Classical, world, etc 5

I see a sunset in your eyes
See a highway in your smile
I'd walk a hundred desert miles
Just to meet you

And I'll call you baby if I want to
Call you baby if I want to
I'll call you baby if I want to
If I want to

There are times I forget
'Bout the half moon nights we spent
Chasin' shadows on the bed
But dreams are not
Made from this
Made from this

And I'll call you baby if I want to
Call you baby if I want to
I'll call you baby if I want to
If I want to

Sneakin' glances in the dark
Hall of mirrors a wanderin' thought
And I still can't shake the fear
That things 
Are not
As they appear
As they appear

And I'll call you baby if I want to
Call you baby if I want to
I'll call you baby if I want to
If I want to
If I want to
If I want to
                                

                            {  >>>If I want to<<<  }

If I Want To (unmastered)

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

Meredith Monk - Quarry Radio

Sunil Ganguly... Chole Jete Jete.wmv

Edward Artemiev-Meditation (Stalker Movie Soundtrack) 1979!

Víg Mihály - Rain I (Damnation) / A Soundtrack from Béla Tarr Films

Been blogging, music sharing, etc. for a while now (see blog under this name) & DJing since 1982. I like all kinds of music.

Most of my playlists are not organized & just hold songs I'm interested in, many of which I haven't listened to yet. The "freeform current listening" playlist is as it says & will be updated regularly. Many of my reposts were unintentional, they were just random tracks I was trying to add to a playlist using my phone & I've got clumsy fingers.

White Columns record label ‘The Sound of White Columns’ or ‘TSoWC’ for short continues the organization’s longstanding collaborations with musicians that has included such seminal events as 1981’s ‘Noise Fest’ (organized by Sonic Youth’s Thurston Moore), Barbara Ess and Kim Gordon’s 1981 curated exhibition of artworks by artist-musicians, and 1983’s ‘Speed Trials’ concert series, amongst others.

White Columns is New York's oldest alternative art space. It was founded in 1970 by Jeffrey Lew and Gordon Matta-Clark as an experimental platform for artists. Originally located in SoHo (and known as the 112 Workshop/112 Greene Street), the organization was renamed White Columns when it moved to Spring Street in 1979. In 1991 White Columns moved to Christopher Street in the West Village, and in 1998 the gallery relocated to the border of the West Village and Meat Packing District. White Columns re-opened in a new location at 91 Horatio Street adjacent to the new Whitney Museum of American Art and The High-Line in 2018. White Columns presents an ongoing program of exhibitions, projects, talks, screenings, and events. It is a not-for-profit gallery which is open to the public, free-of-charge, eleven months per year.

Meredith Monk - Quarry Radio

TSoWC

Related tracks