Artist: Scan 7 
Title: The Resistance EP
Label: Tresor Records
Cat No: Tresor.255

Tracklisting:

A1. The Resistance
B1. Why Not?
B2. In & Out Of The Groove

Synonymous with Detroit, Techno, and Tresor, Scan 7 have remained protagonists of the Berlin-Detroit axis since it was first forged in the sweaty obsidian of the club’s original Wertheim vault home. Now, over 20 years later, the masked techno collective pay tribute to the triptych’s matted histories on ‘The Resistance EP’.

With identifiable nods to Scan 7’s Underground Resistance affiliations – the label that launched the group, and whose militaristic and political philosophies can be found littered throughout their discography – the EP begins with quintessential Detroit strings and groove before delving into darker techno territory. On the A-side, “The Resistance” offers an uplifting and delightfully nostalgic jaunt through dance music past, using all those favourite and immortal house tropes to deliver instant gratification. Meanwhile, the B-side shows off Scan 7 as masters of warm, yet shadowy techno – plus their trademark drum work – in the hypnotic “Why Not?” and driving, basement-ready “In & Out Of The Groove”. 

Alongside many outings on Tresor’s renowned compilation series, Scan 7 produced two albums for the label – ‘Dark Territory’ in 1996, followed up by ‘Resurfaced’ in 1999 – before leader TrackMasta Lou’s Cratesavers Muzik took over as the group’s primary recording outlet. ‘The Resistance EP’ is a welcomed return to Tresor from one of its stalwart artists, and paves the way for a retrospective compilation on 20 years of Scan 7, due out at the close of the year.


A1. Scan 7 - The Resistance

“She was found by the Mediterranean Sea. wet'n'unchained” 
#hardgroove #acidcaliente #latincore

Luis De Santis is a young prospect from Naples (IT); he has always been influenced by the techno scenarios present in Europe, in particular by the Berlin movement which, fused with the classicism of Detroit techno, create a style that unequivocally distinguishes his sets. His projects are inspired by djs like Jeff Mills, Planetary Assault System, DVS1 and the like, capturing all the sensations and passion that leaks from each track, trying to share all those vibes with his clubbers and using his musical selection as a means of communication of their own emotions. Already part of the Neapolitan electronic movement for some time, he already has a lot of experience in various clubs, performing at parties with international artists of the caliber of Rebekah, Paula Temple, Regal and others, up to producing for international record labels such as Bully Beatz Records and Disclosure House records.

The Miguel Herrnandez project has been born from the desire to revive an internal musical journey. Miguel in his djset has never abandoned the vinyl between technique and sounds sampled on the streets and industrial suburbs, in this way he communicates his futuristic musical visions.

The music that he expresses in his productions and djset is an union of styles, a “crossover”, pure and “hard” music in all its components.
 
Miguel lives in the Val d’Elsa land in the South of Tuscany, an area rich of electronic music culture between Firenze and Siena, an ideal place to make music experiments and research of those sounds that today fully represent his musical line.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.