LANGSAM [RADIO] Track IDs x JUNE.21

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LANGSAM [RADIO] Track IDs #6

Tresor Records

Lara Sarkissian - Releases

Send Me

Indri Eyes

Let the Soil Play Its Simple Part

Lay All Your Love On Me

Asquith launches his new label Higher Power with four slabs of pace-y, hardcore and UK breakbeat-tinged techno on the blistering 'Set The Trap EP'.

The newly minted label is set to showcase Asquith's own productions, as well as the output of a select number of other sonically-affiliated artists, and has a stated aim of merging the Copenhagen-via-Berlin fast techno-trance sounds with the UK breakbeat, jungle, garage and sub-heavy genre set.

Here we get a taste of several of the label's key genre tones, all wrapped up in a 145-160bpm shiny fast techno wrapper. Proper road runner club fodder to kick off the summer.

A1. Set The Trap
A2. Escape Hatch (Running Mix)
B1. Wait A Minute
B2. Bergamot (Scent Mix)

Higher Power 2021

Set the Trap

BUY RELEASE

Set The Trap

a new double A-side Perspektiv release from my side :) out now on clear red transparent 10" vinyl and digitally thru Bandcamp and your favorite recordstores/download portals

Rok Da Place (Out now digitally + red transparent 10" on PERSPEKTIV003)

https://soundcloud.com/reymour
https://soundcloud.com/nighttravelonablanketshow
https://soundcloud.com/aroomfmuzik
🛒https://ar-fm.bandcamp.com/album/selected-ambient-synth-pop-works
🔊https://youtu.be/qgE2UJ2MrfA

An Ambient, Synth & Pop compilation with Tryphème, Jonnnah, Reymour, Xuri, Low Bat & La Punta Bianca.

Selected Ambient, Synth & Pop Works

Orlando feat. Low Bat

PREMIERE : Reymour - Orlando feat. Low Bat [AR/FM]

Since 1991, Tresor has provided a home for artists to develop their ideas for advanced new sounds and broadcast them to the world. The pioneers that first traversed the Detroit-Berlin connection and were at the forefront of a new cultural movement gave to Tresor its original and continuing mission: community, resistance and reshaping the world to come.

The Tresor 30 compilation represents a major landmark in this continuing history of electronic music. This unique collection of music profiles some of the artists that gave the previous three decades of Tresor its sound and foundation, but it also casts its gaze forward. Writing new postcards from the future, this collection brings new artists who maintain a connection to that original mission to the fore, charting ways in which this ethos can continue to build bridges and break walls in the next 30 years.

Bringing together 52 essential tracks - both classics and exclusive commissions - each of the 12 records in this box-set charts a unique line of flight from those artists that helped define the shape of this new music to those who continue to pattern its landscape further.

The future is bright and it’s now.

_________
Shipping now! 

TRESOR STORE: bit.ly/TresorStore
BANDCAMP: bit.ly/bc_t30

Tresor 30 (Preview)

In the Form of a Sphinx

BUY 12x12" Boxset

Lara Sarkissian - In The Form Of A Sphinx (preview)

Your Time Is Ov3r

Your Time is Ov3r

Remnants

Miracle

The Crane Has Lost Its Way Across the Heaven

Heaven, or Paradise; and Hell (feat. Adrien Soleiman)

Our Dead Can't Rest (Old Jugha Flute Dance)

Produced by: @brodinskiofficial and @LaraSarkissian

Mix & Mastering: Modulaw 
Artwork: Rob Scharlach

Brodinski, Lara Sarkissian - ZULAL

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.