Since 1991, Tresor has provided a home for artists to develop their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come.

The Tresor 30 compilation represents a major landmark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who maintain a connection to that original mission to the fore, charting ways in which this ethos can continue to build bridges and break walls in the next 30 years.

Bringing together 52 essential tracks - both classics and exclusive commissions - each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.

The future is bright and it’s now.

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Various Artists - Tresor 30 (Tresor.330)

Drawing inspiration from science fiction, Black liberation, and the sounds of Detroit, Huey Mnemonic designs a sound that expands Black consciousness and pushes back against the whitewashing in dance music. The Motor City-based producer and sometimes DJ takes his name from Huey P. Newton and the 1995 cyberpunk film Johnny Mnemonic, a cult classic portraying a dystopian future controlled by mega-corporations. Mnemonic recently launched his Subsonic Ebonics label with the Virtuosity EP.

Preluding the Tresor 30 compilation, Huey Mnemonic composes "Transmutation" a glistening and high-spirited shuffling dance-floor rhythm track, on which the Talking Drum meets TR-909 patterns, creating an instrumental bridge between West Africa and Detroit. With "Transmutation", Huey Mnemonic demonstrates that he is undoubtedly at the forefront of a new generation of Detroit techno producers.

Tresor 30

Transmutation

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PREMIERE: Huey Mnemonic – Transmutation (taken from "Tresor 30")

In the last 20 years Donato Dozzy has established himself as one of the most important producers and is known in the international club scene for his distinctive, atmospheric and hypnotic style of techno music. From Rome to Berlin, and all the way to Japan's Labyrinth Festival, his residencies have made him an expert and a global reference in the genre. 

He is the founder of Dozzy Records and co-founder of Spazio Disponibile. To mark the 303rd release on Tresor, Dozzy created Filo Loves The Acid, an expertly produced throbbing exercise in acid, underpinned by his velvety techno.

Donato Dozzy's contribution for the Tresor 30 Boxset is an incendiary slow-burning composition featuring his signature sound, gaining instant classic standing.

Le Confort Electronique

PREMIERE: Donato Dozzy - Le Confort Electronique (taken from "Tresor 30")

AFRODEUTSCHE - CAN'T STOP - taken from the Tresor 30 12x12" Boxset
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AFRODEUTSCHE's polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano, and Detroit legacy house; all memorable journeys into deep, abstracted sound. Like a modern update to the Logan's Run soundtrack, her contribution to the 30 Years of Tresor Boxset conjures visions of a late-night train ride around a futuristic megacity; beautiful and awe-inspiring. This is enhanced with a slight undertone of danger and unease as the string parts are manipulated to sound like a record or tape being slowed slightly.

Music Written & Produced by Henrietta Smith-Rolla
Taken from Tresor 30 – Limited Edition 12 x 12" Vinyl Boxset
Available for pre-order now - out October 1st

OFFICIAL VIDEO by Michael England: 
bit.ly/AFRODEUTSCHE-video

CAN'T STOP

Ltd. 12x12" Boxset

PREMIERE: AFRODEUTSCHE - CAN'T STOP (taken from "Tresor 30")

It’s hard to overstate the importance of ‘The Final Frontier’ in shaping modern electronic music. First released in 1992 by the unapologetically political Detroit collective, Underground Resistance, it remains an essential classic in the story of Techno. Underground Resistance’s stated objective was to “[electrify] the inner city with hi-tech, sci-fi thoughts and dreams”; to offer working-class Black Americans, through music, a vision of a bright future through community action. Final Frontier was the first of many tracks which underlined this mission in bold type.

The great Afrofuturist tradition of imagining Black emancipation through space travel is upfront; both in the Star Trek-referencing title, as well as in the music itself, which sounds like the perfect re-scoring to the “Stargate” scene in 2001: A Space Odyssey. Now, nearly 30 years after it was first unleashed, there is not a serious techno fan who does not consider this to belong on the highest echelon of electronic music’s Pantheon.

Taken from Tresor 30 – Limited Edition 12 x 12" Vinyl Boxset
Available for pre-order now - out October 1st

Buy Limited Boxset: https://tresorberlin.com/shop/
Buy Track: bit.ly/UR-bc

@undergroundresistance

PREMIERE: Underground Resistance - The Final Frontier (Nomadico Remix) (taken from "Tresor 30")

Tresor 30 (Preview)

focus.point.shoot

Speaker Music - focus.point.shoot (preview)

Metal Mono

D. Strange - Metal Mono (preview)

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.