https://treeecity.bandcamp.com/album/be-with-dub-hold-on

Here are two tracks I made earlier this year and have been playing out for a while that I want to share.

Be With Dub is a sub bass workout I recorded live on the TR-8S and then spiced up a bit in Ableton. It captures some of the way 2024 has felt - woozy, fractured, thundering, world on fire but some how we still lock in despite everything collapsing around us. This track owes a lot to my love for early UK dubstep, especially Mala and Loefah.

Hold On emerges from somewhere in the vortex between deep house and trance, with alien languages fizzing around a core of chunky piano chords and thick bassline. It's very long, but nothing much changes, except everything is always changing. I feel like this would be a fun track to listen to on a long run.

Produced, mixed and mastered by Patrick Phelps-McKeown
Artwork by Crystal Beth and Knob Ross

Be With Dub / Hold On

Here are two tracks I made earlier this year and have been playing out for a while that I want to share.

Be With Dub is a sub bass workout I recorded live on the TR-8S and then spiced up a bit in Ableton. It captures some of the way 2024 has felt - woozy, fractured, thundering, world on fire but some how we still lock in despite everything collapsing around us. This track owes a lot to my love for early UK dubstep, especially Mala and Loefah.

Hold On emerges from somewhere in the vortex between deep house and trance, with alien languages fizzing around a core of chunky piano chords and thick bassline. It's very long, but nothing much changes, except everything is always changing. I feel like this would be a fun track to listen to on a long run.

Produced, mixed and mastered by Patrick Phelps-McKeown
Artwork by Crystal Beth and Knob Ross

Be With Dub

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