Real big Tune, man. Love it... Check out my 5 latest tracks, if ya like. Peeze

ACR202 A1 Peripetia| A2 Strange Days| B1 Crack City (WarEasyMade Remix)|B2 Crack City (Original)

Could a hypnotizing marriage between dub techno and Detroit house be the perfect sonic symbiosis? Check out This Is How We Dub on our third Tech-Um label which is the product of a collaboration between Paul Donton and Daniel Mancini’s The Maersk
Project and Dutch DJ and iconic producer Orlando Voorn. All of these have been established and respected names within the Techno scene for several years – decades, even! The fruit of their collective labor is finally here to catch your ear and get your body to move along accordingly.
 
Tech-um proudly presents This Is How We Dub, which offers the listener an array of pulsating and sometimes abrasive rhythms. Yet once established, they are hard to let go.
 
Before you know it, each timeless track becomes an essential part of the current atmosphere. Care to take This Is How We Dub for a spin – literally? You will soon find that it will do the same thing to you!

PRE-ORDER

The Maersk Project vs Orlando Voorn 'The Nighttripper' - This Is How We Dub (TECH-UM003)

club couch, rhabarberschorle, k-holing with my besties <3

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com.

Ayaz ╚═ Future Intel ═╗ 03 03 2023

FALESIA - AMICA EMICANT

Tresor Records marks its 250th release with a very special project indeed. Continuing to forge ahead whilst remaining ever mindful of its legacy, Tresor proudly presents Infiniti - The Remixes: a trilogy of classic cuts and new reworks from one of its original Detroit linchpins Juan Atkins.

Dubbed as his “pure techno” project, Atkins produced two full-length albums under the Infiniti moniker—The Infiniti Collection, released by Tresor in 1996, and Skynet two years later. 16 years on and they are as relevant today as they were pioneering then, brought further up-to-date here with a series of fresh takes from some of techno’s pioneering and esteemed figures: Thomas Fehlmann, TV Victor, Function, Redshape, Sleeparchive and the re-release of dubtechno vanguard Moritz Von Oswald's remix of "Think Quick", originally released in '94 on Metroplex.

Part One - The Orb’s Thomas Fehlmann picked two tracks, one in each album, to form a very special combo-mix. The shimmering “Walking On Water” and "Raindrops" come together in a beautiful old-school sounding version. Tresor Records ambient stalwart TV Victor plies his vision to present a hypnotic take on the gently elevating “Thought Process”. 

Part Two picks up the pace, heading further down the timeline with “Flash Food”—originally released in 1995 as part of one of the label’s famous annual compilations, re-edited by Sandwell District’s Function. Skynet’s punchy classic on the flip, “Skyway” rounds off the EP with a killer old-school remix by techno’s masked crusader Redshape.

Part Three concludes with a remix package of The Infiniti Collection’s brooding slow-burner “Think Quick”, backed with an offering from one of Berlin’s revered electronic practitioners Sleeparchive and the re-release of Moritz Von Oswald's remix, initially released on Metroplex in 1994 - a rarity. 
--
More info on: www.tresorberlin.com

TRESOR250C - B. Infiniti - Think Quick (Moritz Von Oswald's '94 Remodel)

The legendary Moscow club Propaganda celebrates its 20th Anniversary in April 2017 and launches a brand new record label. The label will cover different styles of intelligent electronic music, focusing on techno in the first year. At the beginning there will be released music by great artists who had performances at Propaganda club in past. More artists will be involved and more excellent music will be released over time.

Juno

Pris - Truth

2xLP pressed on black vinyl at Archer Records, Detroit -

A1 Beyond The Six Realms
A2 Filthy Demands
A3 Agate

B1 Crawl of the Cthulu
B2 Mysteries (of The)

C1 Stalker	
C2 The Alarm

D1 Psychic Downfall
D2 In Dreams

--

Ectomorph occupy a unique and strange place within Detroit Techno history. Founded in 1994 as an inspired reaction to DBX, Basic Channel, Rob Hood, Sähkö, and Drexciya, they released their first 12" singles in 1995 as an attempt to make Detroit music for Detroit itself, rather than exclusively for export.

