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Brussels-based duo return to Turbo backed by remixes from Warp legends The Black Dog.
 
Following on a massive year that saw them provide debut releases on new labels Valence and Exit Strategy, feature on Innervisions ‘Secret Weapons’ series, and remix electronic music pioneers The Black Dog and Black Devil Disco Club, it’s no wonder that the UK’s DJ Mag would pick them as ‘Ones To Watch In 2016’.  Fresh off a January release on Get Physical, @GoldFFinch ’s Yoann and Giles turn in the aptly titled ‘Proliferation’ EP.
 
Highlighting the essence of their influences in jacking Chicago house, trippy Detroit techno, with a little bit of Sheffield bleep thrown in for good measure, ‘Proliferation’ is a versatile, understated club weapon, expertly building and releasing tension, raising energy levels without resorting to obvious rises or superfluous production tricks. ‘Shape’ adds the claps-on-kicks jack without losing the hypnotic vibe. ‘For Future Use’ nods to the chosen remixers, with synth lines that recall old-school Warp electronics.

The Black Dog bite back with two remixes,  v.1 harder edged, with more stern techno edges while v.2 rounds things out with a housier sound and an epic, end-of-the-night feeling.

RELEASE DATE: April 22, 2016

www.turborecordings.com

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GoldFFinch - For Future Use (Bitten By The Black Dog V.2)[Digital Exclusive]

Turbo Recordings was founded by Tiga in Montreal back in 1998. In addition to launching his own career, the label has been integral in the success of acts like Chromeo, Gesaffelstein, Duke Dumont and most recently, ANNA & Charlotte de Witte. Core talent includes ZZT (Tiga's collaboration with Zombie Nation), Jori Hulkkonen, BETON, Clouds, Harvard Bass, Pilo, Shaded, Dimitri Veimar and a host of new young producers in genres ranging from pure techno, electro, and house to pop. The list of artists who have released music on the label is a veritable 'who's who' of top-level talent spanning a broad musical range, and this, along with a commitment to beautiful design, has earned the label respect in the industry and a cult following among fans. 

“We started out singing into plastic bags and shipping them to stores as quickly as possible. Later, we discovered that vinyl sounds way better when delivered by kayak. I learned so much the first few years…Now, as I look towards the future, I can envision music for poor people, sonic odors for the hearing impaired, even MP3s for women....Vroom, sucka!” says Tiga, the lyrical lampsman lighting the way down Dance Avenue.

For licensing inquiries: licensing@turborecordings.com