At what point does a new tool or technology become so integral to a process as to be intrinsic? And what happens if that technology starts to subordinate its user? 

By reflecting on these questions Machine Alliance, the new EP by Irish producer Kerrie on Tresor Records, connects her music to the sci-fi origins of techno and electronic music in general.

With inspiration from classic books and films of the genre such as The Machine Stops, The Matrix, and Blade Runner as well as modern explorations in art and philosophy like Free Your Mind and Technopoly, the EP's title takes on two opposing but intersecting meanings. 

One, based on the potential for machines to take over or replace humans, is a key idea of sci-fi that seems closer to reality with the arrival of machine learning and real artificial intelligence.

The second has a much more positive view, one where the "alliance" is between the artist and machine to create the music, a process she places immense value on, being both cathartic and therapeutic, whilst also being a vehicle of addition and expansion:


"I feel that it's a collaboration&hellip;the machines are precise in their timing and I add the human touch (literally) in the live performance which adds natural imperfections, so we both provide something the other can't. There's also an element of growth; the machines get updates and so are always expanding in terms of their musical capabilities. And the more I push my own technical abilities I feel we are growing together in a constant synchronised dance."

This "dance" results in four tracks (plus three digital-only bonuses) of classic machine funk which combine the aforementioned ideas in sci-fi with a deep lifelong affection for techno. Tracks like Ode to the D, and Technopoly Dream display this love through her choice of sounds and structure, both intentional and subconscious, while Replicants, and Human in the Loop project into other genres to fully round this release off as a contemporary example of music rooted in both past and future.

BANDCAMP

Kerrie - Human In The Loop

gran aficionado y amante de la música electrónica,y del tecno más oscuro y mental .

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 ELECTRONIC MUSIC FAN SINCE 1992
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Hello to everyone, I'm just a music listener since I was born "1974"!!! Without music the world is wishy-washy.
I've done voice in a punk band called "Breakdown Brain" here on my land, but since invented Techno,
I follow the style with nails and teeths, thanks to Speedy J, Oscar Mulero, Chris Liebing, Plastikman, Ken Ishii, Emmanuel Top, Anthony Child, Fumiya Tanaka, Richard D. James, Autechre, OrbitalJeff Mills, Chris Knowles and all the Liberators, Guy McAffer, CJ Bolland, Green Velvet, UR, Laurent Hô, Miss Djax, N-Son-X, Daz Saund, A.Paul, DJPepo, D.A.V.E. The Drummer, FSOL, Hardfloor, Acid Junkies, Mário Roque, Jesus del Campo...
and many more...! You know what I'm talkin about!
I don't know why I never got into production and DJing, maybe one day (it's a project) ...
Thank you all for your work and good luck to everyone! Good job SoundCloud!
"LET THE MUSIC TAKE CONTROL!!!"
Thank you guys for the TECHNO I've been hearing here at SoundCloud and around the world with you ALL!!!

Will create the best music scene in India and the world.

Owner of Computer Controlled Records. 

Contact computercontrolledrecords@gmail.com for bookings etc.

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Producer - DJ - Live Act
Label Owner: @darkmachinefunk 

DJ/Live Bookings: mike@berytus.art

Irish-born, Manchester-based Kerrie is a multidisciplinary artist and resident DJ at Tresor Berlin. She performs live sets, produces music, DJs, and runs her own label, Dark Machine Funk. 

Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops, Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie achieved a milestone at the start of 2024 when Tresor announced her as a resident DJ. Playing several shows (both live and DJ sets) at the Berlin-based space, Kerrie also represents the seminal club at showcases worldwide. Celebrated venues like Berghain, fabric, FOLD, Elsewhere NYC, and festival bookings at Freedom Medellin, Freerotation, Drift, Basilar and many more have shaped her schedule along the way. 

First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are renowned for their trippy motifs and high impact on the dancefloor; her set from Freerotation in 2019 was one of the festival's most talked-about debuts. 

Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk [DMF] in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists: James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, "Inner Space PT1", was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove."

2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP "Raw Regimen", which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie delivered her second EP in 2023 and joined the crew at label showcases around the globe. In the same year, she marked her tenth release on vinyl called "Transient Belief" which Blueprint added to their discography. In 2024, Kerrie's output continues to captivate, with Tresor releasing her EP "Machine Alliance", further solidifying her connection with the club and label and fulfilling one of her many goals (and dreams) as an artist.

Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Having ended her 11-year stint at the shop in 2023 to fully commit to the studio and accommodate her increasingly busy tour schedule, Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking.

Selector, Music Maker & Writer: Crossing the I's and dotting the T's 

Head to @innate-recordings for label business.

Raised on the vibrations of Soul, Jazz, Hip Hop, Punk and Reggae, turntables were a natural progression for this Bristol born, Welsh rooted DJ and music maker Owain K (Owain Kimber). After discovering the sounds of bootleg mixtapes and Techno as a youngster in the 90s, he's never been one for sitting still.

moshibui.
deep down dense hypnotic femininity sensuality.