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Vizual Records Iz... 
  
  ...the brain and soul child of Joshua Iz - it’s even part of the name. 
  After working with many of the most respected labels in underground dance music, including 
  Prescription, Classic, OM, Guidance, DiY, Joshua ﬁnally felt it time to create his own imprint, 
  hence Vizual. 
  
  Drawing from a myriad of inﬂuences, from heavy Jamaican dub to bleepy Detroit techno, 
  Vizual seeks to develop new musical forms that bridge the gap between pure organic music 
  and abstract electronic sound paintings, yet creating something danceable in the process. 
  Vizual iz...experimental/danceable; vizionary/abstract; familiar/unique.

Growing up with music from an early age, Jonathan (Spy) began his education with the basics.  From music theory and composition Spy began toying with music creation as early as Highschool.  Influenced by artists such as Tiësto, Paul Oakenfold, and Deadmau5, Spy began his career learning all he could about music.  Upholding the ideology that he will never be done learning, Spy takes every opportunity he can to learn new methods and information, with a dream to one day blur the lines of all music styles into a crowd shattering sound and feel.  Spy looks at a performance as a whole, utilizing sound, light, and video to totally immerse the audience in the experience which can only be described as legendary!

For more tracks, check out my label Vizual on SoundCloud: http://soundcloud.com/vizual (Vizual Records) and Iz & Diz: http://soundcloud.com/izanddiz

Follow me, my label and Iz & Diz on Twitter: @joshuaiz, @vizualrecords, @izanddiz

Hey everyone...I make music because I love music and how it makes me feel. It's as simple as that. The music I create has to have feeling, and more often than not what I call 'the feeling' — that feeling that you get when the hair on the back of your neck stands up and demands your attention.

I'm heavily influenced by design and patterns. Reggae riddims are like mathematical formulas for me — the ultimate patterns waiting to be discovered. This notion of patterns can translate to any music...if you can make something with 3 or 4 elements that can capture an audience yet still be relevant generations later, you've done something amazing. 

Not all of my tracks follow that formula but I try to let the sounds and elements speak for themselves in any track.

I listen to a fuckton of different styles of music. Follow me for randomness.

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