Orchestral, Classical and Soundtrack music from many composers

Classical / Orchestral music

Sentidos

Mixed Fiends 32

SoundCloud Weekly

2019_08_29

Lazy summer evening

This is a piano improvisation conceived around the Walt Whitman poem "Out of the Cradle Endlessly Rocking"  First Stanza is attached. This piece is meant to accompany the recitation of the first stanza of the poem.

Poem authored by Walt Whitman - first stanza:

"Out of the Cradle Endlessly Rocking"

by Walt Whitman

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,

Over the sterile sands and the fields beyond, where the child 
leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as 
if they were alive,

Out from the patches of briers and blackberries, 
From the memories of the bird that chanted to me, 
From your memories sad brother, from the fitful risings and
fallings I heard,

From under that yellow half-moon late-risen and swollen as 
if with tears,
From those beginning notes of yearning and love there in 
the mist,

From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,

Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.

BTC Studio Works: Piano Improvisation - "Out of the Cradle Endlessly Rocking"

David Francis : Guitar
Pat Cuatico : Guitar
Jeff Burns : Banjo
Aaron Howard : Jews Harp
Sami Buccella : Double Bass

Birthday Squirrel Jam 2014

Vocals by Uyanga Bold (www.uyangamusic.com)

Facebook: http://facebook.com/wlad.marhulets
Twitter: http://twitter.com/WladMarhulets
Visit Wlad's website: http://wladmarhulets.com

The Nile Princess

A dark, haunting theme representing the beauty, horror and power of the angel of death.  

Happy Halloween 2015 ! ! !

The Dark Angel - Dark, Cinematic, Haunting

Documentary Film Score work in progress.

Music by John Massari ASCAP

01 Fight Forward FULL ORCH VOX JM

Composer: John Massari ASCAP
Duduk: Roubik Aroutionian
'Cello: Margaret Maria
Performance: John Massari and Jonathan Padilla

REMEMBER DUDUK 2 ORCH VX REV MSTR

I was 20 when I wrote this piece, for my dad. He played the recorder then, this is a reworked version for the trumpet (cornet actually) - the recorder sounds good too. Illustration : http://west28.nl/Tubes/

Amoureux du dièse

Just Magic
Music and production by Earth Connector
Words and narration by Hank Beukema

Just Magic

Did you think it was all just magic
Or maybe just another dream?
They say
There's no such thing as coincidence
But at the time that's how it seemed
The words were true when we said them
We flew without coming down
Somewhere down the street there's music playing
But these days I don't hear a sound.

Did you think it was all just magic
Just a trick with smoke and tears?
The headlights show the road ahead
But I live in the rear view mirror
A friend came by yesterday
He asked me how you were
I said I don't really know anymore
I never hear from her.

The magic was in the moonlight
The magic was in your eyes
The magic's in the way we go on
When the heart just wants to die
The magic takes the brass
And turns it into gold
The magic keeps the memories alive
To warm you when you turn old

I never wrote that song that night
I never got it done
I promised you so many things
Before my legs forgot how to run
Full moon rising thru the clouds
Like a teardrop in the sky
The only time that's wasted
Is the time spent wondering why

Did you think it was all just magic
Just a trick I did with smoke and tears?
The headlights show the road ahead
But I live in the rear view mirror
A friend came by yesterday
He asked me how you were
I said I don't really know anymore
I never hear from her.

Hank Beukema Copyright revbuckman music 2012

Just Magic - Earth Connector and Hank Beukema

I wanted to make a sotto voce piece. 'Wo De Guyuan' has a massive synth pad I made to help bolster the string orchestra sound in an organic way. The FM8 patch is a sine wave with delay. It narrates evolving memories from the past.

Wo De Guyuan (My Hometown)

Lorsque l'on vit sa liberté pour saisir un rêve, il y a des voyages dont on ne revient jamais vraiment.
When you live your freedom to seize a dream, there are trips you never really come back to.

