awesome

July house

Techno

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Saints':

“‘Saints’ was supposed to be a song with vocals – a big New York 1984 almost freestyle type song. Originally it was just drums, bassline, and synths;
it kind of reminded me of something you would’ve heard at Danceteria in ’84 -’85,  pre house music. But I was never able to write good vocals for it. By the end, I kept adding more strings, more orchestral elements, more drums, so I ended up with an instrumental that was so filled, there just wasn’t room for real vocals on it.
I like music with vocals, but having an instrumental on a record provides a moment where the listener doesn’t have to be as engaged, so you can kind of take a little break; the parts of your brain that are engaged by people singing can quiet down for a minute and you can just relax. 

Spike said ‘Saints” reminded him of ‘Slave to the Rhythm’ and ‘Unfinished Sympathy’: when he told me that, I listened to them, and was like, ‘Oh, yeah – you’re right!’ It wasn’t intentional, and I wasn’t aware of it when I was working on it, but afterwards I was like, “Yeah, I hear it.” If you listen to records enough, eventually they are going to infect how you make your own music. The fact that “Unfinished Sympathy” is one of my favorite songs of all time, and “Slave to the Rhythm” is such an inspirational piece of music, it’s not surprising that some of those elements would come through in what I do.”

Innocents

Saints

Buy on iTunes

Rata Antrakt, Rodnya x RTS.FM 12.12.14

Fast Lane is a collection of the brand new remixes of Highway Records tracks released in 2008-2014. Label’s essential tunes remixed by some of the best Russian producers - such as Anton Kubikov, Sergey Sanchez & Thierry Tomas, Nikitin, Asaga, Andrey Burtaev, BarBQ, Monkey Fish and Dave Pad.

Supported by Dave Seaman, Hot Since 82, Coyu, Audiojack, Shadow Child, Edu Imbernon, Anthony Pappa, Joyce Muniz  and many more.

Buy on Beatport:
http://www.beatport.com/release/fast-lane-highway-records-remixed/1437125

Highway Records on Facebook: 
http://www.facebook.com/highwayrecords

SCSI-9 — Tierra Del Fuego (Asaga Remix)

http://www.discogs.com/Instramental-Trevino-Pyramid-Chip/release/3067433

Instra:mental - Pyramid

BUY IT // http://www.deejay.de/MHYH007_-_Mike_Sharon_Dub_Jamz_-_Hidden_Gems_-_Vinyl__224661

Discogs // https://www.discogs.com/Mike-Sharon-Dub-Jamz-Hidden-Gems-002/release/8577565

Another acquisition into our collection of fine gems. Another split effort, but this time ,front faced, is Mike Sharon a first hand guest into our house with two attemporal musical experiences for the music connaisseur. 
On the other side we'll find the younglings Dub Jamz with their intensity and colored tones that boost the soul of those dancefloor driven beatz. 
A MUST HAVE!

TRACKLIST
A1 - Mike Sharon - Apple Split
A2 - Mike Sharon -  Studio River

B1 - Dub Jamz - Cut 01
B2 - Dub Jamz - Cut 02
//

MHYH007 - Mike Sharon / Dub Jamz - Hidden Gems #002

Limited Vinyl release July 2016.

Mastered by Shane The Cutter at Finyl Tweak - www.finyltweek.com/

Artwork by Mark Johnson - www.markjohnsondesign.co.uk/

Contact:
Email - info@hungarianhotwax.com
Twitter - @HungarianHotWax
Instagram - HungarianHotWaxRecords
Facebook - www.facebook.com/HungarianHotWaxRecords

https://soundcloud.com/danwain21

https://soundcloud.com/felix-dickinson
https://www.facebook.com/FelixDickinson/


Dan Wainwright - Kabila Ngoma (Felix Dickinson Remix)

A1 Testarossa
A2 Tonight Is The Night
A3 You & Me
B1 Vision Of The Third Eye
B2 When The Night Comes To An End

Marvis Dee returns to In My Dreams for the second part of his EP series with the sparking, 80's boogie-house 5-tracker, Dreams Of A Future Metropolis.

