New material to be played at my 
UPCOMING BERLIN GIG @ Cassiopeia Berlin
3 HOUR DARK TECHNO SET
Friday 07.11.2025
Ruf der Walküren x Neverland - https://www.facebook.com/events/823761720208796

EVENT PAGE

New Material For UPCOMING BERLIN GIG - 07.11.2025

I had so much fun making this track!

edit: unfortunately, a version that I uploaded a few days ago, contains a rather unwanted effect, so I now uploaded the correct one, everything is back to normal (October 31st 2025)

Reapot

"We are elated to share with you the NYH debut of Bogota, Colombia's Oneiromancer! It feels so good to share an artist with you that forges his own sound from the elements we all know in electronic music, but that inhabits an entire world of his own style and feel. A deep pulse that sounds like interplanetary travel.

Oneiromancer blesses us with four rhythmic tracks that have rubber synths that are stretchy metallic at the same time and feel like they are from a different world altogether. His riddims are never straight up, but seem to pull you in like gravity on a dwarf star. Hypnotic without being stagnant and with otherworldly sound design that keeps you on your toes. One of the best things we've heard in a long time, how about you?"

Compra el lanzamiento aquí: https://newyorkhaunted.bandcamp.com/album/nyh394-oneiromancer-incubo

Artist: Oneiromancer
Title: Incubo
Track: Oneiromancer - Lugares Devastados
Label: New York Haunted
Format: WAV
Genre: Electro
Country: Colombia
Release date: 10/30/2025

Artwork by: DRVG CVLTVRE
Mastered by: NYH 

Support the label:
BC: https://newyorkhaunted.bandcamp.com/album/nyh394-oneiromancer-incubo

Support the artist:
SC: https://soundcloud.com/oneiromancer666
IG: www.instagram.com/o.n.e.i.r.o.m.a.n.c.e.r2/

Comprar

NYH394 02 Oneiromancer - Colapso.

A2 - Polar Inertia - The Last Vehicle (François X Remix) [DM3D005]

The new Amsterdam-based label @ImmaterialArchives celebrates its first release, featuring tracks by the label heads @CYBofficial and @Elisa-Batti and remixes by Michal Jablonski and Wrong Assesment. Monument's pick for the premiere is track Neon Sculptures, remixed by Wrong Assessment.

Between Viewers and Spaces EP is out on November 15th.

MNMT Premiere: CYB & Elisa Batti – Neon Sculptures (Wrong Assessment Remix)

Propaganda Moscow: Act VI

Blood Lust

@petrichorsounds - blöta EP (SOMA553D)

1. blöta
2. After Velvet (Sedant Remix)
3. XT3

Petrichor drops the second single taken from upcoming LP Narisshu with the deep and unique blöta. Soaked in his signature sound, this latest single has everything from Petrichor's sonic arsenal on display as remixed versions of album tracks sit beside some brand new material. 

The dreamy vibe of blöta glides in as a perfect opener for the EP; a definite standout from the forthcoming LP. The Sedant remix of After Velvet, which has gone down a storm in recent live set performances, has an almost Deepchord quality to it with its electro acoustic soundscapes driving this deep rooted track. Harking once again to Detroit, XT3 takes us on an off world Electro journey as big pads and strong melodic content bring the emotion to this closing track.

blöta EP

blöta

Petrichor - blöta (Soma553d)

Out now on vinyl only!
Available directly from tresorberlin.com
Download code included.

Throughout his career, Roger Semsroth has followed a deep intuition for experimentation in sound, wrapping club music around eerie microtonal motifs and industrial sensibilities. This new work for Tresor takes a step forward, as the first true techno album from Sleeparchive, where his previous LPs have exhibited themselves more conceptually, or under different names and his Nord Vest label.

Semsroth has been active in electronic music since the late 90s. He received initial attention first for his electro productions under the alias Skanfrom and the 80s minimal synth inspired Television Set. These projects echoed his love for these sounds, which the East Berliner had steadily immersed himself with after the end of the GDR. Upon hearing the bleeps of Mika Vainio and Plastikman, he began to engage with his strain of techno. Over the last decade, he has focused on his Sleeparchive alias, which dates back to 2004. Alongside close friend DJ Pete, he performs live techno as TR-101. His relationship with Tresor began in 2011, first releasing the Ronan Point EP and following up with the crucial A Man Dies In The Street series in 2013.

With this new album, Sleeparchive's impact on the techno sound is ever more relevant. Awaking in constant locomotion, locked-in, unrelenting and dry. Sleeparchive’s churning loops etch visions of tight minimalism at times densely frenetic and others serenely galactic. This predilection continues throughout the four sides on the album, eschewing conventional arrangement styles with gradual probabilistic change. Tracks such as 'Needle' and 'Peccant' offer up precise, sinewy techno. 'Leave' recalls the Detroit sound of Terrence Dixon, with its cascading synth tones and droning atmospheres. The album closes with a different version of 'Trust' to that found on last year’s Revised Recordings EP released on Tresor, with its now-familiar nerve-inducing pizzicato strings even more at the fore with its mechanic delivery.

Buy on Tresor Store

Sleeparchive - Loop 1

Sleeparchive - Concrete

INSTINKTLAB002
by humagn
29/05/2020

Mastering by Talfelt
Cover by fx_photographx

INSTINKTLAB002

zizu

humagn - zizu [INSTINKTLAB002]

CØNCENTRÄTE - Semantika (Original mix)- {Gynoid Audio}

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.