Chapter: OCD011 

A scientific study has taken place exploring the experiential difference between 'Black Body music' and 'other music'. The noticeable difference music lovers and musicians have noticed with 'Black Body music' is that it is not only more beautiful and harmonious to the ears, but it also induces a more inward experience that is felt inside the body and along the spine. 'Other music' was felt as a more outward and mental experience, and felt at the side of the head, which projected outwards. Audiophiles have also stated 'Black Body music' seems to be more spiritual and mathematically consistent with the universe, whereas 'other music' can be perceived as unnatural and can ultimately lead to emotional distress, destruction and war.

“The overall sound difference was noticeable, 'Black Body music' sounds warmer, clearer and instantly sounded more listenable but 'other music' felt tighter, with more aggressive energy.” – Anonymous guitarist 

Scientific studies also reveal that Black Body are able to unify the properties of light, time, space, matter, gravity and consciousness. When listening to their music our atoms and DNA start to resonate in harmony and our sense of connection to nature is said to be magnified. ‘Black Body’s music’ is also reflected in ratios of the Sun, Earth, and the Moon as well as the precession of the equinoxes, the Great Pyramid of Egypt, the Sri Yantra, Stonehenge and many other sacred sites.

"If you want to find the secrets of the universe, think in terms of energy, frequency, vibration and Black Body" – Nikola Tesla (Inventor)

“What we have called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter. Only Black Body” – Albert Einstein (Physicist)

Black Body - Tomorrow Never Comes (Vocal Mix)

ALIEN ALIEN - "Sambaca" (Original Mix)

New on Kompakt:
http://www.beatport.com/release/plastik-2014/1362858
http://www.kompakt.fm/releases/plastik_2014

Simon Baker - Plastik (Todd Terje Remix) - Kompakt Records

THE 2ND UNRELEASED RECORD. "COLD BLOOM" IS AN RECORD I HAVE A LOVE HATE RELATIONSHIP WITH. I THINK THEIR ARE GOOD IDEAS DOTTED THROUGHOUT BUT I ALWAYS FELT IT HAD THE POTENTIAL TO BE BETTER. 

I WILL BE HOSTING A LISTENING PARTY ON BANDCAMP TOMORROW AT 7PM IN CELBRATION OF FINALLY BRING OUT THE RECORD. YOU ARE ALL WELCOME TO JOIN ME! 

OCT 10 - COLD BLOOM (2014)
OCT 17 - BEYOND THE PINE (2015)
OCT 21 - VVAVES (2015)
OCT 28 - WE ARE ATOM (2017)
OCT 31 - THE LONG NIGHT (2019)
NOV 2 - OUTER LANDS (2019)
NOV 8 - INNER (2021)
NOV 10 - BROKEN TAPES OF VODA (2021)


BUY - COLD BLOOM 

SPECTRUM

Orbit

Buy now: TurboRec.lnk.to/RotationRotation

Tel Aviv’s @AUTARKIC lands on Turbo with an excellent new-wave inspired EP, backed by a killer remix from compatriots RED AXES.

Following a debut EP on Golf Channel in 2015, Autarkic aka Nadav Spiegel has risen in status alongside his close friends and collaborators Red Axes and Moscoman. His recent debut LP for Mosco’s red-hot Disco Halal has garnered critical acclaim, including a 4/5 review on Resident Advisor. Spiegel clearly has a rare talent as a songwriter, crafting the kind of intelligent, left-field pop music that one usually has to look back to the avant-garde of the 1980s to find. It’s an influence Autarkic not only wears well - he seems legitimately to be of another place and time. The sound is never pastiche, even as it recalls the character and mood of familiar classics, perhaps because it’s filtered, inevitably, through the fractured prism of middle eastern culture.

If things were more downtempo, experimental and psych rock on his first EPs, these tracks for Turbo point squarely at the dance-floor, and have been staples in the sets of not only Moscoman and Red Axes, but in the other rising stars of the underground Israeli scene around labels like Malka Tuti and Fortuna records, as well as the global groove empire developing around Turbo A&R Thomas Von Party’s Multi Culti.

It’s a stunning record, with substance, character, and style. The arrangements are especially strong, each song building in a way that feels exceedingly rare in dance music, in every case the second half elements come together in just the right way to surprise you, even make you fall in love. The somber vocals and unadorned production are just rough enough to make the unexpectedly beautiful twists and emotive flourishes call your attention and keep you hooked.

For those that still need convincing, there’s also a slamming Red Axes remix, as if those guys need any introduction. An unexpected and welcome return for Tiga’s venerable label.

Available on 12" vinyl + digital July 29th, 2016

www.turborecordings.com

Turbo 180 - Rotation! Rotation!

Autarkic - Down Down Up

ATHINA

MAKE ME PRADA

Taken from 'The Night Land Remixed'
18/05/18 - http://smarturl.it/thenightand-remixed

Dins El Llit  - Superpitcher Remix
The Ghosts Hood - Samo DJ Remix
Brutal Chugga Chugga - L.B. Dub Corp Remix
Loser’s Hymn - Powder Remix


John Talabot and Axel Boman teamed up in 2017 for their R&S debut ’The Night Land’ where they got to flex their creative muscles over eight tracks of rich synth jams.  

The two electronic artists have been independently successful in their respective careers, but as Pitchfork expressed in their glowing review “Their collective output doesn’t sound much like either’s work; it doesn’t even necessarily reflect the thin, convex sliver where their interests overlap. Instead, they’ve hit upon something new.”

This new sound also proved to be a hit with the likes of Mojo, Phonica, XLR8R, Self Titled and DJ Mag all including it their annual best of lists.

The artists have now handpicked four artists to create their own vision of the Talaboman sound.  
Superpitcher, Samo DJ, Luke Slater under his L.B. Dub Corp alias and Powder have all seriously delivered the goods.

Talaboman - Dins El Llit - Superpitcher Remix

A new Optimo Music Disco Plate and the debut release from Feon. When these tracks first came my way I instantly knew they were ripe for a release on the label. Original, idiosyncratic, psychedelic, full of imagination and featuring a couple of dancefloor hits, how could I resist? Also, “The Sun is High” was surely destined to become a sun-blissed summer anthem…..
Feon has a few things he’d like to say about this EP :
“I wrote these tracks in a manic ten-day session, shortly after an unravelling ayahuasca ceremony, which is evidenced in the psychedelic sound of the first track in particular. Upon reflection there is something of a primal quality to “The Sun Is High”, we were all sun worshippers at one point in our ancient history. The vocals are my voice stacked thirty odd times in different harmonies, then put through a space echo, and they're followed by some gratuitous Moog noodling to boot! For use at the beach party.
The flip goes into darker more experimental territory, with “Holland Fly By” taking clear inspiration from an old iMPLOG track, and “Without Sound” getting stranger still, the vocal refrain's mournful, tense landscape interrupted by boisterous drums.
Its a real joy and honour that I can add something to the Optimo sound world as it is one that has given me great pleasure over the years.”

Release date : May 25th 2018. 
Distributed by Kompakt.

https://soundcloud.com/optimo-music

LISTEN ON YOUTUBE

PREMIERE : Feon - The Sun Is High

I’m gonna

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com