Océan / ocean
petite musique dans le vent / little music in the wind
le souffle de ta chanson passe / the breath of your song passes
et sans en avoir l’air, tu traces / and without seeming, you traces
un sillon qui fissure ma coque / a furrow that cracked my hull
et ma folle existence / and my crazy existence

mon obsession / my obsession
ma liberté / my freedom
océanique obstacle, obstiné / oceanic obstacle, obstinate

Odyssée / odyssey
voyage plein de péripéties / journey full of adventures
horizon sans vagues ni écume / horizon without waves or scum
émouvante géographie / touching geography
tu voudrais que sur tes contours / you would like that on your outlines
je pose mes bras tout autour / i put my arms all around

(choir) 
Ka taea / it's possible

mon coeur oblique / my oblique heart
mon coeur objecte, obnubilé / my heart objects, obsessed
par le clair-obscur d’un rivage oublié / by the chiaroscuro of a forgotten shore

Olifant / olifant
ton corps d’ivoire où résonne / your ivory body where resonates
l’appel de ces mers parcourues / the call of these seas traveled
la vision de ton âme nue / the vision of your soul naked
sous les assauts de vie terrienne / under the assaults of earthly life
qu’il faut habiller de soleil / that must be dressed with sunshine

(choir)
Ka taea / it's possible

rêve obséquieux / obsequious dream
oblongue et déformé / oblong and distorted
obscurantiste objet de toutes mes pensées / obscurantist object of all my thoughts

(choir)
Ka taea / it's possible

mon obsession /  my obsession
ma liberté /  my freedom
océanique obstacle, obstiné / oceanic obstacle, obstinate

après toi je cavale / after you i run
mais je reste bancale / but i remain wobbly...

(choir)
Ka taea / it's possible

Music, lyrics, voices and production by O.C.A

Ka Taea  - (headphones to dive...)

Video

Snowlight

Herzlich Willkommen zu unseren neuen Cover Song Amazing Grace.
Eine schöne zusammen Arbeit mit Colin Powell und Lisa Gill .
Wir hoffen Sie genießen diesen Cover Song genauso wie wir auch.
Ich spielte es auf Piano und Colin spielte Instrumente hierzu ein.
Lisa wollte gerne auf diesen Song Singen so kam es zu dieser zusammen Arbeit,
Wir wünschen allen viel Freude mit diesem Cover Song " Amazing Grace ".
Pianist : Oliver Papke
Voice : Lisa Gill    https://soundcloud.com/juniper-kiss
Instrumente : Colin Powell    https://soundcloud.com/a-multitude-of-one
Arrangemann Oliver Papke& Colin Powell 
Remastered by  Colin Powell 
Amazing Grace verdankt seine Entstehung einem Schlüsselerlebnis seines Autors John Newton, der Kapitän eines Sklavenschiffs war. Nachdem er am 10. Mai 1748 in schwere Seenot geraten und nach Anrufung des Erbarmens Gottes gerettet worden war, behandelte er zunächst die Sklaven menschlicher. Nach einigen Jahren gab er seinen Beruf sogar ganz auf, wurde stattdessen Geistlicher und trat gemeinsam mit William Wilberforce für die Bekämpfung der Sklaverei ein.
Die heute weltweit bekannte Melodie, die sogenannte New Britain, tauchte erstmals in einem Gesangbuch von 1831, dem Virginia Harmony auf. Sie ist pentatonisch und soll ursprünglich auf amerikanische oder englische Wurzeln zurückgehen, wird aber auch James P. Carrell und David S. Clayton zugeschrieben. Der ursprünglich zur Melodie gesungene Originaltext ist heute verloren. Der heute üblicherweise gesungene Text von John Newton wird gelegentlich auch mit einer anderen Melodie gesungen, der 1958 in Kentucky entstandenen Old Regular Baptist.

