j'adore l'environnement les reverses et tout et tout plus qu'à ce laisser transporter dans ton Vortex 👽🤞

Belles percus et ambiance musicale... très bon choix d'instruments... du grand Tulipe ! Bravo !

Très joli morceau, un quart d'heure hors du temps qui transporte vers un autre monde, merci pour ce moment

j'adore... c'est excellent pour planner ☄️✨

[original guitar score by @john-byrne-117035719]

When I watched you from a paper cloud,
my paper cloud
was overflown with all the
beauty there could be.

And then it was time
to tumble down, can't turn around,
but every choice I made
made a smaller me.

And when I looked around
my world so small, no world at all
I remembered all the colors
I'd seen from above.

And I decided to enjoy the fall
dive into the rotten dirt
and dig me up some love.

This plane is going down,
but it's the screaming
of the air that awoke us

Good time to take a look around
and find the way to plummet
with an unrelenting focus

Yeah, this plane is going down, down, down
but it's still holding up,
and it ain't down yet.

Great time to use up all that focus
I need to burn my way
down to zero in regret.

[ zero in regre-e-et, e-et ]

So when I take you
by the neck and waist
then spin around,
it's like I'm dancing
with a much braver me.

Let's never plan
to settle down, nor settle for
anything less than everything
there is to do and be.

This plane may be going down
but nothing short of
a mountainside can block us.
It's time to move those feet around
we can dance circles 'round the world
when all we've got is focus.

[ Swing with me.
Take a swing with me.
We'll take a swing at everything there is
to do, and to be.
There's so much to do
and to be... ]

You're invited to my paper cloud—
my paper cloud
makes all possible beauty plain to see.

This plane's still going down,
it's going down, it's going down,
but it ain't down yet.
There's always time to
work our way down to
zero in regret.

We will watch the world
grow bigger in our eyes.
We will burn every last drop of fuel
on nothing will suffice.

Support John

Zero In Regret (with John Byrne)

Seq32 L L L L L L L L   Unleashed and indomitable Ballad    (short version)

Introduction in English:
Over 30 years ago, I did a six-week hitchhiking trip in Ireland. Right at the beginning of the tour I met Ian and we hitchhiked through the beautiful Emerald Isle. 
We quickly discovered that we were both stuck in completely hopeless love affairs. He in London and me in Berlin. Both of us didn't want to admit it for a long time. Now, after countless attempts to save our relationship, we had fled to Ireland. 
I described my rescue efforts as a "Himmelfahrtskommando“. But there is no real equivalent for this German pun in English. The closest thing is "Suicide Mission". And so we came to call our community of fate "Suicide-Himmelfahrt-Mission". 
After this unforgettable tramp journey we always stayed in contact with each other. 
Until earlier this year, Ian's mother informed me that he had died unexpectedly of a heart attack. 
Accordingly, I dedicate this song to my friend Ian, who passed away much too soon. 
In the first part I sing the chorus in German. In the second part I imagine how the almost always cheerful jazz friend Ian would have sung the verses and the chorus. And in the third part, I imagine how the two of us would have sung the chorus together.

Lyrics in English:

From above, look down on me
Have completely overstretched myself

I sadly think oft he last day
I believed that could be done

Saw no age, no boundaries
Even defied the death

Suicide Mission
I can’t stand it
I am breaking down
Totally wounded
Lie to myself
All is lost
This is a Suicide Mission

Life seemed to me wihout meaning
Now finally I had the mission

First I flew along as if in a daze
Completely filled with a great vision

Yes, to heal you
And to redeem you
From the Trauma Suck

I ask myself on e last time
Why didn`t I look there?

Right in front of me the torture stake
And the warners shouted aloud

No demureness
Remote from earth
In wanting to be god burned

Refrain auf Deutsch:

Himmelfahrt
Alles zu hart
Brech‘ in mich ein
Blut wie ein Schwein
Total verschätzt
Tödlich verletzt
Das ist ein Himmelfahrtskommando

Suicide-Himmelfahrt-Mission

Petali Protocol

Seq07l L L    We are all born for love. It is the principle of existence and its only end.

Out of the blue

Supranaturel

Supranaturel 3

Musique et chant / Music and vocal: Ootol
Paroles et chant / Lyrics and vocal: Lukowig
Jaquette / Artcover: Solenne Efee

Paroles / Lyrics :

Petite Claire sous la lune,
au milieu des dunes,
se tient là, bien sage,
dans ce mystérieux paysage
naïf et désert,
éclairé par la pâle lumière lunaire.

Petite Claire parait perdue par moment,
perdue au milieu de ce vaste océan
de sable et de songes secrets
que la fillette ne veut dévoiler.
Rêve et pars dans ton univers imaginaire,
éclairé par une faible lumière lunaire !

Petite Claire sous la lune,
au milieu des dunes,
avec une feuille de papier s'en est allée
voir un dessinateur égaré,
et lui a demandé d'un air polisson :
"Dis, monsieur, dessine-moi un ourson !"

Petite Claire sous la lune

Petite Claire sous la lune [Ootol & Lukowig]

New meditative piano track! Listen and extend yourself. Please repost/like/comment if you enjoy the track🙏

Extensivity

Contre Temps

Contre Temps...

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

Tulipe est le surnom que ma mère m'avait donné quand j'étais enfant.
La musique de Tulipe est très variée, du rock au blues en passant par le  psychédélique et bien plus encore

Supranaturel 3

Tulipe

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