The home for alternative electronic music. Cover: Yaeji

Altar

A Paco Lips part 1

Geezer's Excitement

random electronic

Autumn

The home for alternative electronic music. Cover: Mall Grab

Altar 1

Kool FM (Champion Remix)

Insightful - Watching Birds On Hard Drugs

***RADIO RIP*** 
That's why is sounds so compressed. 

Get Lantern here • http://smarturl.it/lantern-bleep

Lantern

Ryderz

Ryderz [Rinse FM RIP]

Branflakes

Walkonby

Paradise

Love$ick

Love$ick (Four Tet Remix) [feat. A$AP Rocky]

City Watching: The Remixes

Street Lullaby (Fourtet Remix)

MUSIC VIDEO HERE:

https://www.youtube.com/watch?v=7n_ydNo8mXg

Stream

Come Inside (feat. Jazz Cartier)[Prod. KAYTRANADA]

Mike Dehnert - Detroit Switch Back To City (Original Mix)
https://www.beatport.com/release/switch-back-to-city-ep/1407798
https://www.traxsource.com/title/396743/switch-back-to-city-ep
https://www.junodownload.com/products/mike-dehnert-switch-back-to-city-ep/2615510-02/

Mike Dehnert - Detroit Switch Back To City (Original Mix)

VCR (Four Tet Remix)

The xx - VCR (Four Tet remix)

prod @kabasaki

Stream/Download: http://maddecent.fm/MsNina 
Follow Mad Decent Weekly on Spotify: http://maddecent.fm/mdweekly 
Subscribe to Mad Decent on YouTube: http://www.maddecent.fm/youtube 

FOLLOW MS NINA
Facebook: https://www.facebook.com/MsNinaLosSantos/ 
Twitter: https://twitter.com/MsNiiina 
SoundCloud: https://soundcloud.com/ms-niiina 
Instagram: https://www.instagram.com/msninaojorgeline 

FOLLOW MAD DECENT 
Facebook: https://www.facebook.com/maddecent
Twitter: https://www.twitter.com/maddecent
SoundCloud: https://soundcloud.com/maddecent
Instagram: https://www.instagram.com/maddecent
Web: https://www.maddecent.com
YouTube: https://www.maddecent.lnk.to/YouTube

Perreando Por Fuera, Llorando Por Dentro

Coqueta

A1. A² - "Plonk"
A2. DARIO REIMANN - "Iatch"
B1. HARRY WILLS - "Estren"
B2. CARL FINLOW - "Fmseq"

Production : Arpège Records
Distribution : Chat Noir
Phonogram Manufacture : Kuroneko
Mastering : Master Lab Studio
Design : Corentin Billot + Quentin Coulombier

A1. A² - "Plonk"

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Songkick: https://found.ee/floatingpoints-sk

Last Bloom

All tracks written & produced by Jenifa Mayanja
B3  Remix and additional production by Allstarr Motomusic 

A1) Submission
A2)Longing
A3)Chase The Darkness
B1) Building Myth
B2)Once Upon A Time
B3)Longing (Allstarr Motomusic Remix)

(c) 2019 dAS026LP  deepArtSounds

Jenifa Mayanja - Tales From Another Day LP (dAS026LP)

HVL joins our sporadic series under their 303 guise 'Kiyadama'. 
Acid is circulated with aplomb, in true GYRORIDE style.  

A1 - Worth Itasid
A2 - Scattered Thinking
B1 - e11 rux
B2 - Quinta

Distributed by Clone

www.tabernaclerecords.co.uk

GYRORIDE007 B1 - e11 Rux

Low Tape is being on a roll lately with his unique interpretation of electronic music and a vast amount of outstanding releases. This time he joins eudemonia with the ‘True Dayz For Confessing In Luv’ EP and continues his work where he left off. The EP is a perfect blend of different electro tracks with emotional as well as forward thinking moments.

Profits will be donated to Musicians Without Borders.

https://soundcloud.com/eudemoniarecords/low-tape-true-dayz-for-confessing-in-luv-ep
 
https://soundcloud.com/eudemoniarecords
https://soundcloud.com/low-tape

PREMIERE: Low Tape - Electrocity [eudemonia]

Suddenly

Never Come Back

Luminous Spaces

Luminous Spaces (Edit)

The dynamic NZ brother duo, known from Mule Musiq, Rhythm Section and their own In Dust We Trust, joins Volcov’s NEROLI imprint for a superb collaborative EP of highly emotional music!

‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills.  Neroli gearing up for 2020 and its 20th anniversary in style!!!

Emotional Intelligence / It's Up To Me

Chaos In The CBD & Friends - Emotional Intelligence / It's Up To Me (Sampler) [NERO047]

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Function - Distant Paradise

OTHERLiiNE

One Line

BUBBA

DO IT

Share A View

Yes I Need My Generator

Radical

Radical (Edit) [feat. TEED]

Red Medina / Acid Brain

Acid Brain

Ecstasy

Tondo

YHLQMDLG

Yo Perreo Sola

WAKING UP DOWN

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.