate Synthesizer: Melody, Drum programming and Bassline Sequencing.
Novation Mininova Synthesizer: Melody 
Arturia Lab Moog V Synthesizer: Effects and Bass Pedals Synth

Nebula - Korg Wavestate Track 2 - D/L

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

Coming Home

~~~~~~~~~~
Track Notes
~~~~~~~~~~
The name of this piece refers to the nymph from Homer's "Odyssey" that rescues Odysseus after his shipwreck. The piece features a typical staple of medieval instruments, though does also feature a cello which technically didn't exist until hundreds of years later :) The track starts serenely enough, with dueling whistle and bombarde parts in a type of "conversation" with each other. This then gives way to some ethereal vocals backed by a medieval lute and a baroque guitar ... before all hell breaks loose and the song moves squarely into its second act.

Put on a good pair of headphones and enjoy! Thank you for listening!
~~~~~~~~~~
Instruments:
~~~~~~~~~~
Bowed Strings: cello, hurdy gurdy drone + rhythm, tromba marina
Plucked Strings: bass citole, medieval lute, baroque guitar
Percussion: frame drum, snare, dayereh (similar to a tambourine), tom ensemble
Wind: soprano whistle, bombarde (a medieval reed instrument)
Vocals: 3 female soloists, male shouts
FX: waves, thunder

Image: "Venus" by Lindsay Rapp (https://lindsayrappgallery.com/products/venus-original-painting)

Calypso

Welcome to my music page on Soundcloud. 

My name is Darrell Farnsworth and I am TRANSLUNAR. I am an electronic music composer, producer and sound designer. This is my electronic music project which i setup five years ago to compose and produce melodic, epic electronic music.

Please take a listen to my music and thanks for your support!!!


Cheers Darrell

Hi, My name is Ella and i am 17 yrs old. I am Translunar's daughter.

J Pachelbel Canon in D - In the Translunar styling - D/L

TRANSLUNAR

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