@user-138663860 thanks dear Sandy 👍🏻👍🏻👍🏻

quand traversent la mer en fou et joue ça 💓

I am a choir director and with the covid, I lost my job
I am also a primary school teacher

https://sites.google.com/view/music-wins-our-fear-saves-us/musica-e-covid

The activities listed here are part of the weekly musical program of the musical hour realized in these two years of the pandemic.
The project was carried out as part of the weekly music lessons that took place during school hours to free creativity
and to find new ways of expression and to seek ways and new ways, to improve interpersonal relationships
communication and mediate the exchange of thoughts, sharing their experiences, thoughts, and hopes of others
with a powerful, rich, and irreplaceable medium like music.

https://sites.google.com/view/music-wins-our-fear-saves-us/musica-e-covid

SCUOLA) We Dream Of Higher Skies - World Travel 7- Far East

(SCUOLA) We Dream Of Higher Skies - World Travel 7-  Far East

ARTIST: Nelson Brodon
EP TITLE: Retunized
TRACK TITLE: Short Wobbling Boat Trip
RELEASE DATE: 27/05/2022
LABEL: Effortless
COVER ART: Jen Roe @jenniferroe
COVER DESIGN: Nelson Brodon

ARTIST PLATFORMS:
BANDCAMP: nelsonbrodon.bandcamp.com/music
SPOTIFY: open.spotify.com/artist/4HlodiORrkrxDXz23SQ39H
DEEZEER: www.deezer.com/it/artist/134640322
APPLE: music.apple.com/us/artist/nelson-brodon/1570122012
TIDAL: store.tidal.com/it/artist/25529286

EFFORTLESS ART: linktr.ee/effortless_art

Short Wobbling Boat Trip

Buy on BC

Nelson Brodon - Short Wobbling Boat Trip [Effortless]

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - V. Spring Rain (Sara Teasdale)

Breathless

C'était à Douarnenez 
En sortant du ciné 
T'avais les yeux mouillés 
Et moi j'étais éparpillé.

Quand t'as voulu dîner 
On s'est retrouvé bouche bée 
Le fils du cantonnier venait de s'faire assassiner.

Le trou c'est pas pour moi 
J'serai relaxé !

Bonsoir madame Fouquier, pourriez-vous me donner.
La clef des champs pour éviter le pénitencier.
Je sais c'est pas marrant, demande donc à Fernand.
Il a passé dix ans à la prison de Lorient.


Mais non monsieur l'agent n'soyez pas arrogant.
Regardez moi j'suis innocent, j'ai l'air d'un enfant.
J'porte déjà mon fardeau lourd comme un sac à dos.
Depuis que mes parents se sont enfuis de Saint-Malo.

Pourquoi finir en cage, j'ai toujours été brave.
Sauf si à Douarnenez on voudrait plutôt m'voir crever.
Alors c'est maintenant qu'il va falloir parler me dit l'avocat général en r'gardant au fond d'la salle 

Le trou c'est pas pour moi 
Le trou c'est pas pour moi 
Le trou c'est pas pour moi 
J'serai relaxé

Divac han

Divac' Hañ " La relaxe "

Mira Law on Vocals
Espen Skaar on Bass Synth, Electronic Drums, Piano

It is hard to make music.
It is hard to write code.
It is hard to travel 100000000 light years.

Gates of everything

Superposition

Cover of one of my songs from the album "Homeless blues
in a different version.
Open tuning Gsus4 

Lyrics

I crossed the line
that day when I was tired.
I crossed all limits.
I crossed rivers.
mountains and hearts.
the last red line

I looked for lost treasures.
I made a fortune.
I lost everything.
I was thirsty.
I drank everything.
I was hungry.
I left everything.
I crossed the red line.
I have crossed it too many times.
I no longer have the chance to repent.
The last red line

I crossed the limits.
I had to run away.
I must have passed out.
I had to bury myself.
I had to hide.
no one can find me.
i want freedom.
i want to think.
I don't want a red line in my life.

I promise I will stop

I crossed the line
that day when I was tired.
I crossed all limits.
I crossed rivers.
mountains and hearts.
the last red line

Red line

Red Line

Psychedelic is back again

(c) 2011
Guitar, Bass, Programming, mixing, producing and mastering by Robert Grigg

Blue Stew

A LEADER OR A KILLER

A LEADER OR A KILLER 💓💓💓

Tulipe est le surnom que ma mère m'avait donné quand j'étais enfant.
La musique de Tulipe est très variée, du rock au blues en passant par le  psychédélique et bien plus encore

Divac' Hañ " La relaxe "

Tulipe

Recent comments

MG 91264

Tulipe

Keno

Joe Wood

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