Shadow Of The Comet (NWHITE017)

We are very excited to present Red Rooms' remix of "Unbind" upcoming on E-HRZN's next EP release due out July 3rd!

Support the artist:
@ju-2727
@red_rooms

Instagram:
www.instagram.com/josephspiteri_
www.instagram.com/redroomsberlin

Support the label:
@ehrznrecords

Instagram:
www.instagram.com/ehrzn_records

Bandcamp:
www.e-hrznrecords.bandcamp.com

Beatport:
www.beatport.com/label/e-hrzn-records/101257

Support

PREMIERE: Joseph Spiteri - Unbind (Red Rooms Remix) [EHRZN015]

Dog on Acid - You won't be able to live with this

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman's 27-year career.

Across the EP, the five tracks fizz and pulsate driving ever forward, making the release's title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Gr&aacute;tt Silfur, a term in &Iacute;slenska (literally "grey sliver") which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.


The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.

Green Light EP continues this year's blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.

BANDCAMP

Exos - Only One Way

Support here: https://arsenikrecords.bandcamp.com/album/duality

Stepping outside his usual sphere, Blue Hour delves into dub-infused atmospheres with his latest EP, ‘Duality’. The EP kicks off with 'Trekia', a chord-driven techno track evolving slowly with blissful pads and a dreamy melody. 'Orisus' follows a similar palette, adding more funk to the drums and introducing drama with an unexpected string variation. On the B-side, 'Atoll' delivers a more rolling, percussive groove, with subtle riffs breaking through the repetition. The final track, 'Triton', takes a deeper, moodier turn, featuring melancholic bell like tones and a wandering arpeggio. Followers of Blue Hour will find echoes of his earlier work here, but ‘Duality’ brings a breath of fresh air and sense of refinement, making it the perfect home on Arsenik Records.

Duality EP

PREMIERE: Blue Hour - Trekia [ASR028]

180gr Lathe Cut Vinyl. In grey rough cover with Black & White Sticker. Every cut is done realtime so every cut is unique.

Includes digital pre-order of Werk 2. The moment the album is released you’ll get unlimited streaming via the free Bandcamp app, plus a high-quality download in MP3, FLAC and more.
shipping out on or around November 30, 2024
edition of 15

Werk 002

A2 Unkle Fon - Value

Support here: https://movingpressure.bandcamp.com/album/moving-pressure-02

With Moving Pressure 02, Rene Wise allows us to dip into a psychedelic undercurrent, yet maintaining a very grounded mentality. It’s an effortlessly rolling type of minimalism, but let’s be 
clear; it’s a type of minimalistic spirit backed up by a rich, kaleidoscopic sound design. MP02 is an immersive batch of mystical dance floor journeys which, in four steps, navigates the realms of gaseous sound design to more subaquatic dynamics, working with a palette of serpentine rhythms that pull us into his distinctive, subtly hypnotic world. 

A1 ‘Silo Cybin’ opens the release with the artist’s unmistakable kick drum pattern, the heartbeat of his sound. There’s a trippy, swampy energy here, enhanced by robotic vocals and broken claps that weave polyrhythms into the track. The minimalist core pulses with playful energy, while detailed textural elements softly emerge like a wave’s bubbling foam. Up next we have ‘Complicated’, which offers a more minimalist composition, yet injected with rich rhythmic structures. Small circular modulations swirl in the background, filling the air with a delicate yet persistent energy, while his signature vocal snippets further enhance the groove. On the B-side, ‘Rough Escorts’ taps into a brighter psychedelic dimension, conjuring the ethos and trademark 
of Moving Pressure as a whole. Listen closely–a fine connection to Wise’s previous work on MP01 shines through, maintaining the sonic coherence of the project while pushing further into a lush space. B2 ‘Bleep Police’, dives into dystopian bleep territory. Here, the artist strips techno down to its essence, intertwining bleeps with percussion into a hyper-rhythmic whole. 

A living organism composed of intricately layered sonic structures. A variegated interplay of texture and rhythm. Multi-dimensional sound. Welcome to Moving Pressure 02.

PREMIERE: Rene Wise - Silo Cybin [MP02]

The Door Of Perception

A False Apparence Of Reality

A False Appearance Of Reality

Minimalistic Thoughts

Buy!

Slap

Detroit Mirage EP

Detroit Mirage

dZb 1006 - Ekin Music - ION4 (Original Mix).

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.