Dread

In the hollow echo chambers of a collapsed machine-god civilization, one signal remains: distorted, divine, and armed with sub-bass. Servo Messiah is the 10-track doctrine of Iron Inquisition — a ritual of cybernetic worship forged in scorched steel, glitch fire, and industrial decay.

Blackened Alloy

From the very first track, it’s clear that Abby Echiverri’s debut, the “Ab Initio” EP is something different and rare: a polished and fresh interpretation of electronic music that incorporates classic electro squelches with intricate broken beats and expansive synthesizer zone-outs. Although this is her first EP, Abby has extensive history as a musician, sound engineer, DJ and VJ. Her current trajectory started early in childhood when she was classically trained in violin, flute, piano and vocals, cementing music as a part of her daily life. In high school she picked up turntables and began collecting records, eventually moving to NYC to study recording engineering and perform in post-punk bands, and became a regular at Wierd and The Bunker at a very young age. Since then, Echiverri has devoted her professional hours to engineering, maintaining, and manufacturing audio equipment for studios and clubs around the world. 

This record’s name “Ab Initio” means “from the beginning” or “from first principles”, invoking a propulsive leap into the future and also perhaps including an element of the eponymous. When we asked her to tell us more about the process of creating these hardware-based jams, Abby explained: “It all stems from my own experiences on the dancefloor and wanting to recreate that for other people. I want to make music that rewires the brain: music that is challenging, yet groovy... repetitive, yet evolving. An aural psychedelic. It's a lofty goal - I'm still working on it.” If Ab Initio is one of her first steps towards that goal then we can’t wait to see what happens next.

Abby Echiverri - Nadezhda

Taken from the upcoming BNJMN album on Delsin Records "Hypnagogia"

https://www.delsinrecords.com/release/6202/bnjmn/hypnagogia

Hypnagogia

Titan Dome

Buy @ Delsin Shop

Support the label and buy Tokyo ep digital here:
https://danzatribale.bandcamp.com

Tokyo EP / ADIEL

A1. In Tokyo
B1. ジャングル

Written and produced by Adiel 
Mastered at Enisslab Studio by Giuseppe Tillieci
Artwork: Anwita Citriya
Graphic Design: Koto Hirai
www.newsdistribution.be
Cat. no. DNZT004 – all rights reserved
℗ & © Danza Tribale 2018

ADIEL_ IN TOKYO [DNZT004]

Tresor Records is proud to present club resident Claudia Anderson’s new work “Synthesis”, as the first EP to be charted into its fabled catalog in 2019.

Claudia Anderson lives in Vienna where she gained experience at local raves and underground clubs, before becoming a Tresor resident in 2017.

In 2012, Anderson joined Singular, the Paris label headed by Tresor resident and recording artist Marcelus. “Hysteria” was celebrated as one of the most subtly produced records that year. Three years later, she followed with on Singular with “Liquid Forms”, pushing the definition of the deep forms of Techno which have become integrant part of her signature.

Since then, Tresor has worked closely with Claudia Anderson to develop her first treads on the label. The label’s 2017 “Dreamy Harbor” compilation featured Anderson’s track “Phase” next to luminaries such as Jon Hassell, Moritz von Oswald or Donato Dozzy, revealing an ever more hypnotic side of her work.

In a new step, and through the five tracks that build “Synthesis”, Claudia Anderson shows a sense of aplomb, that stands in balance with her natural and subtle sense of restraint.

Tresor.307 releases on 180g. 12" vinyl and digital on February 22nd, 2019.

Claudia Anderson - Momentum (taken from 'Synthesis' - Tresor.307)

First release by Anomalies. A label based in Barcelona and Berlin.