The mystique of their early singles led to mythic status and a strong underground cult following, which they have continued to develop through releases on their own Interdimensional Transmissions label. Their live shows are legendary for their ability to fluidly incorporate improvisational techniques into synthesized music (and for the sheer amount of hardware that they bring to the stage). The Ectomorph show is all analog, no computers or samplers or even drum machines: all sounds come from the modulars and the mountains of Moogs.

Ectomorph (now officially comprised of BMG & Erika) reconvened in 2016 to write new music, which led to a series of live shows where the new material was tested via performance and allowed to evolve in form. To capture the energy of these performances, the new material was recorded in the studio totally live, multitracked for further engineering, but with no editing whatsoever. This music, to borrow a phrase from Derrick May, is what it is. The entire album was recorded live in one or two takes in the Interdimensional Laboratories in Detroit. This is the sound of the idea that is Ectomorph, presented in its natural and organic format, live and improvisational.

Interdimensional Transmissions (or IT) is a Detroit-based label founded by BMG (Brendan M Gillen) in 1995, with its first release the debut record by Ectomorph. The label has come to represent the left-hand path within Detroit Techno, Electro, post-disco, etc. IT often takes a wide musical lens and incorporates history as a way to find something both pure and new. IT is collaborative in nature, and functions as a dialogue between label partners BMG, Erika, & Amber. IT parties have also gained a cult status internationally, with their recurring No Way Back events becoming the focal point of a sort of post-rave cultural phenomenon and the annual after party highlight of Detroit's Memorial Day weekend.

Written and Performed by Ectomorph
Produced by BMG

Recorded live in the Interdimensional Laboratories, Detroit.

Mastered By Neel At Enisslab Studio In Rome
Cover photo by Baboophotography
Sleeve Designed By Brendan M Gillen
Vinyl Mastered By Carl At Trutone
Pressed At Archer Records In Detroit
Distributed by Fit

IT 42 © 2018 Interdimensional Transmissions. 
Published by Interdimensional Publishing (ASCAP)

Stalker

Ectomorph - Stalker [IT 42]

Blankstairs began as a series of all-ages DIY parties spawning from visual artists Nathaniel Young and Warren Mark Way. The events possessed a certain renegade and unhinged energy and, at the time, fulfilled their desire to engage with Portland’s music community.

The events were hosted in art galleries and whatever various alternative spaces were at the two’s disposal at the age of 19. Local visual artists were often presented on the same plane as the musical performances driving the events. In time, the pair found themselves surrounded by friends seeking a suitable platform for their visual and musical output, and thus the label was born.

The first release and compilation in July of 2013 presented a triad of subdued, stoned-out jams and somber ambient music, alongside club constructions of various shapes and sizes. Fast forwarding to the present finds Nathaniel and Warren both based out of New York and continuing to release music that represents the artists that are immediately involved in their lives –– the label being an expression of that which surrounds them.

In celebration of six years of operations Blankstairs is excited to issue a three part compilation featuring work from artists based in both spiritual homes for the label –– Cascadia and New York City, a selection that we feel is an accurate representation from Blankstairs friends and family both near and far.

https://soundcloud.com/aosseattle
www.blnkstrs.com

Illustration by Warren Mark Way & Nathaniel Young 
Design + Layout by Nathaniel Young 
Mastered by Matt Parent 
CAT#: BST021-1

Aos – We Used To Be [BST021]

LIES-142
Gladio-Means to Freedom lp
samples from the upcoming 7 track album
to be released May 2019

Means to Freedom

Buy Direct

Gladio-Means to Freedom(LIES-142) LP Snippets

Available at bandcamp:
https://tracey.bandcamp.com/album/numbers-and-buildings

Numbers And Buildings

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

TRESOR250C - B. Infiniti - Think Quick (Moritz Von Oswald's '94 Remodel)

Tresor Records

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