In ihrer Nachwirkung besonders bedeutsam ist die Harmonisierung, wie sie im Gesangbuch Southern Harmony von 1835 geboten wird. Die für dieses Hymnenbuch charakteristische Setzweise, in der die Hauptmelodie in der Mittelstimme liegt und von jeweils einer darüber bzw. darunter liegenden, leiser gesungenen Stimme begleitet wird, findet sich bis heute in US-amerikanischer Musik für Vokaltrios und wurde besonders bekannt durch den Stil der Andrews Sisters.

Oliver Papke & Colin Powell& Lisa Gill - AMAZING GRACE ( COVER SONG )

Loneliness

Loneliness-SV-Izhevsk

A song uploaded on YouTube Channel, Neptic Octasterus.(yt.vu/c/UC9CPjY4bdkr1thkzmJhtIag)
Artwork by Konstantinos Tsekeridis 

Subcribe here, if you want: goo.gl/s18Y86
Listen to the song: youtu.be/nqZnM60qrn0
Follow Konstantinos Tsekeridis: www.tsekears.tumblr.com/, www.tsekears.deviantart.com/

Follow Neptic Octasterus on:
Instagram: https://www.instagram.com/neptic.octasterus/
Facebook: https://www.facebook.com/NepticOctasterus/
BandCamp: https://nepticoctasterus.bandcamp.com/

Oceanic Song Of Melancholic Waves

"My Favorite Mistake" is my first collaboration with Roger/B-Train (@roger-b-train) and my 3rd collaboration with Jimena Arroyo (@jimenaarroyo).  I couldn't be happier to once again have a chance to work with Jimena,  especially considering how busy she is!  The woman is a songwriting machine and if you haven't checked out her cloud recently, I highly recommend you do!   Along with her numerous collaborations with some of the most talented individuals and bands here on SC, much of her time and musical energy has gone into her work with Jonnie Cook (@jonnie-cook) - the two of them having formed the up and coming duo Excorde (https://excordeofficial.wixsite.com/excorde)

"My Favorite Mistake" started as a personal challenge.  I came up with the main piano riff roughly a year ago and knew I wanted to write a song around it, but writing a song around a riff is not my usual songwriting process so I decided this was a good opportunity to develop some aspects of my songwriting which, up until that point, I had either not incorporated into my music or outsourced to a collaborator.  In particular, "My Favorite Mistake" is the first song for which I wrote my own bass line and beat. I've always struggled writing beats/creating drum tracks, so pushing myself to face that on this piece was definitely a little scary for me.  The other personal challenge I took on in writing this piece was in the production - especially with respect to the vocals.  I have very little experience mixing and producing vocals and I wanted to use this piece as an opportunity to learn and practice.  Of course, the more I fell in love with the song itself the more I wanted to change my mind and bring in a 'real' producer.  I have to thank both Jimena and Roger for their encouragement, feedback, advice and help which gave me the confidence to get it done.

What really brought this song together in the end was our (Jimena's and my) decision to invite a 3rd collaborator to join us.  I had been working on mixing/producing the 'final' version for quite a while, but it always felt like something was missing.  We decided that the solution might be to bring in one more person to join us.  After thinking about it independently for a bit, Jimena and I both came up with the same name - Roger/B-Train (@roger-b-train).   So, I emailed Roger, shared a couple versions of what we were working on and asked if he might be interested in joining us and to our excitement, he enthusiastically agreed!  What I love so much about Roger's contribution to the final recording is how he manages to compliment and enhance Jimena's voice - as emotive as Jimena is whenever she sings, Roger's guitar really brought out the emotion in her voice even more.  At the same time, he used and left just the right amount of space from start to finish - the result being a song that has a lot to appreciate - I particularly enjoy the interplay/dialogue between all 3 of as the song progresses - without ever feeling too crowded or busy.

Well, you're all here to listen to music, not to read an essay so I'm going to wrap this up.  To Jimena and Roger - it was wonderful working with both of you!  To everyone taking the time to listen - thank you so very much for spending your time with us!  We live in the most insanely busy and fast-paced time in history.  We also exist in a world that is flooded with talented and entertaining people.  To me, there really is no greater compliment than when someone chooses to spend some of their precious time listening to my/our music.

