2012 was big for Brooklyn indie label Trouble & Bass. The crew celebrated their 6-year anniversary, toasted Drop the Limeʼs new album, and released 20 records that shot up the electronic and dance charts. As a final coda to this crazy apocalyptic year, T&B releases CLASH OF THE DAMNED VOL.1, a compilation full of topnotch international collaborations.

Further putting a stamp on the “heavy bass” genre the label pioneered, CLASH OF THE DAMNED is a riveting selection of 12 tracks spanning the gamut between house, dubstep, club music and rap — often all within the same tune. Artists from London, Portugal, Estonia, Finland and across the United States prove that dance music doesnʼt have to be predictable… all with the dark and cinematic flair that is T&Bʼs signature.

Big-room rave meets Jersey club on “RRR U”, a massive track from the super-team of Bert on Beats and DJ Sliink of Mad Decent and Body High fame. UK garage pioneer Zed Bias gets together with foundational dubstep producer MRK1 for a surprising pair of gangsterish electro-house bits, offset by tropical videogame madness from Lisbon duo Zombies for Money and their Hungarian pals Slap in the Bass. Some serious head-nodders here as well: a dubby 808 track from Ursa Major vs. Elementz, an Atari Teenage Riot-inspired cult rap from Deathface with Lil Internet, and serious trap for your trunk from Ninja Tuneʼs Starkey with Parisʼ Mikix the Cat. Queen of heavy bass Star Eyes teams up with old friend UFO! on a Metalheadz-inspired dubstep stormer and a hyphy house hit, Dirtybird-style, while pounding cuts from Sharkslayer vs. Blaze Tripp and Willy Joy vs. Rob Threezy round out this huge sound clash.

Starkey vs. Mikix The Cat - Crawl

Music lover, anime watcher, Japanese self-learner, engineering student

On this account I repost dope stuff I love and catalogue some downloads. Mostly bassy brainwashers, sometimes some melodic tunes.

Genres of music I currently (2020-08-05) listen to (7798 foobar library tracks in total):

Dubstep (1741)
Riddim Dubstep (678)
Drum & Bass (542)
Hardstyle (414)
Electro House (392)
Bass House (381)
Drumstep (349)
Glitch Hop (225)
Future Bass (219)
Trap (204)
J-Rock (190)
Anime (179)
Hands-Up (174)
(undefined) (172)
Electronica (104)
Future House (96)
J-Core (86)
Experimental/Electronica (85)
Fidget House (85)
Mid Tempo (70)
House (69)
Nu Disco (68)
Electronic (67)
UK Hardcore (66)
Chill Trap (63)
Indie Dance (63)
Hybrid Trap (57)
Future Funk (53)
Indie Rock (49)
Complextro (44)
Scouse House (43)
Deep House (36)
Jackin House (35)
Tekstyle (34)
Breaks (33)
Hardcore (33)
J-Alternative (33)
Hip-Hop (31)
Chill Out (30)
Melbourne Bounce (28)
Chiptune (27)
Speedcore (27)
J-Pop (25)
8-bit (23)
Electro Funk (19)
Club (17)
Jersey Club (17)
Bass (15)
Tech House (15)
Neuro Hop (13)
Frenchcore (12)
Pop (12)
Anime Groove (11)
Grime (11)
Dance (10)
UK Garage (10)
Makina (9)
Nu Funk (9)
Alternative Rock (8)
Breakcore (8)
Jumpstyle (8)
Punk Rock (8)
French House (7)
Moombahton (7)
Hardtek (6)
Meme Music (6)
Rock (6)
Alternative (5)
Club House (5)
Electro (5)
French Electro (5)
Gabber (5)
Jungle Terror (5)
Acoustic (4)
Big Room (4)
Dutch House (4)
Extratone (4)
Melodic House (4)
Progressive House (4)
Funk (3)
Future Garage (3)
Garage (3)
Hard Dance (3)
K-Pop (3)
Melodic Complextro (3)
Riddim Drumstep (3)
Synthwave (3)
Ambient (2)
Disco House (2)
Disco Polo (2)
Electro Dutch (2)
Electro Soul (2)
Happy Hardcore (2)
Indie Pop (2)
Moombahcore (2)
NeuroGarage (2)
Pop Rock (2)
Techno (2)
Terror (2)
Trance (2)
Trapcore (2)
Trapstep (2)
Tropical House (2)
3step (1)
Bassline (1)
Breakbeat (1)
Celtic Metal (1)
Electro Breaks (1)
Electronica Mainstream (1)
Eurodance (1)
Future Soul (1)
Future Trap (1)
General Country (1)
Glitchstyle (1)
Happy Breaks (1)
Indie Electronic (1)
Melodic Dubstep (1)
PL Hardcore (1)
R&B (1)
Rap/Hip-Hop (1)
Riddim House (1)
Soul (1)
Teen Pop (1)
Tribal Trap (1)

Cash Collecting Cino; OMOL's Cash Collecting Crew Founder, CEO and President. 
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Brooklyn Heavy-Bass record label and party Est. 2006
Thank you to all who supported 9 wonderful years of Heavy-Bass music with us, May the memories live on. †

rhythms, man.
I veer towards syncopation and darker tones.
I listen to all different types of music so I can decorate different pieces of time.
Most of it is organized in playlists of some sort.
I think you can figure them out.