Bad Guy Electronics based in the LA area. 
Ten toes down type of beats.
North American Bookings: Ethan@heavytalent.com

Having achieved huge success under his previous alias Philthy Chit, Phil is now moving towards a deeper, more progressive/ techno influenced sound, maintaining his signature melodies with a darker twist. 

With releases on Parquet Recordings, Perspectives Digital, Global Underground, Glasgow Underground, Particles, Pure Progressive, Silk Music, Coldharbour, and Perfecto Black, Phil has gained support from the likes of Guy J, Hernan Cattaneo, Sasha, Nick Muir, Robert Babicz, Above & Beyond, Markus Schulz, Ferry Corsten, Paul Oakenfold, John 00 Fleming, and many more. 

https://www.beatport.com/artist/phil-martyn/562311
https://www.facebook.com/PhilMartynOfficial/

Bookings:
➣ UK & Europe
tom@clockworkartists.co.uk
➣ USA & Canada
eventbookings@grandgrooves.org
➣ Australasia
stuart@posterchild.com.au

The Popular Front podcast focuses on the niche details of modern warfare and under-reported conflict. It's regarded as one of the number one podcasts for keeping informed on the world in war. 

Bonus episodes: patreon.com/popularfront

https://popularfront.co/

For the thousands who buy the albums, go to the parties and get into fierce debates online, Global Underground has become more than just a record label, it's a way of life.

SkuBop out now: https://sadababy.lnk.to/SkuBop

My name is Kelvin (Navajo/Diné).  I started a metal music podcast. I interview bands and talk about music I like. I like to interview Native American metal bands, hence the name Rez Metal Podcast. Follow me on FB, Instagram, Spotify, or ITunes.
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Instagram @rezmetal_podcaster
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FB:  https://www.facebook.com/Rezmetalpodcast
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Linktree to all platforms: https://linktr.ee/rezmetalpodcast

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

High quality streams of the early releases

All uploads are lossless/uncompressed wav files (16 bit 44.1 Khz) ripped directly from the original cd's.
All CD's are from my own personal collection, so some might have some audio artifacts from worn cd's etc. If you do encounter a file with glitches/audio interruptions - please let me know as I don't listen to all the tracks from start to finish.

trvvllknvs is following