Out 1st July!

Marvis Dee - EP2: Dreams Of A Future Metropolis [DREAMS003]

Express you. Expresso. Self. Selfo. 
A glimpse in the past. Thinking about stuff. In general. Changes and experiments in/of energy. Off/On. 
Why not dig your own rave? Substances altering your mind. Creating an understanding. In general. 
Beat, base, chords who / what is Sandro? Defining an era, changing – on the verge to the next one. 
In and off balance. Having a jazzy “moment”.  Rudolf in the maze. 

We are happy to present to you PP017.
Consum.

B) Mr. Tophat - KitKat Maze (snippet)

A) Mr. Tophat - Kiss–O–Sandro (snippet)

Kern Vol.3 mixed by Objekt

Following contributions by DJ Deep and DJ Hell, Tresor Records are proud to present the third instalment in their Kern mix-series, this time headed by Berlin based producer Objekt, his first release following his 2014 debut album Flatland for PAN. In keeping with the series mission of showcasing a more personal approach to mixing Hertz describes his process as such;

Kern Vol. 3 is made up of tracks that I know I will play and love for years to come. Some of these records have been in my bag for years; others are almost as new to me as they are to you. A handful are by lesser known artists whom I admire and who I think deserve wider recognition. Planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a DJ mix but settling in a sweet spot between live recording and studio trickery. The tracklist spans styles, decades and BPMs in an attempt to craft a mix that’s unpredictable and compelling in equal measure – one that draws from the more adventurous corners of my club sets, but above all, one that’s a pleasure to listen to.

Clocking in at 75min across 36 tracks, Kern Vol. 3 delivers on Objekt's promise, stitching together everything from the playful breakbeats of Beatrice Dillon's "Halfway" to Kirk DiGiorgio's classic techno "Nebula Variation" and the lightspeed IDM of Aleksi Perälä and Ueno Masaaki without missing a beat. A descent through ambient bliss, thundering cello drones and vocal contortions (courtesy of Anna Caragnano, Yair Elazar Glotman and Senyawa's Rully Shabara respectively) give way to the stoned haze of Sensational vs Sotofett and metalwork of Machine Woman and Skarn, rounding up a highly eclectic and adventurous mix which also includes previously unreleased tracks by Bristol's Shanti Celeste, rising Brooklyn producer Via App and accomplished electro technicians Clatterbox and Polzer.

Kern Vol.3 releases on Tresor Records on July 8th.
In usual form the mix CD will be accompanied by two 12"s comprising the exclusives and rarities.


B1. Polzer - Static Rectifier

First release on the newborn SAIDAN Records, founded by Tetsumasa, Japanese electronic music producer based in Berlin.
He was influenced by Abstract Hip Hop culture and started making music, teaching himself music composition and electro-acoustic/music concrete techniques. 

Tetsumasa- ASA EP - 04 Brain (Mogano Remix)

Tetsumasa- ASA EP - 02 Brain

JG12 A2 Domenico Crisci - "Seagulls Scream"

JG12 A1 Domenico Crisci -  "Unknown Body"

Contra EP

B.YHZZ - AGES

This is the first Various Artists record on Peder Mannerfelt Produktion with tracks by Isabella, Andre Kronert, Peder Mannerfelt and Sissel Wincent.

A1 - Isabella - Ominate
A2 - Andre Kronert - Tenth Street Rag
B1 - Peder Mannerfelt - Wake UP!
B2 - Sissel Wincent - Tricky Question Why

PM V/A Vol. 1

Sissel Wincent - Tricky Question Why

Peder Mannerfelt - Wake UP!

Swear

From DJ Spider & Marshallito's Deadly Structures EP (TTT011)

http://www.thetrilogytapes.com/ttt/

DJ Spider & Marshallito – A2. C17H21NO4

The Poison Tree (David Lynch Remix)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.