Booking: chris@mita-agency.com

http://www.mita-agency.com/artists/dragon-suplex/

Mythical creatures never fail to fascinate those who come in contact with them. Enter Dragon Suplex, a tune producing beast from Zurich, Switzerland. After listening to some of its productions, it’s not hard to figure out where the dragon moniker comes from. The tunes all have a fire breathed into them, a warmth that glows with quality while at the same time making you shake your ass like you were on the set of Dance Party USA.

Born in 2012, Dragon Suplex evolved from a two-headed creature into a single-minded animal, and it’s no surprise that with Treezy in control, the fires blaze as ever. He’s been tuning his craft for more than ten years; first starting on hip-hop cuts and mix tapes. As time went on, the raps disappeared from the tapes and the production took center stage, following a more electronic direction.
Treezy has an ever growing collection of vintage synthesizers in his dragon’s lair, which helps to shape his current sound; throwback 80’s jam, rich house tracks and straight disco. The sets effortlessly meld the genres together like it was meant to be; throw in a hefty dose of Treezy’s own productions into the mix and you’ve got some smooth listening that gets partygoers on the floor, stat.

Highly recommended by a number of blogs, performing DJ-gigs and convincing live-sets with analog equipment all over Europe, Dragon Suplex is getting noticed because it should. And if this beast keeps producing the way it does, it probably won’t be long until the myth turns into a legend.

all mixes are recorded Live at the finca in the countryside, played to friends, wife and children. it's not all about club life. Music is about bringing people together whether it would be in a club or your backyard with your nearest and dearest.

Feast your ears

Two music making, tea drinking, boys from the Shire…

Catch us online every thursday!
17:00 - 18:00 GMT LONDON TIME
@ www.thesessionworldwide.com

Music is the greatest communication in the world, a universal language, understood by all.  Your kicks, comforts and satisfaction can come in many different ways, but there is an isolated, secluded part of you that only good music can reach. 

Brother Bear Sessions, operated by Young Sol, explores and promotes a variety of sounds and styles that really talk to you, from different countries and cultures across the map.

Journey through House, Techno, Disco/Edits, Lounge, Hip Hop, Funk & Soul, Jungle, Drum & Bass, Latin, Jazz, Afrobeats, Dub, Ambient and other experimental genres

Free your mind... your ass will follow!

Like us on facebook for merch & vinyl giveaways

Please no submissions, all artists are chosen for their individual style.

Demos for premieres: brotherbearrecords@gmail.com

<a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Ewan Pearson's Upcoming Gigs </a>Saturday 05 July, 2014 <a href='http://gigs.gigatools.com/u/EwanPearson' target='_new'>Garden Festival, Tisno, Croatia</a> <a href='http://www.gigatools.com' target='_new'>Powered by GigaTools</a> Ewan Pearson has been making music for a living since 1998. In that time he has worked as a recording artist (Maas, World of Apples, Partial Arts), a remixer (Depeche Mode, Chemical Brothers, Goldfrapp, Cortney Tidwell, Junior Boys, Metronomy), a record producer (The Rapture, Tracey Thorn, M83, Delphic), a DJ (Space, Robert Johnson, The Loft), as well as being a published academic (‘Discographies’, Routledge: 1999, with Jeremy Gilbert) and music columnist (Groove Magazine, Germany 2007-present).

‘The Venus Williams of the DJ World’ The Guardian

‘One of the world’s most trusted authorities on electronic music’ iDJ

‘The ultimate poster-boy for dance music geeks.’ Eye Weekly

‘Dance music’s smartest cheerleader’ Time Out Chicago

‘You may never quite be sure what you'll get from Ewan Pearson, but you can always be sure it'll be worth getting.’ Resident Advisor

‘Someone with an up-to-the-minute knowledge of dance trends as well as an understanding of what makes trad songwriting tick... We’re lucky to have him.’ Pitchfork

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Bookings - 
Simon Morell | Worldwide
simon@thefinaagency.com

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Turn piece is following