These guys could be huge! http://www.thismustbepop.com/2015/09/28/transviolet-epic-records/

ouvi na serie supergirl no ep 18 very good

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Stuff Like That There

"Sweet Ophelia" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

Kicker

Sweet Ophelia

Pre-Order Now!

"1965" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

1965

"Compass" available on Zella Day's upcoming debut EP releasing on 10" gatefold limited edition decorative swirl vinyl on October 21, 2014 via B3SCI Records. Pre-order here: b3scirecords.bandcamp.com/album/zella-day-ep

Follow Zella on Twitter - twitter.com/zelladay
Like Zella on Facebook: www.facebook.com/zelladay
Watch "Compass" on YouTube: http://bit.ly/CompassYT 
Buy "Compass" on iTunes: http://bit.ly/ZellaITunes
Stream "Compass" on Spotify: http://spoti.fi/1tgdcyT

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at the young age of nine. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family.

The native Arizonan found a calling in music and used it as a form of self-realization penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

Her upcoming self-titled EP is the ideal introduction to Zella, both as an artist and as a woman. The four-track collection showcases her Western Bohemian persona, juxtaposing the crunching drum machines and menacing electronics of its single, “Sweet Ophelia,” with chiming keys and soaring melodies in its lead-off track, “East Of Eden.” Though sonically diverse, this debut is an eye into the future of a prospering young talent. Each song comes straight from the heart as she sings about her love of Arizona (“Compass”), the strength of women (“Hypnotic”), and what it’s like to grow up with a rebellious soul.

Consequently, it’s not surprising the cover artwork features Zella standing in front of a vibrant yellow backdrop. Like the songs themselves, the pop art-influenced cover illustrates the songstress’ perception of the world and femininity with what she calls “fully clothed sexuality.” Drawing from the examples of beauty in Zella’s life, the imagery is both sensual and proper (the only skin revealed is her face) and yet another testament to the importance of girl power that engulfs this album.

This October, B3SCI/Pinetop Records will release 'Zella Day'. The debut EP follows up the April release of a limited edition 7-inch vinyl of “Sweet Opelia”/“1965.” The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut EP showcases a young singer-songwriter’s visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Recorded, Produced and Mixed in Los Angeles @ WAX LTD. Studios by Wally Gagel and Xandy Barry.

Compass

Pre-Order EP

Written and produced by Oh Wonder
Debut album OUT NOW!

Available on iTunes: po.st/OWDebutAlbum 
Buy signed CD/Vinyl: po.st/OWStoreSoundcloud

Apple Music: po.st/OWAppleMusic
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Follow Oh Wonder’s official Playlist on Spotify: po.st/OhWonderPlaylist
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Website/Live: po.st/OhWonderWebsite 
Facebook: po.st/OhWonderFacebook 
Apple Connect: po.st/OWAppleMusic 
Twitter: po.st/OhWonderTwitter
Spotify: po.st/OhWonderonSpotify
Instagram: po.st/OhWonderInstagram

LYRICS

Sat back with the window down
Eighty an hour and the radio loud
The same songs with the same old rhymes
Tell me to shake it off and swing from the lights

But I can’t help but drive away from all the mess you made
You sent this hurricane now it won’t go away
And I promised I’d be there but you don’t make it easy
Darling please believe me 

Cos loving you, loving you is too hard
All I do, all I do’s not enough 
Loving you, loving you
I cannot be loving you, loving you
Loving you, loving you leaves me hurt
All I do, all I do is get burnt
Loving you, loving you
I cannot be loving you, loving you

Count stacks of the routine lies 
Funny how easy you could see my blindside
Still the same songs with the same old beats
Sure I could stay but there’s a place I’d rather be 

But I can’t help but drive away from all the mess you made
You sent this hurricane now it won’t go away
And I promised I’d be there but you don’t make it easy
Darling please believe me 

Cos loving you, loving you is too hard
All I do, all I do’s not enough 
Loving you, loving you
I cannot be loving you, loving you
Loving you, loving you leaves me hurt
All I do, all I do is get burnt
Loving you, loving you
I cannot be loving you, loving you

See I remember all the times you made me covered in crazy
I can’t forgot about the way you played me
Like I was never gonna change your world
It ended long ago so please just let me go
It ended long ago so please just let me go

Drive

© 2015 HOYE Inc, Exclusively licensed to Votiv Music (excl. Canada) and Pirates Blend Records in Canada.

Preorder album: smarturl.it/TheGatesAlbDL

The Gates

Uncover Your Eyes

Cassette Confessions

Transviolet

Bloodstream

Glaciers

MAALA

Unbound

iTunes

High On Humans

Werewolf

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