Purchase anomaliesrecords.bandcamp.com/releases

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tower.jp/item/4936972/Dilluns-Blau-EP
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A1 Dilluns Blau

DBA043: KERRIE - BEFORE CALM EP:
BUY: https://dontbeafraidrecordings.co.uk/shop/

BEFORE CALM EP

KERRIE - ORB WEAVER

Longtime fans of Sheffield’s Central Processing Unit may well remember Annie Hall. When CPU dropped her 2016 EP Tenured Positions it felt like a perfect union of label and artist - the atmospheric take on classic electro that Annie Hall had presented in her previous releases for labels such as Semantica and Detroit Underground was very much in sync with the CPU sound. Sure enough, Tenured Positions was an instant hit with CPU heads old and new, and the record remains highly sought-after to this day.

Now, four years on from Tenured Positions, the Barcelona-based Annie Hall returns to CPSmith’s imprint with new EP Fum. Fum picks up where Tenured Positions left off. Snapping broken-beat electro grooves anchor Fum’s midsection of ‘D’un Altre Planeta’ and its title-track. ‘D’un Altre Planeta’ is the most lively cut on the EP - there is real bite to the drums here which recalls everything from B12 to Star Eyes to early-90s hardcore - while ‘Fum’s beats are more low-slung and come bolstered by an electro-funk-flavoured bassline. These two tracks are bookended by ‘Verd Mar’ and ‘Promeses De Fusta’, joints which straighten out their rhythms into more linear IDM-techno beats.

As she exhibited on Tenured Positions, one of the main strengths of Annie Hall’s style is the manner in which she layers up harmony, tone and texture. Reverb- and delay-drenched synths cascade across Annie Hall’s tracks and serve to render her music in vivid colour. The combination of evocative atmospherics and grounded, stable beatwork is a technique which Annie Hall has inherited from experimental techno luminaries of the past - Autechre, Mark Bell, The Orb - and also something that she shares with other CPU artists like Tryphème and Nadia Struiwigh.

Annie Hall takes this approach once again on Fum. A fair bit of the record’s soundworld tends towards science-fiction - from the whooshing pads of ‘Verd Mar’ through the zipping synths of ‘D’un Altre Planeta’ and on to the B-movie keys of ‘Promeses De Fusta’ there is certainly an alien quality to much of this EP. However, Annie Hall is also sure to ground her astral musings by introducing softer synth sounds like the twinkling chimes in the background of ‘Fum’ and the gently lilting lead-line of ‘Verd Mar’.

For fans of Central Processing Unit, Annie Hall’s Fum is the best of both worlds. Here we have a record which brings together the roughneck electro snap of CPU’s club weapons with the melodic and textural deftness of its IDM-oriented releases.

RIYL: LFO, Tryphème, André Bratten, Biosphere, Autechre, Nadia Struiwigh

Annie Hall - Fum

TARS + Kalman - State Transition

Early copies available here: https://aex-series.bandcamp.com/album/x011
https://www.delsinrecords.com/release/6643/various-artists/aex011#

Official release Date: 08 June 2020 

Tracklist 12"

      a1 Tetelepta - Sassoon
      a2 Roger Gerressen - SO1
      b1 Daniel Jacques - I Just Wanna Be Free
      b2 Selfsoul - Exhale

"After a few months of silence, we can finally announce what we have been working on for a long time. A full and bold new chapter of 5 new ÆX releases. What started off as a sublabel of Indigo Aera, during the last years has grown out into a fully-fledged 'imprint'. The recipe remains simple: 4 or 5 tracks from various artists pressed on a limited batch of vinyl. A straight forward track selection of machine-made music in the full range consisting of Dj-tool dancefloor anthems to experimental soundscapes and ambient works. A home for talented new producers, but also a place for more incognito sidesteps of established names."

ÆX011 welcomes back Tetelepta, Daniel Jacques and Selfsoul and welcomes Dutch dub techno connaisseur Roger Gerressen to their series. Tetelepta kicks of with a mesmerizing 8 minute floaty downtempo jam where Roger follows up, increasing the pace with a razor-sharp dub techno cut. On the flip, Daniel Jacques brings his emotive house once more topped off by Selfsoul with a fierce techno work-out. A tasteful appetizer for more heat to come in these exciting white label series from Amsterdam.

Now available here

ÆX-011 -Tetelepta / Roger Gerressen / Daniel Jacques / Selfsoul

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.