Joy Sunrise

Sirenes

glory

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This track marks the beginning of a new direction. A blend of cinematic emotion and electronic energy, built around a powerful melody and immersive textures. It's a personal journey that speaks without words: intense, exhilarating, and deeply atmospheric.

Rebirth Waves

This Album Side B features all of the instrumentals from Under the Covers 3 including Bella's Theme which is a new cover.

Nights in White Satin - Instrumental

Perception of the Non-Visible

Perception 0f The Non-Visible

Shelter

This track starts ominously but soon lightens up with a slightly haunting  strings and horn theme. 

It's taken from Lockdown Jam 3, recorded on the 27th of April 2020, using the wonderful work of @idin-samimi-mofakham, @martyna-kosecka and Michael Vallone (@taraexperiment) as source material for our improvised manipulations!

Horn Melt

Ep-21

Ep-21  Pt. 1

Ep -  21 1

Piano, Synths, Bowed upright basses, filters.
Ambient electro-acoustic soundscape for this haiku:
⠀
Magnolia in full bloom…⠀
But waking I find⠀
a chill November morning⠀
⠀
Poem by John Hinks
Photo by DD (Paris, November 2020)

Composed and performed by Daniel Diaz

@naviar-records
@flownblue
https://www.naviarrecords.com/about/naviar-haiku⠀

Dedicated to Diego Maradona (Oct 30th 1960-Nov 25th 2020)  RIP
⠀

a chill november morning (naviarhaiku360)

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

German ambient music project formed and based in Frankfurt am Main.

Perception 0f The Non-Visible

Tropfenecho