Credits:
Piano & instrumental composition: Matham Wilsoned (@matham-wilsoned)
Vocal composition & lyrics: Jimena Arroyo (@jimenaarroyo)
Guitar: Roger Chandler (@roger-b-train)

My Favorite Mistake (Jimena & Matham Wilsoned Ft. Roger B-Train)

Die ist eine schönere Version von ,,84", die von Michael Spielmann interpretiert wurde (https://soundcloud.com/search?q=michael%20spielmann). Ich denke, das Stück klingt verbessert und vergrössert. Ich bin dafür so dankbar ! 

[Bild: http://www.olgakuczer.com/portfolio_page/metatron-merkabah-sacred-geometry/]

84 - 3 - COLLAB with Michael Spielmann

A moment in time

This is the fifth and final nocturne in a series of five nocturnes written for the left hand solo.
The pianist is Jeanell Carrigan.
CD release: 'The Voice of Love' (Wirripang)
Recorded in the Verbrugghen Hall, Sydney Conservatorium of Music - August/September 2017.
The piano is a Fazioli.
Recording Engineer: David Kim Boyle
Image: Cold Winter Rain by incolor16

Nocturne in E minor for the left hand solo (piano)

An improvised session on my new Octatrack. All loops and sounds created in Ableton Live and then exported to Octatrack for live session and slicing.

Octa Electra Orch(a?)

All rights reserved by Enchanted, 2018.

Vocal arrangements and lyrics by Amanda Aalto. Produced by Amanda Aalto. 

Cover artwork by Amanda Aalto
https://www.deviantart.com/amandaadigitalart

Lyrics:

He was born
when the fall
brought down the rain
And the clouds were black
Thunder raged
through the skies

And they gave 
him a name
that brought him fame
When he grew up
and left his home
towards the unknown

Facing the danger 
Facing the unknown
His heart guided him through it all
Towards new lands
Towards new seas
He found the magic in his soul
The words untold

He was called the Child of the Storm
and through him all the magic was reborn
reborn

Embracing his shadows
and he fought them down
Sailing across the waters
under the pale stars
Healing his wounds
Chasing the demons
of the mankind
Risking his life
for all those poor souls

Follow your heart
Your heart

Learning the magic
The way to his inner soul
He studied hard and found a way of his own
Following his teacher,
the man who raised him up
They held the magic in their hearts no man could undo

He was known as the Child of the Storm
and through him all the magic was reborn
reborn

Preparing his boat
for the one last time
Sailing across the waters
under the windy skies
Saying his farewell
Facing the demons
for the one last time
He spent all his powers
and then he fell down

The symbol laid on his forehead
as they laid him down
Towards the city of the dead
And the white flowers filled the air
and people stood there
Letting their saviour go

Change your stars
Your stars

He ruled the air, 
the seas, the earth
He healed the injured, 
cleansed the dirt
He walked the land
of the dead
Spoke the words
none had ever said

The Child Of The Storm

Origins

Ooh..

When the darkness comes
You can look for me
When the darkness calls(it calls)
You can look for me...

Let me be your lullaby
Only dream of me(only dream of me)
Let me be the voice you take
Through the night

You can mark my words
I will be always be
The voice you know 
As you close your eyes with me...

Let me be your lullaby 
Only dream of me
Let me be the voice you take
Through the night
And you can hear my lullaby
And only dream of me
Take me through the night
The night

I want you to take me(your lullaby)
I want you to take me (I’ll be your lullaby)
I want you to take me
Through the night

And you can hear my lullaby
And only dream of me
Take me through the night
Take the night

LULLABY

Journey To Dark Castle, Symphonic Poem for Orchestra (mastered by eMastered.com)

Musique originale composée pour le reportage "Enquêtes spéciale aux Magnolias" réalisé par LE FILM'ANTHROPE
Association La Chrysalide - MARSEILLE

84 - 3 - COLLAB with Michael Spielmann

tuning_in_thunin