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Tresor Records

ISAAC SOTO:
https://www.facebook.com/nombrepersona/

<a href='https://theartistunion.com/tracks/90f4da'>Download for free on The Artist Union</a>

Free Download

Isaac Soto - Diseño

Juan Atkins & Moritz von Oswald present Borderland
Transport Remixed (Tresor.298)

A. Transport (Carl Craig Remix - 12” Edit)
B. Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)
Digital. Transport (Carl Craig Remix)

Closely following the release of the last Borderland single, the focus returns on Transport, the last collaborative album by Juan Atkins and Moritz von Oswald. 

Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side.

The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally. Both are available to anyone who purchases the record, through the enclosed download card.

On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.

Tresor.298 will release on November 3rd on 12” vinyl and digital.

Juan Atkins & Moritz von Oswald - Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)

Driving

READ THE IA REVIEW: www.inverted-audio.com/claro-intelecto-reform-club

Claro Intelecto 'Still Here' [Delsin Records]

Arutani - Irreality EP: 
https://lautundlui.se/arutani-irreality

Für die Ewigwachgebliebenen zum Feierabendbier, für die Frühaufsteher als Seelenfutter zum Wochenbeginn: Montagssorbet mit Laut & Luise. Alles erlaubt, was gut tut und Gedanken kreisen lässt, nur der Name ist Programm: cremig, fluffig und ganz schön weich.

Da isser wieder und knarzt sich allmählich durch Luises Kanäle: @Arutani. Freuen wir uns ganz besonders mit Release im Rücken und Sorbet vor den Füßen. Eine Stunde live, also quasi von selbst, frisch aus dem Studio und so ziemlich ungehört. Sneak Peak mit Sägen, Kanten, und Zähnen. Sagen wir Danke, einfach mal im Namen aller.

(Intro: Mark Pritchard | Foto: Julia Moebus)

#078: Arutani *live - Montagssorbet mit Laut & Luise

Cows on Hourglass Pond

What’s The Goodside?

Handmade's DJing is perfectly tuned to the Globus wavelength. An integral part of the Tresor resident team since 2009, he developed his own blend of timeless dance styles on the rocky Berlin terrain.

However, this was not developed entirely in the German capital, on the Spree river, but also by another large body of water: Lake Michigan. Spending time in the birthplace of house music was enough to get lost in one of the richest dance music narratives of the planet, making his way through entire record collections. The combination of abundant sexiness and spiritual depth, etched into the vinyl of Trax, Dance Mania and Cajual, seemed to parallel a core basic human instinct about the experience of fun. In these records from the American midwest he found pure hedonism cast into black plastic. 

In terms of club experience however, the Berlin night scene remained second to none and with ravenous hunger he returned to his homeland. Ever since Handmade has channeled this drive into what has become his explosive trademark DJ style: deep and dubby-grounded à la Detroit, with the jacking stabs of Chicago influences and occasional deviations into tougher or more soulful soundscapes. This stylistic set-up allows him to adjust perfectly according to each night’s context, if necessary breaking it wide open: two indispensable qualities of a resident DJ.

TRESOR.CAST 014 | Handmade

Tresor Records is glad to announce two releases by James Ruskin, coming in November 2019. The brand new Siklikal EP featuring four new productions, along with the remaster and reissue of Point 2 - Ruskin’s debut album on Tresor. 


First released in 2000, Point 2 marked a fine debut that entrenches the minimal sequences, utilitarian funk and eerie hypnosis found within Ruskin’s body of work. As Tresor’s relationship with the UK sound grew stronger across the course of the ’00s, it was Ruskin, the label owner of Blueprint Records, who played a critical part in this. Throughout the trio of LPs released over that decade, inspirations of the sci-fi minimal Detroit sound lie abundant, rendered through corporeal slammers typical of the UK vein.

Point 2 was the first of Ruskin’s trilogy for Tresor, and brought a direct and uncompromising vibrancy to the fore, from the aquatic symphony featured on ‘From Over The Edge’ to the pinpoint gaze of ‘Subject’. Gurning loops beat against alien samples, drained into refined abstractions of pure techno.

Newly remastered and featuring two tracks previously not cut onto vinyl, this upfront and bold classic is set to span dancefloors once again.


James Ruskin follows up with a bold new EP entitled Siklikal.

Right from the outset, Nepte draws in by vast sonics and laser focus, unruly synths distort over a skipping beat that hits hard in the right places. As the beat takes a backstep but no less rhythmic, Kn Te3 is one for adventurous DJs, recalling the minimal loops that Ruskin is known for, seeped in industrial melancholy that fizzes a granular decay.

On the b-side, Nocke brings the beat back to the forefront with a muscular UK techno sound, highly effective and pounding. Closing the EP is Kn Am3 which retains the industrial sinew of its near-namesake Kn Te3, exposing raw synth excursions over brutalist machinations. This EP symbolises Ruskin’s dynamic approach, pushing at boundaries yet never without a strong grip over the dancefloor.


Tresor.145 and Tresor.314 release November 1st and 8th on 180g. 2LP and 12" vinyl respectively.

James Ruskin - Detached (taken from "Point 2" - Tresor.145)

Ghosteen

Galleon Ship

Tresor Records is pleased to announce the new reissue of James Ruskin's seminal Point 2 album.

First released in 2000, it marked a fine debut that entrenches the minimal sequences, utilitarian funk and eerie hypnosis found within Ruskin's body of work. As Tresor's relationship with the UK sound grew stronger across the course of the '00s, it was Ruskin, the label owner of Blueprint Records, who played a critical part in this. Throughout the trio of LPs released over that decade, inspirations of the sci-fi minimal Detroit sound lie abundant, rendered through corporeal slammers typical of the UK vein.

Point 2 was the first of Ruskin's trilogy for Tresor, and brought a direct and uncompromising vibrancy to the fore, from the aquatic symphony featured on 'From Over The Edge' to the pinpoint gaze of 'Subject'. Gurning loops beat against alien samples, drained into refined abstractions of pure techno.

Newly remastered and featuring two tracks previously not cut onto vinyl, this upfront and bold classic is set to span dancefloors once again.

Point 2

Buy on Tresor store

James Ruskin - Before The Calling

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Existenz

Buy on Tresor Store

Premiere: Function - Sagittarius A (Right Ascension)

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Function - The Approach

♬ Click for more and download ☞ https://hypeddit.com/track/oak4yg

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The latest edition of our free download series welcomes @ruben-coslada.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Free Download ♬

KSD (Rubén Coslada Edit) [trndmsk]

Klassified proudly presents its fourth volume of “The Feathers’ Eyes”

In different cultures, the peacock's tail or the “eyes” of the stars, symbolizes the destruction of all negativity, anger, greed or jealousy and stands for beauty, richness and joy. The Feathers’ Eyes Compilation follows that philosophy in every step of the way.

Carefully selected by the Parallells' brothers, this compilation includes organic and earthy music from Abundance, Agha, Amentia, Cioz, DIBIDABO, Fulltone, Joep Mencke, Maga, Mâhfoud, Mourad Belouadi, Nhii, Pandhora, Parallells, Vander and Zone +

Artwork by Nicola Napoli

We hope you enjoy this track as much as we do.

Do not forget to support the artists and label by following:

@joep-mencke
@mahfoudmusic
@klassifiedrecords

Premiere: Joep Mencke & Mâhfoud - Shuro [Klassified]

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.