After a heavyweight entry by Bloom we now shift our gaze back down under, where Air Max ’97 has been hard at work creating new spaces and possibilities for the club. With an open-ended, exploratory process, Air Max’s work hones in on lush texture and rhythmic imbalance, on the dancefloor its felt as confronting, challenging yet undeniably fun and playful. These themes were fully explored in his label-debut ‘Progress and Memory’ on Liminal Sounds, though traces can be found in his earlier self-released material (‘Recurse’, a sleepy-eyed wake-n-bake soundtrack, is a personal favourite). On January 26 we’ll be taken deeper down the rabbit hole with his follow-up Liminal EP ‘Fruit Crush’, 3 tracks of twinkling dancefloor magic in which his unique approach fully crystalises. These dense rhythmachines are instantly recognizable as Air Max’s, they are a Galapagos island of images and iterations. Again we find only a tangential connection to grime, an admiration of its sonic and spatial magic and a knowing respect for its historic and current communities, contexts and localities. The impact of grime is felt as sonic philosophy, as process and possibility.

READ MORE: http://truantsblog.com/2014/functions-of-the-now-xi-air-max-97/

Functions Of The Now XI: Air Max '97

Rose Knapp is an experimental poet & sound artist. She is a transfemme androgyne. 🏳️‍⚧️🏳️‍🌈

Artistically self taught, she creates chaotic, radiant, fragmented, fractal fusions of musique concrète, electronica, techno, sound poetry, & sound art.

She has LP's & EP's released with D.M.T. Records, Far East Sound, Always Human Tapes, Aa3 Corp & others.

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