℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
Guitars played on this track:  Taylor T5 (Koa Top) standard tuning; 
Taylor 714CE tuning C♯ G♯ C♯ F♯ A♯ C♯ (Capo 9th Fret)
LYRICS: 
See the lightning on the skyline
Hear that thunder roll
Feel the storm rising in the midnight air
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

See the snow capped mountain in a big blue sky
Hear that mountain stream begin to flow
And that stream becomes a mighty river
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

So many questions
Where are the answers to be found?
Is my head way up in the clouds?
Are my feet on solid ground?
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

From this headland looking out to sea
As the ocean breeze begins to blow
Wave after wave washes over me 
Reaching out for my soul
Tell me can you hear 
Can you hear that thunder roll
Tell me can you hear 
Can you hear that thunder roll

Hear That Thunder Roll

https://open.spotify.com/track/1RzjhetgXC27i7AO5fF914?si=71a5b00098f94d1a
"Time Far Away" electronic music with vocals
image from my photo art
"There's a time far away"

Time Far Away

Main parts --- nylon and steel string acoustic with some electric guitar overdubs later. A kind of study, with some almost experimental electric guitar ornaments. Recovered the acoustic guitar files, fixed them up, and glued it together! A bit of unevenness in the quality means best on earphones I think.

Step into the Light

Someone trying to make a better life for themselves with a new start in another city.

Only One Direction

This is a re-recording of an old song of our old band from the early 90s. I couldn't convince our singer @user-20931549 to sing on it yet (or any other member to record their parts), so all done by myself few years ago, for now as an instrumental. Anyway, I like it ;-)

Guitars, Bass, Drum Programming: @bonetender
Music: https://soundcloud.com/maersk-dddb/lovely-lemon-tea

©vonLieblos & Bonetender (& others) 2022 All Rights Reserved

Lovely Öemontea

Lovely Lemontea

Well I almost scrapped this song but after 3 weeks writing words, and then realizing how fun it is to sing, i kept it. I'm trying to figure out how to add a little lightheartedness to my music, but i think this one just turned out creepy lol. NOTE:  I always felt a little uncomfortable with the words, i just really didn't like them, so I reworked the chorus and a few other lines, and rerecorded the vocals. It seems a little better now...
 

I've seen my own worst enemy
Every night just staring back at me
Through the mirror with such animosity
And baby, it drives me crazy
I don’t understand what’s with this guy,
He don’t know that he’s alive
He combs his hair on the wrong side

I don’t expect you to understand,
But I’ve got these hammers for my hands
I like to start with everything
and smash away what I don’t need
and scattered all around are the pieces off of me
oh baby can’t you see what this done has to me

It’s a strange strange situation 
I need a little information
If it’s real or just imagination
Don’t say it’s so, I can’t believe 
Its down to you and me again
Up against the world my friend
Who can say   how this will end
 
It’s 3am and you’re slamming doors
Cause ‘I don’t speak your language anymore’
While I’m on my knees picking pieces
Of me up off the floor, 
I can’t lose much more, these pieces could be the last of me,
I wish I could see the way you see
is there anything left in this debris

Hammer Hands

vocal sample from Marudhaani by A R Rahman

Stay Human

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

Motion X - We Are The Normal - Electronica - Recorded 9/20/18

A frantic Circus number dedicated to the Normal.

We Are The Normal

Motion X - We Are The Normal

Starbear

A song inspired on an article I once read about Aeham Ahmad, the piano player from Yarmouk, Syria, who's piano was burned by IS.  After this he flee from his country and ended up in Germany. He still plays the piano; you can also find him here on SoundCloud!  @aeham_ahmad




DISCONNECTED

I used to feel free
In my beloved country
There was nothing to image 
that could make me want to leave that place
I used to play piano
And sang songs of love and happiness
Now those days are  gone, those lovely days are gone

I am disconnected
disconnected

My piano is destroyed now
They burned out the devil
My piano was executed and I’m sure 
I would be next if I would stay around too long
So I started travelling
Without knowing where to go
I started travelling
I just had to go.

I am disconnected
Disconnected

I’ve travelled by car, by trains and busses
I walked for many hours
While I sat on boat on the endless sea
I thought it never ended
I’ve waited for gates, without food in the rain 
I crossed 9 borders
Now I here and 
I’m disconnected

I’m disconnected
disconnected

Disconnected

Ambient  |  Psycho Electro | IDM
Sometimes Psychedelic, Sometimes Warped. 

Stream album Liquid Slow on all platforms.
More albums on Bandcamp

© ℗ Tripping Motion Music ltd

Contact - Motionx13@hotmail.com