Donato Dozzy - Gol

Preorder 'Maintain The Golden Ratio': https://Cybotron.lnk.to/MaintainTheGoldenRatio

Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of "Meta". 
 
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan Atkins and Rik Davis were able to re-engineer Cybotron  &ndash;  a combination of the words "Cyborg" and "Cyclotron" (an atomic particle accelerator) &ndash; to be used as a home studio performance music that would change the course of independently produced and distributed electronic music.
 
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron's future forward funkadelic sound "techno" in reference to Alvin Toffler's concept of unlikely "techno rebels" against technocracy. Techno is music that sounds like technology, and its purpose was to help society survive our collision with a universally felt "future shock" by inserting an audio virus into the cultural matrix. 
 
Techno's blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into new sound technologies and create new 'sonic' spatialities where listeners can transport themselves out of the physical world into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized mid-stride, dissolving physical and virtual reality into sonic fiction.
 
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500 formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno music is self-aware.
Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision out of sync with our current rave new world. 

Cybotron's return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan Atkins' initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12" &ndash; uploaded directly into the alleys of your mind.

-	The Rhythmanalyst

BANDCAMP

Cybotron - Maintain

Sound Synthesis – Orbital 107
Orbital Mechanics ‎– ORBITAL 107
Vinyl, 12", White Label
2023, Spain

Distributed By – Under The Radar / Clone
https://clone.nl/item73539.html

Sound Synthesis - Memorable Nights

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

Cybotron - Parallel Shift

DE DANTE - Human Automata

ENIGMAN - Moonlight

-ENG-

With a live act running three-year strong and two bold digital compilations, Vernacular is proud to present its first vinyl release.
Crafted with a collective effort in mind, this 12" takes Vernacular's primordial crew mentality one step further, and welcomes the great @voiski on remix duties. From Trance-talgic Techno to Electronica wanderings through Bass music wastelands, this EP is a journey among the numerous influences of Vernacular Records.

-FR-

Après trois ans d’expérimentations live, et fort de ses deux premières compilations digitales, Vernacular est fier de vous présenter sa première sortie vinyle. Constituée de morceaux issus d’un travail collectif, ce disque se veut le prolongement de la mentalité de l’équipe depuis ses débuts. De Techno teintée de nostalgie trance à Electronica bucolique sans oublier la Bass Music, ce premier EP est un voyage dans les nombreuses influences des entités de Vernacular Records, et s'adjoint d'un remix du grand Voiski.

@vernacularmusic
https://vernacularrecords.bandcamp.com/music
facebook.com/vernacularparis

VRNCLR001

STREAM & DOWNLOAD

04. Vernacular Orchestra - Thunderquest (Voiski Remix)

Foreign Frequencies

In celebration of International Womxn's Day 2020 all proceeds from this release will go directly to the following organisations;

-VDAY www.vday.org
-The Society of Gynecologic Oncology www.sgo.org

Purchase via our Bandcamp www.radiantlove.bandcamp.com

Special thanks to all the artists involved in this project and VASE for mastering.

Artwork by Byron & Brandi

<3

Sansibar - Plastic Flight

Malta-born Keith Farrugia aka Sound Synthesis has been highly productive through a great amount of quality releases during the last two years. 
This time he joins eudemonia for his next strike. 
The record consists of three masterly crafted tracks which evidence his talent to produce wonderful melodic electro music. 
Each of them tell their own unique story, rounded up with a remix by Motor City mastermind Shawescape Renegade.

Sound Synthesis
Soundcloud: https://soundcloud.com/sound-synthesis-official
Facebook: https://www.facebook.com/SoundSynthesisOfficial

Eudemonia
Soundcloud: https://soundcloud.com/eudemoniarecords
Facebook: https://www.facebook.com/eudemoniarecords
Instagram: https://www.instagram.com/eudemonia_music/

Floating Away EP

PREMIERE: Sound Synthesis - Floating Away (Eudemonia)

https://www.discogs.com/Cignol-Overview/release/17249380

Cignol's debut on Nocta Numerica (Vinyl / Digital)

Pre-order your copy here (Limited edition of 300):

Bandcamp: bit.ly/3s2lU7Y
Syncrophone: bit.ly/2YcwfAD

Juno: bit.ly/3phlbhF
Clone: bit.ly/2KQqFRs
Deejay: bit.ly/3c4vDoS
Redeye: bit.ly/2YqewG9

EP EXPECTED FOR FEBRUARY 2021

Catalog number: NN019
Title: Overview
Artist: Cignol
Distributed by Syncrophone (Worldwide)
Artwork: Christophe Le Gall
Mastering: MA Spaventi

A1 - Overview
A2 - Set To Sync
-
B1 - Somewhere In Your Mind
B2 - Memory Minor

Cignol - Memory Minor

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.