Sparse and crowded at the same time, excellent work!

More on Naviar Haiku: https://www.naviarrecords.com/2021/12/15/naviarhaiku415-a-cool-breeze-blowing/

I would humbly suggest to download the HD file and listen through headphones. The SC transcription is unfriendly to the sounds :).

Bare Trees, Autumn Sky

Bare Trees, Autumn Sky - Naviarhaiku415

Other versions:
https://soundcloud.com/albobbidwell/the-richest-man-in-town-0
https://soundcloud.com/albobbidwell/take-yr-mask-off
https://soundcloud.com/albobbidwell/the-richest-man-in-town-7
https://thescousers.bandcamp.com/track/the-richest-man-in-town
https://thescousers.bandcamp.com/track/richest-man-in-town

The Richest Man in Town / Take Your Mask Off

Track was created as part of the "Archipelago"(installation in "Tuning" project in GES-2), but it the end it didn't fit there. and became part of the Ground Solyanca "Sensory Culture Archive"

Now I'm Here

NECTO

You can not use any of this music without permission

Don't Laugh at Me

Sorry!! Too boingey, noisey and random!! Sounds like a broken arcade game ...

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

More on this 615th weekly Disquiet Junto project, Introspective Failure (The Assignment: Fall short again, this time on purpose), at: https://disquiet.com/0615/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0615-introspective-failure/

more halF unusuaL

halF failurE [disquiet0615]

I chose a few short tracks originally used as effects-fodder (not exactly discarded but pinched from other sources then distorted beyond recognition) and subjected them to various plugins found in Audacity – reversing, stretching, tempo-fiddling, distortion, reverb, delay, pitch alteration and tone enhancement. This was done without first auditing the selections, just to make the results a bit more problematic. No step was reversed, no sound discarded.

I then tried to make sense of what I’d done – tell a story, perhaps…

Turned out marginally better than I expected.

----------------------------------------------
The Assignment: Use recently discarded material to make something new.

Step 1: At the end of the calendar year, people often participate in holidays that result in lots of leftover food. Think about the leftovers — discarded tracks, or MIDI files, or ideas — that result from your music-making process.

Step 2: Scrounge around on your hard drive and recording equipment, and in your memory, to access the sort of creative leftovers that came to mind in Step 1.

Step 3: Make a new track primarily using the resources that surfaced in Step 2. You can, of course, add new material. And be sure to reheat sufficiently.

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

More on the Disquiet Junto at: https://disquiet.com/junto /

Re-psychle (disquiet0621)

Instrumental#works

This track, my contribution to the Disquiet Junto Project 0629, was created in exceptional circumstances and has a very special meaning to me.

For creating this I selected the middle section of my track https://soundcloud.com/rabmusiclab/rabbits-delight, cut in into a jigsaw puzzle of 6 pieces, present these pieces to the listener first, and then put the puzzle together piece by piece.

More on this 629th weekly Disquiet Junto project, Jigsaw Logic — The Assignment: Break a piece of your music and put it back together again — at: https://disquiet.com/0629/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0629-jigsaw-logic/

Rabbit's New Life  (Disquiet0629)

Pushing forward with world building, narrative driven sound system music, Lifted Icons' next release comes with 5 tracks from 4 different artists exploring urban dystopian futurism. An EP fuelled by drones, arps, polyrhythmic percussion, sonic materials and no small amount of dread anxiety.

Gravel

Quiet Beneath

Hamid Al Matiq - Quiet Beneath

R Humanity - ste rozza - melancholy ambient groove

R Humanity

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Re-psychle (disquiet0621)

Tuonela

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Magi©ian™ (Making music make a difference)

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