Bboy EXP

The sky tears its voice across the bones of the earth.

⫘⫘⫘RAVE⫘⫘⫘

Stream: https://spoti.fi/3KeqcF1

● JKRS
@jkrs_music

Free Download

JKRS & ECHO - Maneater (Sped Up)

Hard edit of André VII & I Hate Models remix of 'Toro' by El Columpio Asesino. Free Download through Hypeddit.

André VII & I Hate Models - Toro (Luciid Schranz Edit)

Estella Boersma - live from the Boiler Room stage at Boiler Room Festival Berlin.

Estella Boersma | Boiler Room Festival Berlin

I Hate Models  - live from Boiler Room x Teletech Festival, 2024

I Hate Models | Boiler Room x Teletech Festival 2024

A very special guest today on YOUNG's show... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/young-turks/episodes/young-turks-7th-may-2025

Young w/ Sampha  070525

soundcloud : @11pmraar
instagram : www.instagram.com/raar_v/

Raär @ GIMIC - 09 July 2025

“It's not possible to constantly hold onto crisis. You have to have the love, and you have to have the magic. That's also life." - Toni Morrison

On 23rd of September, Jamaican artist Dion McKenzie aka TYGAPAW will join with Tresor Records to release IMMIGRANT, a two-track digital EP that marks a new chapter in their artistic journey.

With emotions to the fore on both cuts, TYGAPAW uses their music to detail two journeys they have undertaken over recent years: 

M32 riddim is a sonic representation of the pulse that races when survival mode kicks in; a pulse that is ever present as an immigrant in the United States of America. As such, the music is alert, verging on oppressive: fast-paced and constructed of waves of synths that feel like alarms and sirens heralding drums that could represent the heavy footfall of escape.

In stark contrast, second track Black Trans Masculine Experience is a vulnerable, intimate, melodic piece composed of loop-based overdubs and speech that gives profound insight into the isolation and erasure that comes while transitioning. Through a recorded conversation that took place in TYGAPAW’s living room in the fall of 2024, Kings-Lee Rose describes the process of becoming invisible as he transitions from being perceived as a Black woman to a Black man, and the drastic social shift that takes place during that process.

The message of Black Trans Masculine Experience is further enhanced by the self-directed and produced video which illustrates the emotional content and the feelings of solitude whilst also making space for the love and magic.

Together, the two pieces demonstrate the broad palette of an artist who takes their struggles and transmutes them into a powerful statement, or as McKenzie states, into “the sound of resilience”.

BANDCAMP

TYGAPAW - M32 Riddim

Live at All Tomorrow's Parties

02 - Unknown

Mixtape exclusive de Rebeka Warrior à l'occasion de la sortie du premier album de son nouveau projet avec Vitalic, Kompromat.
https://www.facebook.com/KOMPROMATmusic/

Crédit photo : Erwan Fichou et Theo Mercier

Infos & Track ID
https://www.radiocampus.fr/residences
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NOUS SUIVRE | 
www.radiocampus.fr
Insta @radio_campus
TW @radiocampus
FB @radiocampus 

NOUS ECOUTER |
liste des fréquences FM sur www.radiocampus.fr 
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podcasts: www.soundcloud.com/radiocampus

REBEKA WARRIOR | Exclusive Mix | Campus Club

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.