Bien cool ce rock aussi, du beau travail comme d'hab !

@gina-wood-837506330: Thanks my dear friend !!!

Nice great rock track good job.🎶👍😎👌

heat the beat goes crazy man [via https://sc.repostexchange.com]

Ca swingue, ça sonne et le texte franco anglais est top!

One if by Land

From 8000 Miles’ 2nd album Crystal Confetti comes another tune that gets a bit philosophical. How often does your first response to a situation cause you to feel that your opinion is being challenged? Yeah, it can be often. Everyone has their own take on things and that can cause uncomfortable feelings between people. So, consider in those times, when it might be appropriate to not claim that you are “right”. Let it go. Compromise. Choose peace. After all, being right is usually just an opinion. Yes? Think: I don’t have to be right.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363453
© 2022 8000 Miles All rights reserved.

Crystal Confetti

I Don't Have To Be Right

Buy our Music 🔥

seeing in the dark
i see you but you don't see me
in the shadows i perceive clearly
things that used to be obscure to me

let's go back to that place where we did those things
of the sunset and the stars we'll sing
a little sympathy and peace to bring

once there was a house
then there was a child
then there was a car
and the times got less wild
but when i look at you i'm still beguiled

there's a chemistry
working silently
invisibly
improbably
around you and me

lying in the dark
i know you have your eyes on me
you perceive but you will never see
in the end that what will be will be

these seasons come and go with the ebb and flow
but if you'd only close your eyes you'd know
you can only reap the seeds you sew

once there was a dawn
then there was a day
then there was a dusk
and the moon would come along and say
that there can never be another way

there's a chemistry
working silently
invisibly  
improbably
around you and me

flowers will grow
amid the stones and the snow

there's a chemistry
working silently
invisibly  
improbably
around you and me
x2

Chemistry

Think About The Waves

Living in the Dream

Living in the Dream (feat. Aleksi Hakala)

It's Gonna be Great

TERMINAL VELOCITY

Grace White Sherwood

Mudslide - Robert Grigg & Combstead

A collaboration with https://soundcloud.com/soundanimal

I am bored of playing this game
Work for nothing, live for nothing
Senses overwhelmed with unnecessary stimulation
It is absolutely pointless.

I want to see with my own eyes
Feel my body hurt or be happy
Instead of this permanent anesthesia

I'm so used to this routine
Do this or that
Go here or there
Without understanding why

Now is the time to take it all under control
Get rid of bad habits and artificial pleasures
Now is the time to be

I find this upsetting
I want to be classless and free
I need a space to live
Away from them and their city
Upsetting, upsetting, upsetting

Upsetting (Sound Animal x The Fall of Saigon)

Duration: ca. 21'
Music by Robert Paterson • Lyrics by David Cote

Instrumentation: soprano and chamber ensemble (wind doubler [flute, B-flat clarinet, oboe], violin, cello, percussion, piano)
Performed by American Modern Ensemble, Marnie Breckenridge, Soprano
Formerly titled "In Real Life."

Purchase Sheet Music: (Version for Soprano and Chamber Ensemble): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2778

Purchase Sheet Music: (Version for Soprano and Piano): http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2777

For more information:
Version for Soprano and Chamber Ensemble: https://robertpaterson.com/in-real-life-version-for-soprano-and-chamber-ensemble
Version for Soprano and Piano: https://robertpaterson.com/in-real-life-version-for-soprano-and-piano

In Real Life II for baritone and chamber ensemble and baritone and piano also available. (In Real Life II consists of different songs than In Real Life.)

PROGRAM NOTE
Forty million Americans do it: join a dating site hoping to find true love in digital space. In Real Life is a song cycle for soprano and piano that explores the humor and heartbreak of this modern ritual. Five women fill out their dating-site profiles, opening a window into their worlds. The first song is “A Regular Woman,” in which a lady outlines the exact sort of man she’s looking for with comical specificity, perfect for today’s on-demand culture. “Late Bloomer” is a sweet and wistful portrait of a woman who learns in her 40s that her romantic tastes have changed radically. Next, in “Anastasia,” we hear from a Russian looking for a husband—with all the broken English that entails. With “Collateral,” the mood turns dark, as a war widow contemplates returning to the dating pool. Finally, “Rewind” is a nostalgic anthem by a 35-year-old whose divorce has made her feel like an awkward teen again. Can she learn something from her younger self? Funny and sad yet full of hope, In Real Life is about reality, fantasy and second chances. In Real Life was commissioned by Austin Chamber Ensemble Artistic Director Martha Mortensen Ahern, in honor of its 35th season.

American Modern Ensemble: In Real Life

In Real Life I - III. Anastasia

Texte Fati Zahra
Pochette Yoann Recher 
Musique & chant Tulipe 

Lyrics

Ceux qui me provoquent ainsi
quand ma tête se bloque 
Ces prétendants et leur simplicité                                   
Ces personnes  falsifiées !

Sois comme tu es 
À prendre ou à laisser 
Tu n'es pas obligé 
De te déguiser                                                             
Un jour, tu seras fatigué 
Et ton masque tombera

Take it easy 
Just be you                                                                  
Stop pretending 
To be another one 
Definitely isn't you 

Un jour, tu seras fatigué 
Et ton masque tombera                                     

Take it easy 
You used to be true 
Just be you                                                                    

Stop being fake 
Only to make them happy 
Finally, they will never be 
You will be tired                                                               
Unfortunately 
Be the king of yourself 

Just be true 
And watch them go 
That's not your fault 
Be real                                                                                        
No matter how they feel 
Don't feel guilty 
Being a copy 
Isn't worthy 

Un jour, tu seras fatigué 
Et ton masque tombera                                                 

Take it easy 
You used to be true 
Just be you 
Just be you 
Just be youuuuuuuuuuuuu

Keep dreaming

Just be you

Just Be You

Tulipe est le surnom que ma mère m'avait donné quand j'étais enfant.
La musique de Tulipe est très variée, du rock au blues en passant par le  psychédélique et bien plus encore

Just Be You

Tulipe

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