Radial Records is the self-titled techno imprint from Jeroen Liebregts aka Radial. Dutch born and now based in Barcelona, he is co-founder of the legendary Audio Assault records and his music can be found on the likes of Mord, Token and Marcel Dettmann Records.

Radial is a producer with a number of aliases, and his renowned and rare Finder moniker branches out to new spectrums of techno and creativity with previous releases on Soweso and Lower Case Life.

Expect to hear deep, analogue grooves with dreamy synth chords and Detroit-influences in these rather cosmic cuts...

Finder - Suzuki Expander

Full album → goo.su/AixT9
Previews → lc.cx/URPmab
Artist: cat can do https://soundcloud.com/user-943722762
Title: M SERIES VOL.2
Format: Vinyl, 12" / Digital
Artwork by Masha Weisberg
Rel date: end of February 2024
Catalogue: DREA015 https://soundcloud.com/diffusereality
Tracklist:
Vinyl:
A side >>
A1-M15
A2-M18
A3-M7

B side >>
B1-M5
B2-M2

Digital:
1. M15
2. M18
3. M2
4. M14
5. M5
6. M7
7. M30
8. M21
9. M16
10. M17
11. M1
12. M0
13. M9

Written, Produced and Mixed by Sean Parker.
Mastered by Jesse Creed at CanMARC, Vancouver.

Vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.

www.diffusereality.net
linktr.ee/diffusereality

PREMIERE: cat can do - M15 [Diffuse Reality]

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

BANDCAMP

Datashader - Velocity

Datashader - Sub Osc

Datashader - Tight Gate

ntrinsic Rhythm is delighted to release new music by Irish Electro great Decal (Alan O'Boyle) that was initially planned for his "Trama Industries" label in the early 2000's with 4 across the physical 12" vinyl release and 8 digitally.

Decal on this release -

"At the time I'd have been fairly upfront about wanting to release tracks that were faster than most and in a style that wasn't straight electro. Some of these tracks fell into a weird middle ground for me, so they got put aside. It had been 20 years since I'd heard any of them and on listening back I reckoned that time had been kind to them so I started remastering them and uploading to Soundcloud alongside some classic 12" releases from my label Trama Industries. 


For me, it was interesting to hear sounds and techniques emerging on some later tracks that would form the basis of my later projects like Legion Of Two and Of One. I'd kinda forgotten about that.


Decal
-------
SC: https://soundcloud.com/decal-artifacts

Four Four Magazine
---------------------------
FB: www.facebook.com/FOURFOURDANCE/
IG: www.instagram.com/fourfourmagazine/
Web: www.fourfourmag.com/

Trama Artifacts

Pre-Order

Four Four Premiere: Decal - More Space [Intrinsic Rhythm]

Il terzo volume della serie di compilation "White Gardenia" di Jazz-o-Tech arriverà il 29 marzo ed è un'altra superba vetrina del talentuoso roster dell'etichetta e del suono unico e caratteristico che propone.

C'è del vero espressionismo nelle trombe conversazionali e nei tonanti kick techno di 'Anomalie'.

@Jazz-o-Tech - "White Gardenia Volume 3"

White Gardenia Volume 3

Anomalie

Jazz-o-Tech: Resonances (IT) X Augusto Ferretti Feat. Diego Ruvidotti- Anomalie (Original Mix)

Identity Crisis

aLwAyS

The Curtis Electronix saga follows up with new material from its head and curator @cem3340cem3340

Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk.

The Track "Future Tribe" was made by CEM3340 and @kaelan-suboscrec

Mastering by Q3000
Artwork by Linkin Bios
Distributed by Clone.nl

Future Tribe

CEM3340 - Future Tribe EP (CRTSX012)

Track: Seven Eleven (R-010 Remix)
Artist: Dj Bombardier (@astronomictelegram) / Remix by R-010 (@r010artist)
Label: Gunner House
Release: Seven Eleven (EP)
Release Date: 24.04.24
Buy link: https://milagrosamusicmedia.bandcamp.com/album/gh001-seven-eleven-ep-incl-r-010-remix

· Premiered by @vanitydust — www.vanitydust.ninja

Seven Eleven

Seven Eleven (R-010 Remix)

Premiere: Dj Bombardier — Seven Eleven (R-010 Remix) [Gunner House]

@avairesound is a new face to Half Heart, with this compilation being their first appearance on the label. An important part of Half Hearts history is being open to music from new people and blooming projects. We just could not turn this track down. Its a beautiful blend of euphoric, even nostalgic sounds. Avaire is definitely a name to keep an eye on.

Avaire - Departure

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Datashader - Velocity

Tresor Records

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