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October Add ons

This is the first sample pack on Shed Skin Recordings, aimed at techno producers.

All included samples were created with the following gear:

	•	Verbos Complex Oscillator
	•	Verbos Amp&Tone
	•	Erica Synths Black Wavetable VCO
	•	Noise Engineering Loquelic Iteritas
	•	Noise Engineering Basimilus Iteritas Alter
	•	TipTop Audio BD909
	•	TipTop Audio Hats909
	•	TakTakTak Drumbo
	•	WMD Chimera
	•	Noise Engineering Desmodus Versio
	•	Soundhack Mimeophon
	•	Malekko Voltage Block
	•	DNIPRO Krait
	•	Intellijel BiFold
	•	Intellijel Quadra
	•	Intellijel Quad VCA
	•	Joranalogue Filter 8
	•	Joranalogue Fold 6
	•	Joranalogue Contour 1
	•	Moog DFAM
	•	NI FM8
	•	Phase Plant

All included samples were processed with:

Hardware

	•	Zähl EQ1 500 Series
	•	API 529 Compressor
	•	OTO BOUM Distortion

Software

	•	SSL Native Bundle
	•	Output FX Bundle
	•	SoundToys Bundle
	•	Softube Console 1
	•	Softube Overstayer M-A-S
	•	Vertigo Bundle
	•	Leapwing Stereo Widener
	•	Sonnox Inflator


Pack includes:

6 BD LOOPS
5 PERC LOOPS
13 MODULAR LOOPS
13 HAT + CYMBAL LOOPS
5 LOW FREQ LOOPS
9 METALLIC RHTYHM TEXTURES
11 DRONES

* most samples were recorded in 134 BPM

Buy here

TEXTURE2

Pearl Fountain Euromixx

Trevor Benz - Return's Of 90's - BANGING RECORDS

Hey! This is my second self-release available for free. Inside three tracks that I have been playing for a while and I wanted to give them away as a way of thank you all for the continued support I've been receiving since day 1.

Give them a ride on your favourite dancefloors.

Free Download

Ikari - The Stab He Asked For [FREE DOWNLOAD]

"I've always loved mistakes; it's the hidden beauty in all art" - Andrew Weatherall

Transparent Sound are the original dons of UK electro, not exactly household names yet an act with so many under-repped classics that once you dive into their catalogue you might end up emptying your bank account on Discogs. 

To save you going down this calamitous path as well as to finally, raise TS to the level of notoriety they deserve, Tresor Records is very proud to announce the release of Accidents 1994-2023.

Formed by Orson Bramley and Martin Brown in Bognor Regis in 1994, Transparent Sound have managed to create 30 years' worth of some of the best electro from the British Isles, despite claiming to not know what they were doing nor how their instruments work. 

It's likely that it's this lack of knowledge that led to the quality and longevity of their output - the pair experiment and tinker with the machines until something pleasing appears then follow that sound down whatever path seems fruitful: "the confidence of ignorance" as a slightly more-famous Orson, Orson Welles, once put it. 

This tactic has paid off well and found them stumbling into many notable adventures, from remixing The Cure to performing during an intermission between two halves of a lecture - none of which they understood as it was in Spanish.

The compilation collects a lucky-for-you 13 of their most glorious electrical accidents on a three-disc set including the dancefloor hits Punk Mother Fucker (a mainstay of Villalobos sets at the time of release), and No Call From New York (as heard on Helena Hauff's perfect 2017 Essential Mix).

The package also comes with 'Windows To Your Sole' from the unreleased white label Transparent Sound 007, other unreleased tracks, and special 2023 edits as well as six digital bonus tracks.

BANDCAMP

PREMIERE: Transparent Sound - Remanisance

PREMIERE: Transparent Sound - No Call From New York (Acid Mix)

PREMIERE: Transparent Sound - Mistakes Happen

PREMIERE: Transparent Sound - Punk Mother Fucker

From https://soundcloud.com/joveishere and I with luv <3

BUY THE WAV ON BANDCAMP: https://baronvontrax.bandcamp.com/track/baby-girl

Ah ah ah ah ah ah ah ah
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thx childish gambino

FREE DOWNLOAD

Baron Von Trax & JOVE - Baby Girl

Watched Flight Facilities tear up the BTV mainstage, went home and made this! Don't think it's possible for anyone to hate "Crave You", hope you like this edit tho 

Free DL:
https://hypeddit.com/sixten/flightfacilitiescraveyousixtenedit

FREE DL

Flight Facilities - Crave You (Sixten Edit) [FREE DL]

Corona - Rhythm Of The Night (ZNB Remix)

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

Datashader - Velocity

Abend in der Stadt Ø9 | oneaxone

Before The Rain

Set The Controls For The Heart Of The Bass

My Tears Have Gone

Goodfella

Bada Bing

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.